David Brown Milne
(1882 - 1953) Canadian Group of Painters
Artwork from the 1920s
DAVID BROWN MILNE
Fox Hill on a Rainy Day (Boston Corners)
watercolour
signed and dated “March 13 1920” lower right; catalogue raisonne no. 201.72
15.25 x 22.25 ins ( 38.7 x 56.5 cms ) ( sheet )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $84,000.00
Sale date: September 24th 2020
DAVID BROWN MILNE
Building the Porch III, 1922-23
watercolour
signed, dated “Oct 22-Feb 23” and inscribed “AP 22” lower right; catalogue raisonné no. 204.112
14.5 x 21 ins ( 36.8 x 53.3 cms ) ( sight )
Auction Estimate: $25,000.00 - $35,000.00
Price Realized $31,200.00
Sale date: June 8th 2023
DAVID BROWN MILNE
Outlet of the Pond, Late Afternoon, 1926
oil on canvas
signed and dated 1926 upper right; titled on the exhibition label on the reverse; titled and dated “Landscape, Temagami Period, 1928” on the gallery label on the reverse; Milne catalogue raisonné no. 207.80
18.25 x 22 ins ( 46.4 x 55.9 cms )
Auction Estimate: $70,000.00 - $90,000.00
Price Realized $528,000.00
Sale date: December 6th 2023
DAVID BROWN MILNE
Under the Porch
oil on canvas
signed and dated “Sept 13, 1927” upper right; titled and dated “Sept. 13, 1927” on the reverse; Milne catalogue raisonné no. 207.98
12 x 16.25 ins ( 30.5 x 41.3 cms ) ( support )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $60,000.00
Sale date: December 1st 2022
DAVID BROWN MILNE
Early Morning
oil on canvas
signed and dated 1928 upper right; titled and dated 1928 on the reverse; catalogue raisonné no. 207.109
12.75 x 16.25 in ( 32.4 x 41.3 cm )
Auction Estimate: $50,000.00 - $70,000.00
Price Realized $144,000.00
Sale date: May 30th 2024
DAVID BROWN MILNE
Tin Basin, Flowers in a Prospector’s Cabin II, 1929
oil on canvas
Milne catalogue raisonné no.208.22
16.5 x 20.5 ins ( 41.9 x 52.1 cms )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $168,000.00
Sale date: June 8th 2023
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David Milne Biography
(1882 - 1953) Canadian Group of Painters
Milne was born near Paisley, Ontario. A childhood interest in art, which revived while he was teaching, led him to take a correspondence course and eventually he travelled to New York City to continue his studies. This was somewhat of an exception in the early twentieth-century Canadian art scene as the majority of artists went to Europe to study. While in New York City, Milne worked as a commercial illustrator for several years before deciding to give up this work and devote his time to painting. Shortly after making this decision he moved to Boston Corners in New York.
Throughout his life Milne sought the peace and solitude of a rural life. In his paintings, Milne explored different viewpoints. He greatly admired the work of Tom Thomson but had little interest in the nationalistic approach of the Group of Seven. His themes range from landscapes to views of towns and cities, still lifes and imaginary subjects. His experiments with different media and changing viewpoints show his interest in the process of painting itself. In 1929, Milne returned to settle permanently in Canada, stopping for brief periods in Temagami, Weston, and Palgrave. He built a secluded cabin at Six Mile Lake, north of Orillia, and spent the next six years painting, for the most part, alone. Milne was interested in 'pure' painting, in "adventures in shape, colour, texture and space" as he called his watercolours of the 1930s and 1940s. The change from the less vibrant drybrush "adventures" to the fantasy watercolours is often attributed to the birth of his only child, David Jr., born to Milne's second wife when Milne was sixty. His young son encouraged him to adopt a new, vibrant and often whimsical approach to his art. Milne spent the rest of his life in Uxbridge, north of Toronto, exploring the Haliburton and Bancroft areas as well as the city of Toronto.