Providence, 1978 by Harry Callahan

Harry Morey Callahan was an influential American photographer and educator widely known for his experimental approach to black-and-white and colour photography. Born in Detroit, Callahan initially studied engineering at Michigan State University before working for Chrysler. In 1938, he began to pursue photography as a hobby, and after a pivotal meeting with Ansel Adams in 1941, he began to take the medium seriously. A self-taught photographer, Callahan worked in the General Motors Photographic Laboratories and later became a leading figure at the Institute of Design in Chicago. He taught there from 1946 until 1961 before heading the photography department at the Rhode Island School of Design until 1973.

Callahan’s work was deeply personal, often focused on his wife, Eleanor and their daughter, Barbara, alongside the urban and natural landscapes of the places where he lived. He was known for his innovative techniques, such as double and triple exposures, blurs, and working with 35mm and 8x10 cameras. His photographic practice was grounded in a rigorous daily routine of walking through the city, taking numerous pictures, and then spending afternoons making proof prints. Despite his prolific output, Callahan considered only a handful of his images to be final works each year.

Callahan’s work was widely exhibited, including retrospectives at the Museum of Modern Art in 1976 and the National Gallery of Art in 1996. His influence as a teacher and experimental artist shaped a generation of photographers, including Ray K. Metzker and Emmet Gowin. Among his many accolades were a Guggenheim Fellowship in 1972 and the National Medal of Arts. His legacy is preserved in numerous collections, including the Center for Creative Photography at the University of Arizona.