Thomas de Vany Forrestall
(1936) ARCA
Previously Sold Works
THOMAS DE VANY FORRESTALL
Fungus, Pure White
watercolour on card
signed lower right; titled on the reverse
14.5 x 19.5 ins ( 36.8 x 49.5 cms ) ( sight )
Auction Estimate: $900.00 - $1,200.00
Price Realized $944.00
Sale date: July 14th 2020
THOMAS DE VANY FORRESTALL
Untitled (Ship in the Bay)
watercolour
signed lower left
14 x 19 ins ( 35.6 x 48.3 cms ) ( sight )
Auction Estimate: $600.00 - $800.00
Price Realized $960.00
Sale date: July 25th 2023
THOMAS DE VANY FORRESTALL
Washed Ashore
watercolour
signed lower right; titled and dated 1975 on the reverse
14.5 x 19.5 ins ( 36.8 x 49.5 cms ) ( sight )
Auction Estimate: $800.00 - $1,200.00
Price Realized $863.00
Sale date: June 22nd 2016
THOMAS DE VANY FORRESTALL
Harbour Mouth, Sketch for Windows (Halifax)
watercolour
signed and dated 1974 lower left
14.5 x 19.5 ins ( 36.8 x 49.5 cms ) ( sight )
Auction Estimate: $900.00 - $1,200.00
Price Realized $805.00
Sale date: September 20th 2017
THOMAS DE VANY FORRESTALL
Studio at Night (Self Portrait)
pen, ink, coloured pencils
signed and titled at bottom; inscribed “I draw to fill my head and paint to empty it” at top; dated 2005 on the reverse
6.5 x 4.75 ins ( 16.5 x 12.1 cms ) ( sheet )
Auction Estimate: $600.00 - $800.00
Price Realized $780.00
Sale date: February 23rd 2021
THOMAS DE VANY FORRESTALL
Waterfront Bungalow
watercolour
signed lower right
16.5 x 21.25 ins ( 41.9 x 54 cms ) ( sight )
Auction Estimate: $800.00 - $1,200.00
Price Realized $780.00
Sale date: April 19th 2022
THOMAS DE VANY FORRESTALL
Boat and Office
watercolour on illustration board
signed lower left; signed and titled on the reverse; unframed
14.75 x 20 ins ( 37.5 x 50.8 cms ) ( sheet )
Auction Estimate: $700.00 - $900.00
Price Realized $720.00
Sale date: August 17th 2021
THOMAS DE VANY FORRESTALL
Jugs & Anvil (Burton, NB)
watercolour
titled to a gallery label on the reverse
14.5 x 19.5 ins ( 36.8 x 49.5 cms ) ( sight )
Auction Estimate: $600.00 - $800.00
Price Realized $720.00
Sale date: July 19th 2022
THOMAS DE VANY FORRESTALL
The Boat Club
stone lithograph
signed, titled, dated 1980 and numbered 97/145 in the lower margin
17.75 x 26 ins ( 45.1 x 66 cms ) ( image )
Auction Estimate: $250.00 - $350.00
Price Realized $230.00
Sale date: September 20th 2017
THOMAS DE VANY FORRESTALL
Halifax Citadel
colour lithograph
signed and numbered 10/100 in the lower margin; unframed
19.75 x 27.5 ins ( 50.2 x 69.9 cms ) ( subject )
Auction Estimate: $300.00 - $400.00
Price Realized $207.00
Sale date: February 20th 2019
THOMAS DE VANY FORRESTALL
Out on the Point
acrylic on board
signed and dated 1964 upper right; signed and titled on the reverse
15.75 x 36 ins ( 40 x 91.4 cms )
Consignments
We are currently seeking works by Tom Forrestall to be included in future consignment sales.
If you are interested in selling works by Thomas de Vany Forrestall or want to get our opinion of value click here for more information or submit your artwork for sale.
Tom Forrestall Biography
(1936) ARCA
Born in Middleton, Nova Scotia, he grew up there and in Dartmouth. His early interest in art was stimulated by books on art. When his family moved to Dartmouth, he attended Saturday Morning Classes at the NSCA in Halifax. Following high school, he began art studies at Mount Allison University, Sackville, N.B. (1954), under Lawren P. Harris and Alex Colville, and graduated in 1958 with his B.F.A degree. Under these top Canadian artists, he developed his natural abilities and emerged as a skilful painter who was awaiting an opportunity to develop his ideas. He married fellow student Natalie LeBlanc of Atholville, N.B. Having been a scholarship student, he was awarded a Canada Council grant for study and travel in Europe. When he and Natalie returned to Canada, they settled in Fredericton, where he worked for a year as assistant curator of the Beaverbrook Art Gallery; then as an editorial cartoonist for the “Fredericton Daily Gleaner”, and designer for UNB Press. One of Forrestall’s patrons, Brigadier Michael Wardell, made it possible for him to buy a converted building, formerly an old bakery. There, he conducted art classes one night a week.
With the income now from his jobs and his teaching, he was able to devote more of his time to painting. It was not long before he adopted the tried and true medium of egg tempera as well as acrylics. By 1963, he was experimenting with panels of shapes other than the traditional rectangle. In 1965, he held his first solo shows at Roberts Gallery, Toronto.
During this period, he painted remarkable scenes which were described by artist and teacher, Dr. Donald C. MacKay as follows, “His paintings, many inspired by the rural tranquility of the Maritimes, frequently reflect nostalgic qualities often inherent in their subjects, yet emphasized so that he shares his intimate experience with the viewer. His preferred medium, egg tempera, is ideally suitable for this expression and the diverse forms of frames are designed to encourage participation and thus enhance this special relationship.”
Forrestall once explained, “Technically, my way of painting is traditional – preliminary studies, rough compositional drawings, then the painting. Egg tempera is an impeccable time-tested formula for permanency and long lasting beauty. With this guarantee, I can rest assured of the stability of the medium. I feel the artist needs all the help he can get or inherit in order to carry out his most difficult job – producing a work of art.”
Literature Source:
"A Dictionary of Canadian Artists, Volume 1: A-F, 5th Edition, Revised and Expanded", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1997
