Staircase, circa 1940 by Marian Mildred Dale Scott
Marian Scott
Staircase, circa 1940
double-sided oil on canvas
signed on the reverse
24 x 18 in ( 61 x 45.7 cm )
Auction Estimate: $20,000.00 - $30,000.00
Price Realized $19,200.00
Sale date: May 30th 2024
Masters Gallery, Calgary
Private Collection
Sarah Milroy, "Uninvited: Canadian Women Artists in the Modern Moment", Kleinburg, Ontario, 2021, similar work reproduced page 250 ("Stairway", circa 1940, Montreal Museum of Fine Arts)
Over the course of her long career, Scott evolved her style from realism to abstraction as she worked to develop her own personal response to the rapidly evolving art world. While her mature work is dominated by abstraction, Scott began her career by painting very structured landscapes and botanical imagery, followed by a series of human faces with strong linear forms. During the Depression the artist depicted the people of Montreal: scenes of labourers, machinery, and urban life. "Staircase", dating to "circa" 1940, is characteristic of Scott’s style during this time. It portrays a quintessential outdoor spiral staircase of Montreal’s urban housing. The architecture, tree and four figures are painted in the artist’s structured approach, as are the quasi-abstract figures Scott depicted on the reverse of the canvas.
The year after "Staircase" was completed, in 1941, Scott was the subject of a solo show in Boston. Her style shifted again in 1943 when she was commissioned to paint an enormous mural for McGill University to commemorate their ground-breaking research on the endocrine system, executed in a style referencing ‘scientific symbolism’ or ‘biomorphism’. By the 1960s, Scott’s paintings became increasingly abstract, always maintaining a sense of order, symmetry and repetition.
Share this item with your friends
Marian Mildred Dale Scott
(1906 - 1993) Canadian Group of Painters, RCA
Born Marian Mildred Dale in Montreal, Quebec in 1906, Dale Scott began her artistic training at age eleven at the Art Association of Montreal. She then attended the Ecole des Beaux-Arts in Montreal for three years and continued her training at the Slade School in London, England.
Dale Scott explored a wide range of subjects including landscapes, urban scenes, the human form, botanicals, and geometric abstraction as her career progressed. Her approach was also varied, stressing structure and organization, and then impulsive and gestural.