David Lloyd Blackwood
(1941 - 2022) OSA, RCA, Order of Canada
Artwork from 2000-2009
DAVID LLOYD BLACKWOOD
Study for Great Mummer
colour etching and aquatint
signed, titled, dated 2000 and numbered “3/75” in the lower margin
13.75 x 10.75 ins ( 34.9 x 27.3 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Black Rock Light
colour etching and aquatint
signed, titled, dated 2002 and numbered 23/75 in the lower margin
6.75 x 11.75 ins ( 17.1 x 29.8 cms ) ( plate size )
Auction Estimate: $1,500.00 - $2,000.00
Price Realized $3,304.00
Sale date: November 19th 2019
DAVID LLOYD BLACKWOOD
Great Mummer Unveiled
colour etching and aquatint
signed, titled, dated 2002 and numbered 56/75 in the lower margin; titled, dated and numbered on the gallery label on the reverse
12 x 17.75 in ( 30.5 x 45.1 cm ) ( plate size )
DAVID LLOYD BLACKWOOD
Barbour’s Seabird Leaving Newtown (Bonavista Bay)
oil tempera on board
signed and dated 2003 lower right; signed and titled on the reverse
48 x 60 ins ( 121.9 x 152.4 cms )
Auction Estimate: $80,000.00 - $100,000.00
Price Realized $96,000.00
Sale date: June 8th 2023
DAVID LLOYD BLACKWOOD
Down on the Labrador, Towing the Nickerson
colour etching & aquatint
signed, titled, dated 2004 and numbered “25/75” in the lower margin
24 x 35.5 ins ( 61 x 90.2 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Down on the Labrador: Towing the Nickerson
etching and aquatint in colours
signed, titled, dated 2004 and numbered “60/75” in the lower margin
24 x 35.5 ins ( 61 x 90.2 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
M&R, from the International Code Series
monotype
signed and dated 2004 upper right
17.5 x 14.25 ins ( 44.5 x 36.2 cms ) ( sheet )
DAVID LLOYD BLACKWOOD
Cape Harrison, Labrador Sea
colour etching and aquatint
signed, titled, dated 2004 and numbered "63/75" in the lower margin
7 x 12 in ( 17.8 x 30.5 cm ) ( plate size )
DAVID LLOYD BLACKWOOD
The Flora Nickerson Outward Bound for the Labrador
etching and aquatint with watercolour
signed, titled, dated 2005 and numbered “Artist Proof 15/15” in the lower margin
6.75 x 12 in ( 17.1 x 30.5 cm ) ( plate size )
DAVID LLOYD BLACKWOOD
The Flora Nickerson Outward Bound
colour etching and aquatint
signed, titled, dated 2006 and numbered "66/75" in the lower margin
7 x 14 in ( 17.8 x 35.6 cm ) ( plate size )
DAVID LLOYD BLACKWOOD
Bragg’s Island
colour etching and aquatint
signed, titled, dated 2007 and numbered 11/50 in the lower margin
5.75 x 4.5 ins ( 14.6 x 11.4 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
March: Glover's Place on Bragg's Island
colour etching and aquatint
signed, titled, dated 2007 and numbered “15/50” in the lower margin; unframed
15 x 36 ins ( 38.1 x 91.4 cms ) ( sheet )
DAVID LLOYD BLACKWOOD
Bragg's Island
colour etching and aquatint
signed, titled, dated 2007 and numbered "35/50" in the lower margin
5.75 x 4.5 in ( 14.6 x 11.4 cm ) ( plate size )
DAVID LLOYD BLACKWOOD
Crossing the Reach
colour etching and aquatint
signed, titled, dated 2009 and numbered "27/50" in the lower margin; unframed
7 x 12 in ( 17.8 x 30.5 cm ) ( plate size )
Consignments
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David Blackwood Biography
(1941 - 2022) OSA, RCA, Order of Canada
Born in Wesleyville, Bonavista Bay, Newfoundland, one of the major sealing towns of that province, he is a descendant of a long line of master mariners. Blackwood was awarded a Government of Newfoundland Centennial scholarship to study at the Ontario College of Art in Toronto under Carl Schaefer, John Alfsen, H.W.G. MacDonald and Frederick Hagan. He went on to become Art Master at Trinity College School in Port Hope, Ontario. In 1969, Blackwood became the first artist-in-residence at Erindale College, University of Toronto, Mississauga.
David Blackwood uses his background on the East coast of Canada to create grande visual narratives reflecting both the landscape and culture of the province with an emphasis on combining the history, legends, and myths of settlement and developing culture of Newfoundland. He is best-known for his colour etchings with aquatint. His work was used to provide illustrations for Farley Mowat’s “Wake of the Great Sealers”, a collection of stories about the heroic Newfoundlanders who braved the icy seas of the treacherous North Atlantic in search of seals. Driven by hard times at home it was the only hope many of the men had of making money to feed their families. Men perished when their ships went down during wintry gales. Blackwood, a native of a sealing town himself, and a descendent of fishing skippers and sealing captains, provides Mowat’s stirring text with equally stirring and poetic figurative drawings and prints.
Blackwood was awarded the Order of Canada in 1993 in recognition of his work contributing to and preserving the cultural life and heritage of Canada through his artwork. At the Art Gallery of Ontario, the Blackwood Research Centre within the Morin Gelber Print and Drawing Centre was created after a major acquisition of the artists works in 2000. The museum also elected Blackwood as its honourary Chairman in 2003, the first practicing artist to hold this position. In the same year, he was awarded the Order of Ontario.
As one of Canada's most celebrated print-makers, David Blackwood's works are part of significant Canadian and international private and corporate collections including The Royal Collection, Windsor Castle, the Uffizi Gallery, Florence, the Art Gallery of Ontario and the National Gallery of Canada.
Sources: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977
