signed lower left and titled on a frame plaque; titled on a label on the reverse
20 × 30 in (50.8 × 76.2 cm)
Auction Estimate:$15,000 - $20,000
Sale date:June 8, 2023
Price Realized
$50,400
(including Buyer's Premium)
Provenance
Cathryn Campbell, Countess Cawdor, London
The Taylor Gallery, London
Private Collection, Toronto
Literature
Edward Seago, “Peace in War”, London, 1943, page 21
Born in Norwich, Edward Seago developed a lifelong fascination for East Anglia, exploring in his landscapes the changing effects of light and atmosphere on the surrounding waterways and countryside. He felt a close connection to Norfolk and Suffolk, in particular: “Perhaps one has to be born and bred there for it to really get in one’s blood. But it has a powerful hold on me, and wherever I go, I feel a longing to return there.” Not unlike his predecessor, John Constable, whom he greatly admired, Seago strove to capture on the canvas his appreciation of nature in all its ever-changing forms.
Here, the artist has depicted a series of sailboats, in shadow with mostly furled sails, along the banks of the river Orwell, which was one of his favourite painting grounds. The artist developed an enduring appreciation for sailing vessels by making excursions along the North Sea coast or through inland channels like this one. As is characteristic of Seago’s marine works, the vast expanse of sky dominates the painting. The foreground is mainly empty, while a few boats stretch along the low horizon. The interaction of sea and sky would become a recurrent subject for him after growing up with enforced days of rest due to a lifelong heart condition.
In this composition, patches of sunlight appear to be peeking through the clouds, which Seago has conveyed in short brushstrokes of white paint. The flat Norfolk marshland coast has become subservient to the artist’s exploration of cloud formations in cool grey tones and patterns of light and shadow. Furthermore, dabs of white paint evoke the effects of dappled sunlight upon the surface of the water.
During the Post-War years, Seago developed strong ties with P. & D. Colnaghi Galleries in London and, most interestingly, with Laing Galleries in Toronto, one of the oldest family-owned private galleries in Canada.
