Bacchante by Marc-Aurèle de Foy Suzor-Coté
Marc-Aurèle de Foy Suzor-Coté
Bacchante
bronze
signed and dated 1925 (incised); posthumous casting
13 x 10 x 10 ins ( 33 x 25.4 x 25.4 cms ) ( overall )
Auction Estimate: $5,000.00 - $7,000.00
Price Realized $7,800.00
Sale date: December 1st 2022
Gift of the artist’s family
Private Collection
The multi‒talented Quebec artist was also able to seamlessly shift from painting to working in three dimensions. His bronzes were cast in New York at the Roman Bronze Works and became sought after by collectors in Canada and the United States. He produced over forty different bronze figures and groups. “Bacchante” is an intimate bronze sculpture of a woman in a seated and twisted pose. In Roman mythology, a Bacchante is a female worshipper of the Bacchus, the god of wine and winemaking. They have been depicted throughout art history as frenzied women in a state of religious ecstasy ‒ a combination of dancing and intoxication.
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Marc-Aurèle de Foy Suzor-Coté
(1869 - 1937) RCA
Suzor-Coté was born in 1869 in the village of Arthabaska, Quebec. Although the young Marc-Aurèle de Foy Suzor-Coté excelled in both musical and artistic pursuits, his love of painting won precedence and he travelled to Paris in 1891 for three years of art studies at the École de beaux-arts. He returned to North America briefly, pursuing commission work, before returning to Europe for an extended period between 1897 and 1907.
By 1906 he had left behind the academic realism of his early work, developing instead a bold impressionistic style. Once back in Canada he found his greatest inspiration in the Canadian landscape itself. He painted landscape in a forceful impressionistic style which was unfamiliar to Canadian audiences of the time.
The multi-talented Suzor-Coté was also easily able to make the shift from painting to working in three dimensions. His bronzes were cast in New York at the Roman Bronze Works, and became sought after by collectors in Canada and the United States. Suzor-Coté won the Jessie Dow prize for best painting at the Art Association of Montreal in 1914 and again in 1925. By 1925, he had made a significant contribution to impressionism in Canada, influencing younger artists to paint the Canadian landscape in a new manner.