Artwork by John Ford Clymer,  Drying Fishing Nets
Thumbnail of Artwork by John Ford Clymer,  Drying Fishing Nets Thumbnail of Artwork by John Ford Clymer,  Drying Fishing Nets Thumbnail of Artwork by John Ford Clymer,  Drying Fishing Nets

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Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703

Lot #104

John Clymer
Drying Fishing Nets

oil on board
signed lower left; inscribed “8570” on the reverse
19.75 x 24 in ( 50.2 x 61 cm )

Auction Estimate: $10,000.00$8,000.00 - $10,000.00

Closes May 13th at 02:00:00 PM EDT

Auction Estimate: $10,000.00$8,000.00 - $10,000.00

Next bid is $7,000.00

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Provenance:
Private Collection, Ontario
By descent to Ronald Anger, Toronto
Private Collection, Toronto
By descent to the present Private Collection, Toronto
Born in 1907 in the Pacific Northwest, John Ford Clymer spent eleven years in Canada, studying at the Vancouver School of Art and the Ontario College of Art and Design’s summer school. At the beginning of his career, he worked primarily as a magazine illustrator. By the 1930s Clymer had returned to the United States and completed another work, very similar in style and subject matter to this painting, entitled “Drying Nets–Mont St. Pierre”. However, “Drying Fishing Nets” is more impressionistic. The broad brushstrokes and deep, rich colour capture a single moment: a lone figure finishing to hoist up a group of fishing nets to dry. He has cropped the composition with just the end of the boat and the roof of another building appearing at the right, drawing attention to the main structure and its tangle of nets.

During that period, Clymer married his high school sweetheart Doris, who would become integral to researching the minute details of future paintings. The couple moved to Westport, Connecticut, which boasted an active and thriving art colony, where he continued his studies under the renowned American illustrator N.C. Wyeth and the painter and teacher Harvey Dunn. Clymer pursued his work as an illustrator for several publications, including “Cosmopolitan”, “American Magazine” and “The Saturday Evening Post”, for which he created over eight covers. In the mid-1960s he would devote the rest of his artistic career to easel paintings of cowboy life and portraying the history of the American West.
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Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703


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John Ford Clymer
(1907 - 1989)

Born in Ellensburg, Washington, USA, he attended the Vancouver School of Art in 1925 and the Summer School of the Ontario College of Art, Port Hope. He took instruction from George H. Southwell and F. H. Varley at Vancouver, and J. W. Beatty in Toronto. He was principally a magazine illustrator for 34 years working mainly in oils in a realistic style.

During the 11 years he spent in Canada he worked for the Western Home Monthly, Canadian Home Journal, MacLean’s Magazine, Chatelaine, Toronto Star Weekly, and the Canadian Magazine. When time permitted, he painted out of doors. Graham McInnes over thirty years ago noted Clymer’s imaginative paintings were becoming too stylized but also stated, “The bold sweeping thumb daubs of his oils are a pleasure, while his surprising and timely restraint and delicacy, temper the massive gouts of colour into a finished whole.”

In the United States he studied at Wilmington Academy of Art, Delaware; the Grand Central School of Art under Harvey Dun, and spent a period of instruction under the late N. C. Wyeth. His illustrations appeared in Good Housekeeping, Field and Stream, True Magazine, and the Saturday Evening Post which he illustrated for 16 years. While a member of the United States Marine Corps he painted a series of episodes in Marine Corps History during World War II which were widely used and exhibited.

He was a member of the Royal Canadian Academy, the Ontario Society of Artists, Salmagundi Club and The Society of Animal Artists of New York. He painted the American Cyanamid Calendar for over 20 years. His outstanding painting of the St. Roch, first vessel to sail around North America, wintering in the Northwest passage, was reproduced on the last page of Canadian Art, No. 75. It is owned by Seagram’s distillery. Clymer lived at Bridgewater, Conn., USA.

Source: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977