William Goodridge Roberts
(1904 - 1974) Canadian Group of Painters, RCA
Artwork from the 1960s
WILLIAM GOODRIDGE ROBERTS
Autumn, Calumet
oil on board
signed lower right; inventory number 1304 inscribed on the reverse
12 x 16 ins ( 30.5 x 40.6 cms )
WILLIAM GOODRIDGE ROBERTS
Edge of Woods in Spring, New Brunswick
oil on board
signed lower right; titled and dated 1960 on an exhibition label on the reverse; Roberts Inventory Number (705) on the reverse
36 x 48 ins ( 91.4 x 121.9 cms )
Auction Estimate: $8,000.00 - $10,000.00
Price Realized $9,600.00
Sale date: June 9th 2021
WILLIAM GOODRIDGE ROBERTS
Laurentian Landscape, 1961
oil on board
signed lower right; titled to exhibition label on the reverse; Estate Inventory Number 868 inscribed on the reverse
32 x 48 ins ( 81.3 x 121.9 cms )
Auction Estimate: $10,000.00 - $15,000.00
Price Realized $11,800.00
Sale date: November 19th 2019
WILLIAM GOODRIDGE ROBERTS
Still Life with Iris and Pears, 1962
oil on board
signed lower right; titled on a label on the reverse
48 x 60 in ( 121.9 x 152.4 cm )
Auction Estimate: $12,000.00 - $15,000.00
Price Realized $10,800.00
Sale date: November 27th 2024
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Goodridge Roberts Biography
(1904 - 1974) Canadian Group of Painters, RCA
Roberts was born in Barbados in 1904 to a prominent Canadian literary family. His father, Theodore, was a poet, novelist, and journalist. Roberts began his studies at Montreal's Ecole des Beaux-Arts but, encouraged by his art-critic aunt, Mary Fanton Roberts, he enrolled at New York's Art Students League. His New York schooling would prove to be a major influence on his career.
During the 1930s, Roberts lived, painted, and taught in Ontario. He was the very first artist-in-residence at Queens University in Kingston. Refusing to incorporate nationalist content into his work, Roberts became recognized for his modernist approach. In the 1940s, Roberts moved to Montreal and continued painting and teaching. He was admired by Quebec's francophone art community who saw in his work a reflection of the modernist figurative tradition from France, known in Montreal as "living art." His works were equally divided into the themes of landscapes, portraits and still lifes; all are textbook examples of each style. The artist's last major retrospective was held at the National Gallery of Canada in 1969. He died in January 1974.