Nineteen International Art Reference Books by Books and Reference
Books and Reference
Nineteen International Art Reference Books
nineteen books
Full catalogue listing in details
x ins ( 0 x 0 cms )
Auction Estimate: $150.00 - $250.00
Price Realized $96.00
Sale date: August 17th 2021
Provenance:
Private Collection, Toronto
Private Collection, Toronto
- “Clement Greenberg : A Critic’s Collection” (Karen Wilkin and Bruce Guenther, Portland Art Museum, Portland and Princeton University Press, Princeton, 2001);
- “The Collector in America” (A Studio Book/The Viking Press, New York, 1970);
- “Duveen” (S.N. Behrman, Andre Deutsch, London, 1986);
- “The School of Paris in the Musée d’art Moderne” (Bernard Dorival, Harry Abrams, New York, 1962);
- “Seven Days on the Art World” (Sarah Thornton, W.W. Norton, New York, 2008);
- “Merchants of Art: Eighty Years of Professional Collecting, 1880-1960” (Germain Seligman, Appleton Century Crofts, New York, 1961);
- “Leo & His Circle: The Life of Leo Castelli” (Annie Cohen-Solal, Alfred A. Knopf, New York, 2010);
- “Modern Art and America: Alfred Stieglitz and his New York Galleries” (Sarah Greenough, National Gallery of Art, Washington, Bulfinch Press, Boston/New York/London, 2000);
- “Modern Art: 19th and 20th Centuries - Selected Papers” (Meyer Schapiro, George Braziller, New York, 1982);
- “Gallery Going: Four Seasons in the Art World” (Jed Perl, Harcourt Brace Jovanovich, San Diego, 1991);
- “From Manet to Manhattan: The Rise of the Modern Art Market” (Peter Watson, Random House, New York, 1992);
- “Recollections of a Picture Dealer” (Ambroise Vollard, Dover, New York, 1978);
- “Diary of an Art Dealer” (René Gimpel, Pimlico, London, 1992);
- “Art Czar: The Rise and Fall of Clement Greenberg” (Alice Goldfarb Marquis, MFA Publications, Boston, 2006);
- “Portrait of Dr. Gachet: The Story of a Van Gogh Masterpiece” (Cynthia Saltzman, Penguin Books, New York, 1998);
- “Rogues’ Gallery” (Michael Gross, Broadway Books, New York, 2009);
- “Alfred H. Barr Jr.: Missionary for the Modern” (Alice Goldfarb Marquis, Contemporary Books, Chicago/New York, 1989);
- “Adolph Gottlieb: Small Images Spanning Four Decades 1938-1973” (Manny Silverman Gallery, Los Angeles, 1995);
- “Adolph Gottlieb: The Pictographs 1942-1951” (Manny Silverman Gallery, Los Angeles, 1992)
- “The Collector in America” (A Studio Book/The Viking Press, New York, 1970);
- “Duveen” (S.N. Behrman, Andre Deutsch, London, 1986);
- “The School of Paris in the Musée d’art Moderne” (Bernard Dorival, Harry Abrams, New York, 1962);
- “Seven Days on the Art World” (Sarah Thornton, W.W. Norton, New York, 2008);
- “Merchants of Art: Eighty Years of Professional Collecting, 1880-1960” (Germain Seligman, Appleton Century Crofts, New York, 1961);
- “Leo & His Circle: The Life of Leo Castelli” (Annie Cohen-Solal, Alfred A. Knopf, New York, 2010);
- “Modern Art and America: Alfred Stieglitz and his New York Galleries” (Sarah Greenough, National Gallery of Art, Washington, Bulfinch Press, Boston/New York/London, 2000);
- “Modern Art: 19th and 20th Centuries - Selected Papers” (Meyer Schapiro, George Braziller, New York, 1982);
- “Gallery Going: Four Seasons in the Art World” (Jed Perl, Harcourt Brace Jovanovich, San Diego, 1991);
- “From Manet to Manhattan: The Rise of the Modern Art Market” (Peter Watson, Random House, New York, 1992);
- “Recollections of a Picture Dealer” (Ambroise Vollard, Dover, New York, 1978);
- “Diary of an Art Dealer” (René Gimpel, Pimlico, London, 1992);
- “Art Czar: The Rise and Fall of Clement Greenberg” (Alice Goldfarb Marquis, MFA Publications, Boston, 2006);
- “Portrait of Dr. Gachet: The Story of a Van Gogh Masterpiece” (Cynthia Saltzman, Penguin Books, New York, 1998);
- “Rogues’ Gallery” (Michael Gross, Broadway Books, New York, 2009);
- “Alfred H. Barr Jr.: Missionary for the Modern” (Alice Goldfarb Marquis, Contemporary Books, Chicago/New York, 1989);
- “Adolph Gottlieb: Small Images Spanning Four Decades 1938-1973” (Manny Silverman Gallery, Los Angeles, 1995);
- “Adolph Gottlieb: The Pictographs 1942-1951” (Manny Silverman Gallery, Los Angeles, 1992)
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