Frank Leonard Brooks
(1911 - 2011) RCA
Previously Sold Works
FRANK LEONARD BROOKS
Maple Sugar Bush
oil on canvas
signed lower left; signed on the reverse
12 x 16 ins ( 30.5 x 40.6 cms )
FRANK LEONARD BROOKS
Quebec Market
oil on board
signed lower right; signed, titled and dated 1940 on the reverse
8.5 x 10 ins ( 21.6 x 25.4 cms )
FRANK LEONARD BROOKS
Evening on the Canal
watercolour
signed lower left
13.75 x 17.5 ins ( 34.9 x 44.5 cms ) ( sight )
FRANK LEONARD BROOKS
Createan Coast
oil on paper, laid down on foamcore
signed and dated 1967 lower right; sold together with “Leonard Brooks”- exhibition catalogue, 1984 and “Painting and Understanding Abstract Art: An Approach to Contemporary Methods” (Brooks, Reinhold Publishing Corporation, 1964)
18 x 23 ins ( 45.7 x 58.4 cms )
FRANK LEONARD BROOKS
Pátzcuaro Market
oil and watercolour on paper
signed lower right; titled on the reverse
4.75 x 6.5 ins ( 12.1 x 16.5 cms ) ( sheet )
FRANK LEONARD BROOKS
Self Portrait
carbon on canvas
signed and dated 1993 lower left; signed, dated 1994 and inscribed “For Jack and Anna with love, Leonard, Feb 1999”
16 x 12 ins ( 40.6 x 30.5 cms )
FRANK LEONARD BROOKS
Winter Landscape
watercolour
signed lower right
3 x 3.5 ins ( 7.6 x 8.9 cms ) ( sight )
FRANK LEONARD BROOKS
Unionville January
oil on canvas
signed lower right; titled on the stretcher on the reverse
20.25 x 24 ins ( 51.4 x 61 cms )
FRANK LEONARD BROOKS
Tablero de Musica
oil and collage on board
signed and dated 1962 lower right; titled on the artist’s studio label on the reverse
25 x 12 ins ( 63.5 x 30.5 cms )
FRANK LEONARD BROOKS
Abstraction
mixed media on paper
signed and dated “61” upper left
9.75 x 6.75 ins ( 24.8 x 17.1 cms ) ( sight )
FRANK LEONARD BROOKS
Createan Coast
oil on paper, laid down on foamcore
signed and dated 1967 lower right
18 x 23 ins ( 45.7 x 58.4 cms )
FRANK LEONARD BROOKS
Unionville, January
oil on canvas
signed lower right; signed and titled in pencil to the stretcher
20.25 x 24 ins ( 51.4 x 61 cms )
FRANK LEONARD BROOKS
Winter Landscape
oil on board
signed and dated 1935 lower right
21 x 26 ins ( 53.3 x 66 cms )
Consignments
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Frank Leonard Brooks Biography
(1911 - 2011) RCA
Born at Enfield, London, England, he came to Canada with his parents who settled in Toronto. He received his early art training at the Toronto Central Technical School at nights for one year, also at the Ontario College of Art for six months, and under Frank Johnston in 1929. He travelled and painted in England, France, Spain, and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto for a time where he taught drawing, painting, and graphic art at the Northern Vocational School.
Active in art circles, he participated in most of the major exhibitions in Canada, and in the United States exhibited in the Canadian Section at the World’s Fair in 1936. He started a project of painting activities on the Great Lakes about 1939 moving about the various docks and on the many ships that arrived and departed from the Great Lake ports. When the Second World War was under way he left this project and his teaching post to enlist in the Royal Canadian Navy as an Able Seaman. He served on Minesweepers, Motor Torpedo Boats, and on the aircraft carrier “Puncher”. He was promoted to Petty Officer, then Sub-Lieutenant, and finally Lieutenant. He was appointed an official war artist in 1944 and returned to Canada in 1945.
After his discharge he moved to Mexico in 1947 with his wife a photographer, where they travelled widely in that country. He studied under David Alfar Siqueiros, a leader among elder experimentalists, while his wife Reva Brooks took and interesting series of photographs. Both their impressions of Mexico appeared in Canadian Art in the Spring of 1950. Critic Rose MacDonald in her column for the Toronto Evening Telegram wrote the following, “Like Squeiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . .” Leonard and Reva Brooks held a joint exhibition of their works in a number of centres including the Fine Art Galleries of Eaton’s in Toronto in 1949. A. S. Cowie art dealer rendered the following for a Brooks exhibition catalogue “His watercolours of these Mexican sights are vigorous, skillfully composed, colorful, and airy. The people are pictured going about their business, not merely posing in costume for the tourist. One feels that the artist is delighted by what he sees, that he has an inexhaustible fund of compositions and never repeats himself; that each picture, in a word, is an experience.” The late Pearl McCarthy in 1954 had this to say, “He has avoided being trapped by his own or anybody else’s mannerisms on the whole, and has continuously sought an engagement between his own feelings and what natural sights the world has to present for our endless wonder.”
His style might be described as a combination between realism and impressionism but very individualistic. His media included oils, watercolours, casein, duco and polymer. He wrote a number of books on painting techniques. He is represented in the permanent collections of The National Gallery of Canada; Art Gallery of Ontario; London Art Gallery, Ontario and in many private collections in Canada, Mexico and the United States. He lived at Downsview, Toronto and San Miguel de Allende, Mexico.
Source: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977