Jack Hamilton Bush
(1909 - 1977) Painters Eleven, Canadian Group of Painters, OSA, ARCA
Previously Sold Works
JACK HAMILTON BUSH
Church at Mattawa (1947)
oil on paperboard
signed lower left
8.5 x 11 ins ( 21.6 x 27.9 cms )
Auction Estimate: $5,000.00 - $7,000.00
Price Realized $5,428.00
Sale date: June 23rd 2020
JACK HAMILTON BUSH
In the Morning
oil on board
signed lower left; signed (”Jack Bush, Toronto”), titled, dated “Oct. 1947” and inscribed “Mattawa”, “P-170” & “24” on the reverse
8.5 x 11 ins ( 21.6 x 27.9 cms )
Auction Estimate: $5,000.00 - $7,000.00
Price Realized $5,400.00
Sale date: March 1st 2022
JACK HAMILTON BUSH
Old Lumber Mill (1944)
oil on board
signed lower right
8.5 x 11 ins ( 21.6 x 27.9 cms )
Auction Estimate: $5,000.00 - $7,000.00
Price Realized $5,400.00
Sale date: October 10th 2023
JACK HAMILTON BUSH
Three and Blue Loop
colour serigraph
signed, dated 1971 and numbered X/XV in the lower margin
33.75 x 25.25 ins ( 85.7 x 64.1 cms ) ( sheet )
Auction Estimate: $3,000.00 - $5,000.00
Price Realized $4,830.00
Sale date: June 14th 2017
JACK HAMILTON BUSH
Orange, Pink, Brown
colour silkscreen
signed, dated 1965, numbered 100/100 and inscribed “Toronto” lower right
26 x 20 ins ( 66 x 50.8 cms )
Auction Estimate: $1,500.00 - $2,500.00
Price Realized $4,956.00
Sale date: July 16th 2019
JACK HAMILTON BUSH
Red Stripes - New York
original colour silkscreen
titled and dated 1965 and inscribed “PR 25” (Jack Bush Estate Inventory Number) on the reverse
26 x 20.5 in ( 66 x 52.1 cm ) ( sheet )
Auction Estimate: $5,000.00 - $7,000.00
Price Realized $5,040.00
Sale date: September 24th 2024
JACK HAMILTON BUSH
On the Beach
watercolour
signed lower right; signed, titled, dated 1946 and inscribed “Thunder Bay, Ont.” on the reverse
7.5 x 12.75 ins ( 19.1 x 32.4 cms ) ( sight )
Auction Estimate: $3,000.00 - $4,000.00
Price Realized $4,800.00
Sale date: October 26th 2021
JACK HAMILTON BUSH
Jeté en l’air
serigraph in colours
signed, titled, dated 1976 and numbered 11/100 in the lower margin
29.5 x 40 ins ( 74.9 x 101.6 cms ) ( sight )
Auction Estimate: $4,000.00 - $6,000.00
Price Realized $4,800.00
Sale date: May 30th 2023
JACK HAMILTON BUSH
Sash (Toronto 20)
colour silkscreen
signed, dated 1965, numbered 40/100 and inscribed “Toronto” lower right; titled, dated and numbered on a gallery label on the reverse
26 x 20 ins ( 66 x 50.8 cms ) ( sheet )
Auction Estimate: $3,500.00 - $5,500.00
Price Realized $4,680.00
Sale date: June 1st 2021
JACK HAMILTON BUSH
Cross Over
colour screenprint
signed, dated 1974 and numbered in the lower margin
34.25 x 25.5 ins ( 87 x 64.8 cms ) ( sheet )
Auction Estimate: $4,000.00 - $6,000.00
Price Realized $4,560.00
Sale date: February 1st 2022
JACK HAMILTON BUSH
Red Stripes - New York
colour silkscreen
signed, dated 1965 and numbered “90/100”; unframed
26 x 20.5 ins ( 66 x 52.1 cms ) ( sheet )
Auction Estimate: $3,000.00 - $5,000.00
Price Realized $3,960.00
Sale date: April 18th 2023
JACK HAMILTON BUSH
Red M (from the Loop Series)
screenprint in colours
signed, dated 1971 and numbered 18/100 lower right
25.5 x 33.5 ins ( 64.8 x 85.1 cms ) ( sheet )
Auction Estimate: $1,500.00 - $2,500.00
Price Realized $3,600.00
Sale date: October 10th 2023
JACK HAMILTON BUSH
Yellow Mark
colour screenprint
signed, dated 1971 and numbered “II/XV” (Artist’s Proof) in the lower margin; unframed
33.75 x 25.25 ins ( 85.7 x 64.1 cms ) ( sheet )
Auction Estimate: $3,000.00 - $5,000.00
Price Realized $3,600.00
Sale date: October 10th 2023
Consignments
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Jack Bush Biography
(1909 - 1977) Painters Eleven, Canadian Group of Painters, OSA, ARCA
A founding member of the Painters Eleven group and the subject of major retrospectives at the Art Gallery of Ontario (1976) and the National Gallery of Canada (2014), Jack Bush (born March 20, 1909 in Toronto; died January 24, 1977 in Toronto) was one of Canada’s most influential artists. Among the first Canadian painters of his generation to achieve international success in his lifetime, Bush was a masterful draftsman and colourist whose works are coveted by major institutions and private collectors throughout the world. Born in the Beaches neighbourhood of Toronto in 1909, Bush spent his childhood in London, Ontario, and Montréal, Québec, where he studied at the Royal Canadian Academy and apprenticed as a commercial artist in his father’s business, Rapid Electro Type Company. After relocating in 1928 to work in the firm’s Toronto offices, his interest in fine art grew through contact with members of the Group of Seven, the Ontario Society of Artists, and the Canadian Group of Painters. Working as a commercial artist by day, Bush painted and took night classes at the Ontario College of Art (now the Ontario College of Art and Design University) throughout the 1930s, studying under Frederick Challener, John Alfsen, George Pepper, J. E. H. MacDonald, and Charles Comfort. After forming the commercial design firm Wookey, Bush and Winter in 1942 with partners Leslie Wookey and William Winter, Bush remained engaged in the graphic art world until his retirement in 1968.
Like many of his contemporaries in Toronto, Bush had little exposure to international trends of modernism during his formative years as a painter. For nearly two decades, he drew inspiration for his landscape and figural paintings from works by members of the Ontario Society of Artists and the Canadian Group of Painters. Though he began to incorporate non-representational elements in his work in the late 1940s, Bush’s more focused experimentations with formal abstraction in the early 1950s reveal the conspicuous influence of his eventual encounters with modern artwork in Toronto and New York City. In 1953, Bush joined the newly-founded Toronto artist group Painters Eleven. Through his involvement in the group’s efforts to promote abstract painting in Canada, Bush met the influential New York City art critic Clement Greenberg. Their resulting friendship would influence Bush’s early development as an abstract painter, with Greenberg serving as an occasional mentor to the artist, encouraging him to abandon his Abstract Expressionist style in favour of a brighter, more refined palette and technique. Through his association with Painters Eleven, Bush became closely tied to Colour Field painting and Lyrical Abstraction—two movements that had evolved from Abstract Expressionism. After the group disbanded in 1959, Bush’s distinguished career was marked by numerous achievements, including the opportunity to represent Canada at the São Paulo Art Biennial in 1967, after which his art found considerable commercial success in the United States (Bush had already been showing his work in New York City since 1962). In 1963, Hugo McPherson in his review of Bush’s showing at the Gallery Moos, Toronto, linked Bush with Matisse as follows, “...he reminds us of the classical joy and simplicity of the later Matisse. This is his richest vein. His comments on France, Italy, and Spain, and his observations titled ‘Red on Pink’ and ‘Growing Plant’ are at once spare and bright and probing.”
In 1972, Bush was the subject of the inaugural survey exhibition in the modern wing of the Boston Museum of Fine Arts. Four years later, the Art Gallery of Ontario organized a major touring retrospective of his work. Bush as a member of the Canadian Society of Painters in Water Colour, 1942 (former President); Ontario Society of Artists (former Vice-President) 1943; Associate Royal Canadian Academician, 1946; Canadian Group of Painters’, 1948, and the Art Directors’ Club of Toronto. In 2014, the National Gallery of Canada hosted a major retrospective exhibition of Jack Bush’s work. A comprehensive catalogue raisonné of Bush’s work is set to be released in the coming years.
Jack Bush died at the age of 68 in 1977, one year after he received the honour of Officer of the Order of Canada.