Artwork by Sorel Etrog,  Adolescence Study, 1969
Thumbnail of Artwork by Sorel Etrog,  Adolescence Study, 1969 Thumbnail of Artwork by Sorel Etrog,  Adolescence Study, 1969 Thumbnail of Artwork by Sorel Etrog,  Adolescence Study, 1969 Thumbnail of Artwork by Sorel Etrog,  Adolescence Study, 1969

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703

Lot #68

Sorel Etrog
Adolescence Study, 1969

bronze
stamped signature on the base
14.25 x 3.75 x 2.5 in ( 36.2 x 9.5 x 6.4 cm ) ( overall )

Auction Estimate: $15,000.00$10,000.00 - $15,000.00

Provenance:
Acquired directly from the Artist
Private Collection, Toronto
Literature:
Theodore Allen Heinrich, "Introduction to Etrog: Painting on Wood/Sculptures/Drawings", Toronto, 1959, unpaginated
Romanian-born Canadian artist Sorel Etrog had his first solo exhibition in Canada in October 1959 at Gallery Moos in Toronto. In the early 1960s, while living in New York City and studying at the Brooklyn Museum Art School, Sorel Etrog was fascinated by the museum’s collection of African and Oceanic art. While trying to find gallery representation in New York City, Etrog befriended the prominent Jewish-Canadian art collector Samuel J. Zachs. Etrog was also becoming acquainted with the sculptures of Henry Moore, Barbara Hepworth and Constantin Brâncuși—all artists whose works were collected by Sam Zachs. The combination of these new sources of inspiration would influence Etrog’s work in the years to come. The artist emigrated to Canada in 1963 and, three years later, represented Canada at the Venice Biennale.

Theodore Allen Heinrich described Etrog’s understated yet compelling sculpture: “[Etrog] has a strongly musical sense for rhythms, balances and silence. He has a profound capacity for experiencing and conveying emotion. His work is imbued with poetic fantasy... Above all he has something to say. The adventurous art of Sorel Etrog is centred on increasingly simple but constantly more meaningful form in conjunction with intricately subtle balances of movement, weight and colour.”

This work is aptly titled "Adolescence", as Etrog’s sculptures were influenced by his own adolescence spent under Soviet rule and an interest in philosophical writings that questioned the nature of post-war society.
Sale Date: May 28th 2025

Register to Bid

To participate in our auction by telephone or absentee bid, please register below. You may also download a bid form and email a completed copy to [email protected] Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Bid in Person Telephone Bid Absentee Bid Download Bid Form

Already have an account? Sign-In

Register to Bid Online

To register to bid online during our live auctions you will be taken to a different website hosted by Auction Mobility. A new account, separate from your regular Cowley Abbott Client Profile, will need to be created prior to online bidding registration.
Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Register to Bid Online

Please Note: All bidding through the Auction Mobility site and apps is subject to a 21% Buyer's Premium

Get updates or additional information on this item
Watch This Item Ask a Question Request Condition Report

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703


Share this item with your friends

Sorel Etrog
(1933 - 2014) RCA

Based in Toronto for more than fifty years, Sorel Etrog was born in Iasi, Romania, in 1933. He is most well-known as a sculptor, but he also illustrated books, painted, and wrote poetry, plays, and films. His sculptures were influenced by his adolescence spent under Soviet rule and an interest in philosophical writings that questioned the nature of post-war society. He was also inspired by his grandfather who was a carpenter. Etrog, along with his parents and sister attempted to flee Romania in 1946 but were caught. His parents were then imprisoned for several weeks. Finally, Etrog and his family left Romania in 1950 and made it to the Sha’ar Aliyaa refugee camp near Haifa, Israel.

While serving mandatory time in the Israel Defense Forces’ medical corps in 1953 he began studying art at Tel Aviv’s Arts Institute for Painting and Sculpture. Inspired by Cubist collage and modernist music, he created three-dimensional paintings, mimicking constructivist reliefs. In 1958, he received a scholarship to attend school at the Brooklyn Museum of Art School.

Upon arrival in New York City, Etrog became drawn to African and Oceanic art due to their expressive shapes and began incorporating these elements into his work. While trying to find gallery representation in New York City, Samuel J. Zachs purchased one of Etrog’s paintings and invited Etrog to spend the summer of 1959 in Southampton on Lake Huron with him. While in Southampton, Etrog created his first wooden sculptures and gained gallery representation from Gallery Moos in Toronto. This encounter inspired the young artist to apply for Canadian citizenship and eventually move to Toronto in 1963.

In his mature sculptural works, Etrog explores spontaneous symbols, primal elements and the relationship between form and symbol. The artist described his art as "tension created by pulling together and pulling apart, with being stuck and being freed, a world of grabbing and holding on and losing hold...bringing shapes together but at the same time giving each an independence."

After immigrating to Canada, Etrog had his first traveling exhibition in 1965. The show began at Gallery Moos, then traveled to New York City, Los Angeles, and Montreal. In 1966, Etrog, alongside Yves Gaucher and Alex Colville, represented Canada at the Venice Biennale. He later received several important commissions, including those for Expo ’67, Montreal; SunLife Centre, Toronto; Windsor Sculpture Garden, Windsor, Ontario; Los Angeles County Museum, and Olympic Park in Seoul, Korea. Before his death in 2014, Etrog’s art was included in a retrospective at Buschlen Mowatt in Vancouver in 2003.

Literature Sources:
"A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977

Mikulinsky, Alma, “Sorel Etrog: Life and Work,” Toronto: Art Canada Institute, 2018

We extend our thanks to Danie Klein, York University graduate student in art history, for writing and contributing this artist biography.