Artwork by George Franklin Arbuckle,  True Lover’s Leap, Newfoundland

Franklin Arbuckle
True Lover’s Leap, Newfoundland

oil on canvas
signed lower right
30 x 40 ins ( 76.2 x 101.6 cms )

Sold for $30,680.00
Sale date: November 28th 2019

Provenance:
Private Collection, Ontario
Exhibited:
Royal Canadian Academy of Arts, Montreal Museum of Fine Arts, November 11-30, 1949, no. 3
Literature:
Royal Canadian Academy of Arts: Seventieth Annual Exhibition, catalogue, Montreal Museum of Fine Arts, November 11 to 30, 1949, reproduced, not paginated
Evelyn de R. McMann, Royal Canadian Academy of Arts, Exhibition and Members, 1880-1979, Canada, 1981, listed page 11
“Royal Canadian Academy Opens It’s 70th Exhibition Here”, The Gazette, Montreal, Saturday, November 12, 1949, page 18
A November 1949 article in The Gazette discusses that year’s R.C.A. Exhibition within which this artwork was included (”Royal Canadian Academy Opens its 70th Annual Exhibition Here”), noting the show is “sound in selection and varied its subject matter” and that the exhibition “...which opened last night in the galleries of the Montreal Museum of Fine Arts is one of the most comprehensive and interesting in recent years.”

The article later lists a selection of artwork featured in the exhibition, pointing to this canvas as “...a powerful painting of massive rocks, landing stage and fishing craft, called ‘True Lover’s Leap, Newfoundland’”.

A print of this artwork was produced, titled on the matting which was included with the reproduction.

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George Franklin Arbuckle
(1909 - 2001) RCA

Arbuckle studied at the Ontario College of Art under J.W. Beatty and J.E.H. MacDonald. He attended summer classes at Franz Johnston's Georgian Bay art school. During the war, he turned his hand to commercial work and became an extremely successful illustrator. He worked for Bomac Engravers for several years at Ottawa and Montreal but he returned to free lance work in 1944. His special knowledge of historical subjects contributed greatly to his stature as an illustrator. Much of this knowledge was obtained from a friend and teacher, C. W. Jeffreys. His fine art painting encompassed both realism and impressionism.

His MacLean’s cover paintings of people, reveal his sensitivity to facial expressions striking a happy medium between caricature and realism. One of his particularly successful illustrations for MacLean’s magazine covered two pages used for Joseph Schull’s “William Lawrence and his wonderful windjammer.” This large illustration of a ship was reproduced in Canadian Art magazine in connection with the 7th Annual Exhibition of Advertising and Editorial Art; other works by him also appeared in that issue. Two of his larger projects have been written about in Weekend magazine. He has won the Jessie Dow award twice and is regarded as one of the more prominent illustrators in Canada.

His love of outdoor painting was rarely satisfied due to his numerous commitments of other types of art work. His more important commissions include: a mural 32 ft., 10 inches by 17 ft. for the City Hall at Hamilton, Ontario; mural for the Sawinigan Water and Power Company, Quebec; the design for tapestries 30 ft. by 19 ft. each, for the Royal Bank of Canada Building on King Street, Toronto. The tapestries were woven at Aubusson, France. Barbara Moon’s article in MacLean’s magazine in 1959 covered many aspects of his life and that of his artist wife Frances-Anne Johnston, daughter of founding Group of Seven member Frank Johnston.

Franklin Arbuckle is represented in the International Business Machines Collection of Contemporary Art, the Seagram Collection of Paintings and the R.C.A. Diploma Collection in the National Gallery of Canada. He is also represented in other leading galleries in North America and Europe. He taught at the Ontario College of Art and continued his career as a free lance artist. He was a member of the Ontario Society of Artists and the Canadian Society of Book Illustrators. He became an associate member of the Royal Canadian Academy in 1936, and a full member in 1945. He served as president of the RCA from 1960 to 1964.

Source: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977