Artwork by David Brown Milne,  Tree by the River (Stormy October: Gull River), 1945
Thumbnail of Artwork by David Brown Milne,  Tree by the River (Stormy October: Gull River), 1945 Thumbnail of Artwork by David Brown Milne,  Tree by the River (Stormy October: Gull River), 1945 Thumbnail of Artwork by David Brown Milne,  Tree by the River (Stormy October: Gull River), 1945

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703

Lot #78

David Milne
Tree by the River (Stormy October: Gull River), 1945

oil on canvas
titled and dated 1945 to two gallery labels on the reverse; inscribed "642" on a label (by the Duncan Estate); catalogue raisonné no. 405.77
12 x 16 in ( 30.5 x 40.6 cm )

Auction Estimate: $30,000.00$20,000.00 - $30,000.00

Provenance:
Douglas Duncan, Toronto, 1953
Estate of the Artist
Private Collection
Mira Godard Gallery, Toronto
Private Collection
Masters Gallery, Calgary, 2004
Private Collection, Calgary
Exhibited:
"David Milne: A Survey Exhibition", Mira Godard Gallery, Toronto, 4-28 November 1978, no. 35 as Stormy October, Gull River
"David Milne Retrospective Exhibition", Galerie Walter Klinkhoff, Montreal, 15-29 September 2001, no. 57
Literature:
"David Milne: A Survey Exhibition", Toronto, 1978, no. 35 as "Stormy October, Gull River"
David Milne Jr. and David P. Silcox, "David B. Milne: Catalogue Raisonné of the Paintings, Volume 2: 1929-1953", Toronto, 1998, listed and reproduced page 876 as no. 405.77 "Tree by the River (Stormy October: Gull River)"
The landmark Armory Show of 1913 marked the official arrival of modernism in North America; five of David Milne’s works were included in the exhibition alongside Europe’s latest and best artists. The period following the Armory Show was a productive time for Milne; he painted interior scenes, street scenes and broader landscape views, alternating between opaque paint application and loose washes with areas of exposed paper or canvas. During these years Milne developed an original and distinctive watercolour style that he would carry with him throughout his career.

"Tree by the River (Stormy October: Gull River)" presents a landscape with the artist’s characteristic loose paint application in a monochromatic palette of earth tones. The work demonstrates how Milne’s approach has evolved into much looser brushstrokes but has also stayed consistent in the paint application in the use of negative space.
Sale Date: May 28th 2025

Register to Bid

To participate in our auction by telephone or absentee bid, please register below. You may also download a bid form and email a completed copy to [email protected] Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Bid in Person Telephone Bid Absentee Bid Download Bid Form

Already have an account? Sign-In

Register to Bid Online

To register to bid online during our live auctions you will be taken to a different website hosted by Auction Mobility. A new account, separate from your regular Cowley Abbott Client Profile, will need to be created prior to online bidding registration.
Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Register to Bid Online

Please Note: All bidding through the Auction Mobility site and apps is subject to a 21% Buyer's Premium

Get updates or additional information on this item
Watch This Item Ask a Question Request Condition Report

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703


Share this item with your friends

David Brown Milne
(1882 - 1953) Canadian Group of Painters

Milne was born near Paisley, Ontario. A childhood interest in art, which revived while he was teaching, led him to take a correspondence course and eventually he travelled to New York City to continue his studies. This was somewhat of an exception in the early twentieth-century Canadian art scene as the majority of artists went to Europe to study. While in New York City, Milne worked as a commercial illustrator for several years before deciding to give up this work and devote his time to painting. Shortly after making this decision he moved to Boston Corners in New York.

Throughout his life Milne sought the peace and solitude of a rural life. In his paintings, Milne explored different viewpoints. He greatly admired the work of Tom Thomson but had little interest in the nationalistic approach of the Group of Seven. His themes range from landscapes to views of towns and cities, still lifes and imaginary subjects. His experiments with different media and changing viewpoints show his interest in the process of painting itself. In 1929, Milne returned to settle permanently in Canada, stopping for brief periods in Temagami, Weston, and Palgrave. He built a secluded cabin at Six Mile Lake, north of Orillia, and spent the next six years painting, for the most part, alone. Milne was interested in 'pure' painting, in "adventures in shape, colour, texture and space" as he called his watercolours of the 1930s and 1940s. The change from the less vibrant drybrush "adventures" to the fantasy watercolours is often attributed to the birth of his only child, David Jr., born to Milne's second wife when Milne was sixty. His young son encouraged him to adopt a new, vibrant and often whimsical approach to his art. Milne spent the rest of his life in Uxbridge, north of Toronto, exploring the Haliburton and Bancroft areas as well as the city of Toronto.