Franklin Carmichael
(1890 - 1945) Group of Seven, Canadian Group of Painters, OSA, RCA, CSPWC
Previously Sold Works
FRANKLIN CARMICHAEL
Autumn Tangle
oil on beaverboard
inscribed “No. 28” with the artist estate stamp on the reverse
9.75 x 12 ins ( 24.8 x 30.5 cms )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $204,000.00
Sale date: June 8th 2023
FRANKLIN CARMICHAEL
Winter, 1916
oil on board
signed and dated 1916 lower right; titled “Down in the Valley, 1916” on a label on the reverse
22 x 23.75 ins ( 55.9 x 60.3 cms )
Auction Estimate: $100,000.00 - $150,000.00
Price Realized $168,000.00
Sale date: December 6th 2023
FRANKLIN CARMICHAEL
Orillia (1915)
oil on double board
titled, dated 1915, inscribed “OS-2-A” with the estate stamp on the reverse
8.25 x 10.5 ins ( 21 x 26.7 cms )
Auction Estimate: $40,000.00 - $60,000.00
Price Realized $144,000.00
Sale date: June 9th 2021
FRANKLIN CARMICHAEL
Reflections, La Cloche Hills
oil on board
signed, dated 1936 and inscribed "original sketch by Franklin Carmichael, signed by his wife” with a signed stamp (dated Sept. 1971) by J. Russell Harper on the reverse
10 x 12 in ( 25.4 x 30.5 cm )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $96,000.00
Sale date: May 30th 2024
FRANKLIN CARMICHAEL
Bracken, Lansing
oil on panel
signed and dated 1923 lower right; signed, titled and the Estate stamp on the reverse
10 x 12 ins ( 25.4 x 30.5 cms )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $69,000.00
Sale date: November 22nd 2016
FRANKLIN CARMICHAEL
Study of Trees, Autumn (circa 1920-22)
oil on beaverboard
signed lower right; signed, titled and inscribed “Sketch” and “OS39” with the artist estate stamp on the reverse
10 x 12 ins ( 25.4 x 30.5 cms )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $60,000.00
Sale date: June 15th 2022
FRANKLIN CARMICHAEL
Lake and Hills
watercolour and graphite
signed lower right; titled on a label on the reverse
11.25 x 13.5 ins ( 28.6 x 34.3 cms ) ( sight )
Auction Estimate: $30,000.00 - $40,000.00
Price Realized $50,400.00
Sale date: December 6th 2023
FRANKLIN CARMICHAEL
La Cloche Landscape
watercolour and graphite
signed and dated 1939 lower right
11.5 x 13.25 in ( 29.2 x 33.7 cm ) ( sheet )
Auction Estimate: $30,000.00 - $40,000.00
Price Realized $45,600.00
Sale date: May 30th 2024
FRANKLIN CARMICHAEL
Old Orchard
oil on board
signed and dated 1940 lower right; signed with insignia, dated 1940 and inscribed “16” on the reverse
30 x 36 ins ( 76.2 x 91.4 cms )
Auction Estimate: $500,000.00 - $700,000.00
Price Realized $475,000.00
Sale date: June 12th 2017
FRANKLIN CARMICHAEL
Cheltenham
oil on board
titled, dated “June 1928”, inscribed “OS120” with the Estate Stamp on the reverse
10 x 11.75 in ( 25.4 x 29.8 cm )
Auction Estimate: $30,000.00 - $40,000.00
Price Realized $28,800.00
Sale date: May 21st 2024
FRANKLIN CARMICHAEL
The Dead Spruce; Bolton, Ontario; Evening; La Cloche No. 1; July Afternoon; Summer Day, Orillia
6 colour lithographs
each unframed
15 x 17.25 ins ( 38.1 x 43.8 cms ) ( each sheet )
Auction Estimate: $100.00 - $200.00
Price Realized $177.00
Sale date: August 11th 2020
Consignments
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F. Carmichael Biography
(1890 - 1945) Group of Seven, Canadian Group of Painters, OSA, RCA, CSPWC
Born in Orillia, Ontario, he worked for his father who was a carriage maker and received a good part of his early training in design from him. He took painting lessons from Canon Greene (believed to be one of the parsons on which Stephen Leacock based the character of Dean Drone in “Sunshine Sketches”). In 1901 he met Willian J. Wood another Canadian artist who like himself was aspiring to become a full time painter. Carmichael gave continued encouragement to Wood throughout his life.
In 1911 Carmichael arrived in Toronto and attended the Ontario College of Art where he studied under William Cruikshank and G.A. Reid, also at the Toronto Central Technical School under Gustav Hahn. He began an apprenticeship at the Grip Engraving firm in 1911 where he met Thomson, Lismer, McDonald, Varley and others with whom he sketched on week ends and holidays. A.Y. Jackson in his autobiography described Carmichael in these words, “Frank Carmichael was the youngest member of the original Group, a lyrical painter of great ability and a fine craftsman. He was never free to devote all his time to painting...” It was in 1913 however, that Carmichael had saved enough money to study in l'Académie Royale des Beaux-Arts, Antwerp, Belgium, under Isidor Apsomer and G. Van Du Leben. On his return to Toronto in the winter of 1914-15 he shared accommodation in the Studio Building with Tom Thomson until he married and established a home.
In the following years he worked for Rous and Mann and Sampson-Matthews. As art director for one of these firms he had as an assistant, A.J. Casson from 1919 to 1926. He was a successful industrial designer with a speciality in kitchen utensils and has been credited with introducing the oval dish pan for a steelwares firm. In his paintings he chose Northern Ontario landscapes, and villages of trim box like homes. In 1925 Carmichael helped form the Canadian Society of Painters in Water Colour with A.J. Casson and F.H. Brigden, a society which kept alive interest and development in this medium.
Paul Duval in his book “Group of Seven Drawings” noted Carmichael was better known for his graphic art and wood engravings, particularly in book illustration. He designed and illustrated Grace Campbell “The Higher Hill” all published by Collins of Canada. Most of his painting before 1925 was done in oils, but after that date he turned to watercolours, block prints, and engravings.
He won a silver medal in 1926 at the Sesquicentennial Exposition. In 1932 A.H. Robson wrote, “...His principal reputation to-day rests upon his water-colour paintings in which the medium he has attained an enviable reputation of organization, beauty of design, and the charm of subtle and refined colour.” This was written in the year that Carmichael left the commercial art field for a teaching post at the Ontario College of Art where he remained head of the Graphic and Commercial Art Department until his death.
Keenly interested in music he played the bassoon, cello and flute, and took part in the University Orchestra presentations and other group performances. In 1936 he exhibited in the Group of Seven retrospective show in Toronto. A memorial exhibition of his paintings, and woodcuts was held at the Art Gallery of Toronto in 1947. Another exhibition of his work at the Mount Slavein School, Orillia, in 1960. He is represented in the collections of The Art Gallery of Ontario, Hart House, University of Toronto; Vancouver Art Gallery; St. Hilda's College Toronto; Montreal Museum of Fine Arts; National Gallery of Canada by a dozen or more paintings; National Gallery of South Africa, and in many private collections.
He was a member of the Ontario Society of Artists (1917) (Pres. 1938); Canadian Society of Painters in Water Colour (1925 Founding Member); Canadian Group of Painters (1933 Founding Member); Royal Canadian Academy (ARCA 1935 RCA 1938); Arts and Letters Club, Toronto.
Source: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977