Artwork by Edward Burtynsky,  Dampier Salt Ponds #4, Dampier, Western Australia, 2007
Thumbnail of Artwork by Edward Burtynsky,  Dampier Salt Ponds #4, Dampier, Western Australia, 2007 Thumbnail of Artwork by Edward Burtynsky,  Dampier Salt Ponds #4, Dampier, Western Australia, 2007 Thumbnail of Artwork by Edward Burtynsky,  Dampier Salt Ponds #4, Dampier, Western Australia, 2007

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703

Lot #87

Edward Burtynsky
Dampier Salt Ponds #4, Dampier, Western Australia, 2007

chromogenic print on board
signed, titled, dated 2007 and numbered 3/9 on a label on the reverse
39 x 49 in ( 99.1 x 124.5 cm ) ( sheet )

Auction Estimate: $15,000.00$10,000.00 - $15,000.00

Provenance:
Nicholas Metivier Gallery, Toronto
Private Collection, Toronto
Literature:
'Mines: Artist's Statement' [online publication], "Edward Burtynsky", accessed 14 April 2025
Edward Burtynsky's Australian photography explores themes of human impact, resource extraction, and the transformation of landscapes, prompting viewers to reflect on the relationship between humanity and the environment. During a trip in 2007, Burtynsky photographed sites like Lake Lefroy, Kalgoorlie, and Dampier Salt Ponds, showcasing the scale of mining operations and their impact on the landscape.

"Dampier Salt Ponds #4, Dampier, Western Australia" is a prime example of Burtynsky’s aerial photographs that depict ecological damage yet are visually stunning. The large-scale image provides a grand, nearly abstract quality to the vast landscape and immerses the viewer in the subject. The artist returned to Australia more recently in 2022 to take aerial photographs of Ravensworth Mine in the Hunter Valley, New South Wales, continuing to document the impact of human industry on the planet.

The artist’s website describes the series of photographs that emerged from his 2007 trip to Australia: “What is at first glance merely a scarred landscape becomes poetic evidence of resources spent, nature transformed as well as realized–or failed–hopes and dreams. The aerial images of the Silver Lake Operations at Lake Lefroy (see lot 88) and of the pits and tailings at Kalgoorlie, along with the Dampier Salt Ponds are among the most handsome that Burtynsky has ever made. They combine a kind of mapping with a keenly felt experience of all the hard rock grit, dust and labour transforming these arid lands.”
Sale Date: May 28th 2025

Register to Bid

To participate in our auction by telephone or absentee bid, please register below. You may also download a bid form and email a completed copy to [email protected] Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Bid in Person Telephone Bid Absentee Bid Download Bid Form

Already have an account? Sign-In

Register to Bid Online

To register to bid online during our live auctions you will be taken to a different website hosted by Auction Mobility. A new account, separate from your regular Cowley Abbott Client Profile, will need to be created prior to online bidding registration.
Bidding registration must be submitted by 12:00 Noon ET on Wednesday, May 28th.

Register to Bid Online

Please Note: All bidding through the Auction Mobility site and apps is subject to a 21% Buyer's Premium

Get updates or additional information on this item
Watch This Item Ask a Question Request Condition Report

Preview this item at:

Cowley Abbott
326 Dundas St West
Toronto ON M5T 1G5
Ph. 1(416)479-9703


Share this item with your friends

Edward Burtynsky
(1955)

Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Burtynsky's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.

Burtynsky was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).

In 1985, Burtynsky founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.

Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Burtynsky’s hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.

Exhibitions include: BURTYNSKY: Extraction/Abstraction which premiered at London’s Saatchi Gallery (February 2024) before touring to M9 in Mestre, Italy; Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Burtynsky's visually compelling works are currently being exhibited in solo and group exhibitions around the globe.

As an active lecturer on photographic art, Burtynsky's speaking engagements have been held at the National Gallery of Canada in Ottawa; the Library of Congress in Washington, D.C.; George Eastman House in Rochester, New York; the Canadian Center for Architecture in Montréal; the Art Gallery of Ontario, Moses Znaimer’s ideacity and at Toronto Metropolitan University (formerly Ryerson University) in Toronto; and the TED conference in Monterey, California. His images appear in numerous periodicals each year including Canadian Art, Art in America, The Smithsonian Magazine, Harper's Magazine, Flash Art, Blind Spot, Art Forum, Saturday Night, National Geographic, The New York Times, The New Yorker, The Walrus, FT Weekend, and Vogue.

Burtynsky’s distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the Governor General’s Awards in Visual and Media Arts, the Rencontres d’Arles Outreach Award, the Roloff Beny Photography Book Award, and the Rogers Best Canadian Film Award. He sits on the board of directors for CONTACT: Toronto’s International Photography Festival and The Image Centre (formerly Ryerson Image Centre). In 2006 he was awarded the title of Officer of the Order of Canada and in 2008 he was awarded the International Center of Photography’s Infinity Award for Art. In 2018 Burtynsky was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York’s annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Burtynsky currently holds nine honorary doctorate degrees.

Burtynsky is represented by: Nicholas Metivier Gallery, Toronto; Paul Kuhn Gallery, Calgary; Robert Koch Gallery, San Francisco; Sundaram Tagore Gallery, New York and Hong Kong; Howard Greenberg Gallery, New York; Flowers Gallery, London; Admira Photography, Milan; Galerie Springer, Berlin; and Weinstein Hammons Gallery, Minneapolis.