Artwork by Anne Douglas Savage,  Drying Fish Nets

Anne Savage
Drying Fish Nets

oil on board
12 x 14 ins ( 30.5 x 35.6 cms )

Auction Estimate: $9,000.00$7,000.00 - $9,000.00

Price Realized $12,000.00
Sale date: March 1st 2022

Kastel Gallery, Montreal
Galerie Valentin, Montreal
Private Collection, Montreal
Private Collection, Ontario
Richard H. Haviland, “Canadian Art and Artists—Miss Anne Savage, art educationalist and landscape painter,” Montreal Standard, March 18, 1939, quoted in “The Beaver Hall Group and Its Legacy”, Toronto, 2017, page 135
A more modern rendition of the Canadian landscape and fishing industry built on local communities of the Saint Lawrence, here Anne Savage has maintained the Quebec francophone tradition of capturing the signs of habitation within the landscape. Savage has used the fishing village as a vehicle to experiment with bold forms of soft pastel pigments. The scene has been executed with a keen sense of form, compositional balance and a nod to abstraction with its reduced and simplified forms. The drying fish nets have been delineated as more simplified geometrics while still maintaining a rhythmic tension as the eye moves over the composition with the help of the curvilinear contour lines the artist has incorporated. On the artist’s work, art critic Richard H. Haviland explains: “She is completely the landscape artist. A modernist, she is an able interpreter of the Canadian scene, and seeks to bring out the main characteristics of her subject with a bold summarization of forms. Her work is strongly coloured and shows a fine sense of design.”

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Anne Douglas Savage
(1896 - 1971) Beaver Hall Group, Canadian Group of Painters

Anne Savage was born in Montreal, a descendant on her mother's side, of Sir Alexander Galt, one of Canada's Fathers of Confederation. The family spent summers at Lake Wonish, Quebec, which belonged to the Savage family. In 1914, she began studies at the Art Association of Montreal (later the Montreal Museum of Fine Art), under the direction of William Brymner. She proved to be an excellent student, winning an AAM scholarship in 1915. She was devastated when her twin Brother, Donaldson, was killed in the battle of the Somme in 1916. As twins, they had been very close, sharing each other's hopes and dreams for the future. His death was a defining moment for Anne and she decided that she must now succeed for both of them.

She continued studies at the AAM, exhibiting work in the Spring Exhibition of 1917. AAM director, William Brymner, was President of the Royal Canadian Academy (1909-1918), and Anne was also able to exhibit at the RCA Annual Exhibition the following year. After completing studies at the AAM, she worked for a time as a medical artist in Military hospitals in Montreal and Toronto. She continued to work as a medical artist in Minneapolis, Minnesota, while studying at the Minneapolis School of Design in 1919/20. Returning to Montreal, she became one of the founding members of the Beaver Hall Group. Group of Seven member, A.Y. Jackson was a member of both groups, and she participated in Group of Seven exhibitions. He became a lifelong friend. Although the Beaver Hall Group survived only two years, the women artists of the group formed a strong bond which lasted decades.

In 1922, she began to teach high school art at Baron Byng School. She had not planned to be a teacher, but found that she had an aptitude for it and made it her second career. She developed her own teaching methods based on her belief in the inherent creativity of children. She taught at Baron Byng School until 1948 while pursuing her personal artistic ambitions. She became a founding member of the Canadian Group of Painters (1933), and participated in sketching trips with A.Y. Jackson and other artists. Her early experiences at Lake Wonish contributed to her love of landscape painting. She was elected as vice president of the Canadian Group of Painters in 1939.

Throughout the 1940s she often exhibited with other women of the Beaver Hall Group. She received several awards for excellence as an art educator in Quebec, and traveled to Alberta for the summer to teach at the Banff School of Fine Arts. She taught a course in Art Education at McGill Univeristy between 1954 and 1959. During the 1950s, it became more difficult for her and other members of the Beaver Hall "Gang" to be accepted for juried exhibitions at the RCA and the CGP. Portraiture and and landscape painting and representational work in general fell out of favour. She continued to actively pursue painting, however, and exhibited at the Montreal Museum of Fine Arts. Her students organized a retrospective exhibition of her work at Sir George Williams University in 1969, two years before her death in Pierrefonds, Quebec in 1971.