Maud Lewis
(1903 - 1970)
Previously Sold Works
MAUD LEWIS
The Carriage Ride
mixed media on board
signed lower right
9 x 11.5 ins ( 22.9 x 29.2 cms )
Auction Estimate: $25,000.00 - $35,000.00
Price Realized $40,800.00
Sale date: March 21st 2023
MAUD LEWIS
Winter Sleigh Scene
oil on board
signed lower right
12 x 13.75 ins ( 30.5 x 34.9 cms )
Auction Estimate: $9,000.00 - $12,000.00
Price Realized $38,400.00
Sale date: November 30th 2021
MAUD LEWIS
Winter Sleighing Scene with Covered Bridge
mixed media on board
signed lower right
12 x 16 ins ( 30.5 x 40.6 cms )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $38,400.00
Sale date: April 18th 2023
MAUD LEWIS
Two Oxen with Red Cart, Winter
mixed media on board
signed lower right
12 x 13.75 ins ( 30.5 x 34.9 cms )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $36,000.00
Sale date: July 19th 2022
MAUD LEWIS
Three Black Cats
mixed media on board mounted to masonite
signed lower right
12 x 14 in ( 30.5 x 35.6 cm )
Auction Estimate: $25,000.00 - $35,000.00
Price Realized $32,400.00
Sale date: May 21st 2024
MAUD LEWIS
Three Black Cats
oil on masonite
signed middle right
12.5 x 14.5 in ( 31.8 x 36.8 cm )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $31,200.00
Sale date: July 23rd 2024
MAUD LEWIS
Winter Sleighing Scene with a Covered Bridge
mixed media on board
signed lower right
11.75 x 13.75 ins ( 29.8 x 34.9 cms )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $28,800.00
Sale date: October 25th 2022
MAUD LEWIS
Sleighs and Covered Bridge
mixed media on board
signed lower right
12 x 14.25 ins ( 30.5 x 36.2 cms )
Auction Estimate: $18,000.00 - $20,000.00
Price Realized $28,800.00
Sale date: October 25th 2022
MAUD LEWIS
Schoolhouse in Winter
mixed media on board
signed lower right; dated 1968 on the reverse
12 x 14 ins ( 30.5 x 35.6 cms )
Auction Estimate: $25,000.00 - $35,000.00
Price Realized $28,800.00
Sale date: November 7th 2023
MAUD LEWIS
Cow in Springtime
mixed media on board
signed lower right
11.5 x 11 ins ( 29.2 x 27.9 cms )
Auction Estimate: $14,000.00 - $18,000.00
Price Realized $26,550.00
Sale date: December 12th 2019
MAUD LEWIS
Oxen in Winter
mixed media on board
signed lower right; inscribed on reverse “Hand painting by ‘Maud Lewis’ of Marshalltown, Digby County, Nova Scotia August 1966”
11.75 x 13.75 ins ( 29.8 x 34.9 cms )
Auction Estimate: $9,000.00 - $12,000.00
Price Realized $26,400.00
Sale date: October 25th 2022
MAUD LEWIS
Village in Winter (Stone Bridge in Winter)
mixed media on board
signed lower right
11.5 x 13.75 ins ( 29.2 x 34.9 cms )
Auction Estimate: $12,000.00 - $15,000.00
Price Realized $26,400.00
Sale date: November 7th 2023
MAUD LEWIS
Deer Overlooking Village
oil on panel
signed lower right; titled to a label on the reverse
12 x 14 ins ( 30.5 x 35.6 cms )
Auction Estimate: $12,000.00 - $15,000.00
Price Realized $26,400.00
Sale date: March 26th 2024
MAUD LEWIS
Three Black Cats
mixed media on board
signed to the right
12 x 12.5 ins ( 30.5 x 31.8 cms )
Auction Estimate: $10,000.00 - $15,000.00
Price Realized $23,000.00
Sale date: September 20th 2017
MAUD LEWIS
The White Cat
mixed media on board
signed to the right
12 x 14 ins ( 30.5 x 35.6 cms )
Auction Estimate: $10,000.00 - $15,000.00
Price Realized $23,600.00
Sale date: June 13th 2018
Consignments
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M. Lewis Biography
(1903 - 1970)
The simplicity of Maud Lewis' paintings, brushed initially with scrounged paint from local fishermen onto ubiquitous green boards and postcards, continue to evoke feelings of innocence, of child-like exuberance as enduring as the spring times she loved to paint. Her works continue to capture audiences intrigued by everyday scenes as diverse as hard-working oxen and whimsical butterflies.
Maud Dowley Lewis was born March 7, 1903 in South Ohio, a community near Yarmouth. Her father Jack would provide a moderately prosperous living as a respected craftsman, making harnesses and serving as a blacksmith. Agnes, her mother, favoured artistic pursuits including painting, folk carving and music. Maud led a confined but happy home life after she quit school at 14, perhaps in part to escape the mocking of her peers because of her physical difficulties. "What is life without love or friendship?"she once confided to a friend. The loss of both her parents within two years was tragic. Thankfully, an aunt who lived in Digby took her in. There she would later answer a newspaper ad that would determine the course of her life. A man named Everett Lewis wanted a housekeeper for his cottage in Marshalltown. She married him in 1938 at the age of thirty-four and would never travel more than an hour's drive from her birthplace. "I ain't much for traveling anyway," she said later, "as long as I have a brush in front of me, I' all right."
Although short in stature with hands stiffened by arthritis as the years passed, she stood tall when she plied her brush over green-backed particle board. Everett Lewis, a stingy, parsimonious but certainly hard-working man, kept house and made meals allowing Maud to spend most of her time delving into her world of wonder and creating fanciful works of art. Maud gathered images from her happy childhood and limited excursions in a Model T with Everett to paint cheerful images on dust pans, scallop shells and even on her house. They would settle into a routine where Everett enjoyed peddling and haggling over the paintings Maud would love to paint. The happiness she painted first attracted neighbours, then tourists and eventually even international attention. It started with a Star Weekly newspaper article and then a 1965 CBC Telescope program featuring her unique works. Her notoriety began to bloom like the cherry trees that garnished several of her paintings. Orders came in so fast that the paint hardly had time to dry--one reason you may notice fingerprints on some edges of her paintings.
Her style became as fanciful as her subjects. She painted a world often without shadows, autumn leaves on winter landscapes, and even three-legged oxen. Was she adding humour in her subtle, shy way? Her gentle nature and magnetic smile might give that away. Awkwardly bent over a painting, she may have been squinting and intense, but her inner joy escaped onto her panels with unrivaled determination and vitality. Small wonder her work garnered the attention of even the Nixon White House. Ever pragmatic, Maud wrote to ask that funds be forwarded before she sent the requested two panels to the President! Today her work unequivocally demands status as important art in numerous fine-art collections around the world.
Not formally trained, Maud adopted a style that emerged from inside the heart of a true artist. As such, she could produce images of enduring quality and appeal, images that transformed her maritime surroundings into painted visions. The irresistible charm of her art had triumphed over the arrows of adversity.
- Reproduced with permission from Wayne & Jocelyn Cameron