Artwork by Frederick Horsman Varley,  Double Sided Portrait of Philip Surrey’s Mother (Head and Shoulders and Face)

Fred Varley
Double Sided Portrait of Philip Surrey’s Mother (Head and Shoulders and Face)

graphite on paper
“Head and Shoulders” (12.5 x 9 inches (sight));
“Face” (16.5 x 9 inches (sight))
12.5 x 9 ins ( 31.8 x 22.9 cms ) ( sight )

Auction Estimate: $7,000.00$5,000.00 - $7,000.00

Price Realized $3,500.00
Sale date: June 1st 2021

Sotheby’s Canada, auction, Toronto, May 1993, Lot 188
Private Collection, Toronto
Varley spent Easter weekend of 1937 in Montreal with Philip Surrey and his mother. During this visit, he painted several studies of Mrs. Surrey and her young son Philip.

These drawings are included in the Varley inventory as “Head and Shoulders”, no. 756 and “Face” as VI 757.

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Frederick Horsman Varley
(1881 - 1969) Group of Seven, ARCA

Born in Sheffield, England, Frederick Varley went to Antwerp as a young man to study art at the Academie Royale des Beaux-Arts and then returned to London, England to work as an illustrator. In 1912 he came to Toronto, Canada where he formed a friendship with Arthur Lismer. Lismer introduced Varley to fellow artists who spent their weekends painting outside of the city. They tried to convince Varley that the most challenging and inspiring subject matter was the Canadian Landscape. Varley, who was more interested in portraiture, took a while to warm to the lure of the landscape, which he eventually did. His best work, however, continued to be his portrait and figure work into which he incorporated the landscape.

In 1926 he accepted a teaching position at the Vancouver School of Art and stayed in British Columbia until 1936 when he returned to Eastern Canada to continue his career as an artist with some teaching to help his finances. Varley was an avid reader of philosophy, in particular the writings of Chinese writers. These writings, along with his own observations, influenced his approach to colour and subject matter. He felt "colour vibrations", as he expressed it, "emanating from the object portrayed". His personal use of colour became a trademark of his paintings and one that is still used by so many artists today, such was the lasting influence of his work.