Thirty-Eight Canadian Art Reference Books and Magazines by Books and Reference

Provenance:
Private Collection, Toronto

“The Wood Carver’s Wife” (Marjorie L. C. Pickthall, McClelland & Stewart, Toronto, 1922); “James Wilson Morrice: A Biography” (Donald W. Buchanan, The Ryerson Press, Toronto, 1936); “John Meredith: Fifteen Years” (Art Gallery of Ontario, Toronto, 1974) - inscribed by the title page; “J.W. Morrice” (Lucie Dorais, National Gallery of Canada, Ottawa, 1985); “David Milne: Painting Place” (Rosemarie L. Tovell, National Gallery of Canada, Ottawa, 1976) -2 copies; “Thomas Davies in Early Canada” (R. H. Hubbard, Oberon Press, 1972); “Art Smart: The Intelligent Guide to Investing in the Canadian Art Market” (Alan D. Bryce, Dundurn Group, Toronto, 2007); “Someone with Me: The Autobiography of William Kurelek” (Cornell University, 1973); “Anne Savage: The Story of a Canadian Painter” (Anne McDougall, Harvest House, Montreal, 1977); “Modernism in Quebec Art, 1916-1946” (Jean-René Ostiguy, National Gallery of Canada, Ottawa, 1982); “Who Has Seen the Wind” (W.O. Mitchell, illustrated by William Kurelek, McClelland & Stewart, Toronto, 1998); “Painting in Canada: A History” (J. Russell Harper, University of Toronto Press, Toronto, 1977); “Northern Belle: The Life Story of Haliburton’s Ethel Curry” (Robert Popple, RTP Publications, Haliburton, 2003);
- “The Girls: A Biography of Frances Loring and Florence Wyle” (Rebecca Sisler, Clarke, Irwin and Company, Toronto and Vancouver, 1972);
- “J.E.H. MacDonald: Sketchbook, 1915-1922” (Penumbra Press, Moonbeam, Ontario, 1979);
- “Kurelek’s Canada” (Pagurian Press, Toronto, 1978);
- “What They Used to Tell About: Indian Legends from Labrador” (edited by Peter Desbarats, McClelland & Stewart, Toronto, 1969);
- “The Good Wine: An Artist Comes of Age” (Doris McCarthy, MacFarlane, Walter & Ross, Toronto, 1991) -signed by the artist;
- “Water: Lawren Harris and the Group of Seven” (Joan Murray, MacArthur and Company, Toronto, 2004);
- “Im(pulse): Photographs by Fletcher Starbuck” (Vol. 4, No. 1, 1975);
- “French Canada” (Hazel Boswell, The Viking Press, New York, 1938);
- “Clarence Gagnon: An Introduction to his Life and Art” (Anne Newlands, Firefly Books, Richmond Hill, 2005);
- “David Milne: City and Country, Selected Works from the David Milne Estate” (Mira Godard Gallery, Toronto, 2006);
- “Greg Hardy: From the Island” (Kenderdine Art Gallery, University of Saskatchewan, Saskatoon, 2009) -signed by the artist on the title page;
- “Eskimo Graphic Art” (reprinted from Canadian Art magazine, Ottawa);
- “Portraits of Flowers” (G. Brender à Brandis and Patrick Lima, Porcupine’s Quill, Erin, Ontario, 1995);
- “Wood, Ink & Paper: Wood Engravings by G. Brender à Brandis” (Porcupine’s Quill, Erin, Ontario, 1980);
- “The Quarter-Pie Window” (Marianne Brandis, Porcupine’s Quill, Erin, Ontario, 1985);
- “Catalogue of Pictures and Books” (Frank Waddington, Toronto);
- “The Great Canadian Sonnet” (Dave McFadden, drawn by Greg Curnoe, Coach House Publishing, Toronto, 1970);
- “The House of All Sorts” (Emily Carr, Oxford University Press, Toronto/London, 1944);
- “ArtsCanada: Aspects of Criticism” (April/May 1980, Issue 234/235);
- “ArtsCanada: Containing J.E.H. MacDonald’s unpublished journal, 1932” (Dec. 1972/Jan. 1973, Issue 174/175);
- “ArtsCanada: Stones, Bones and Skin, Ritual and Shamanic Art” (Dec. 1973/Jan. 1974);
- “ArtsCanada: An inquiry into the aesthetics of photography” (Dec. 1974, Issues 192-195);
- “ArtsCanada: Joan Miro/Jack Bush” (Dec. 1980/Jan. 1981, Issue 238/239);
- “ArtsCanada” (Aug. 1970, Issue 146/147);
- “ArtsCanada: To Celebrate Drawing” (April/May 1976, Issue 204/205)