Artwork by David Alexander Colville,  Stove

Alex Colville
Stove

colour serigraph
signed, dated 1988 and numbered 4/70 in the lower margin
19.75 x 19.75 ins ( 50.2 x 50.2 cms ) ( subject )

Sold for $11,800.00
Sale date: November 20th 2018

Provenance:
Mira Godard Gallery, Toronto
Masters Gallery, Calgary
Private Collection, Calgary
Literature:
Alex Colville, “Remarks”, correspondence with Philip Fry, November 1993
Philip Fry, Alex Colville: Paintings, Prints and Processes 1983 - 1994, exhibition catalogue, Montreal Museum of Fine Arts, pages 163-64, illustrated page 163, cat. no. 29
“We acquired the AGA stove, which became a kind of centre of our life. In this serigraph my wife and our dog look into one of the ovens - a domestic scene.” - Alex Colville, “Remarks”, November 1993

Masterfully transforming a mundane subject into one of great warmth and intimacy, Alex Colville captures the quiet mystery of domestic experience within his home. Using a limited palette of primary colours and white highlights, the artist renders delicate surface textures in a corner of his kitchen: tile, wood, metal, and hair. Standing before a massive cast iron AGA stove, the artist’s wife and dog peer into the dark cavity of the open oven. A centre of their home and life together, the blue enamel and chrome-accented appliance gleams from care. Though their faces are not visible, the artist’s wife and their family pet appear relaxed, inquisitive. United in their gaze, Philip Fry writes, “the head of the woman and the dog are drawn together and towards the open oven in one flowing movement of complicity.”

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David Alexander Colville
(1920 - 2013) Order of Canada, RCA

Credited as a Maritime painter, David Alexander Colville was born in Toronto, Ontario, in 1920. Colville’s father worked in construction, so their family moved to St. Catharines, Ontario, in 1927, and then to Amherst, Nova Scotia, in 1929. Soon after the move to Nova Scotia, Colville contracted pneumonia. Through his six-month long recovery his mother supplied him with art materials, which aided his blossoming interest in the field. During this time, he exclusively drew machines, cars, and boats.

In 1934, Colville began taking weekly art classes under Sarah Hart, as an extension from Mount Allison University’s fine art department, who taught in a style that was influenced by the Post-Impressionists. Later, in 1938, Colville enrolled in Mount Allison’s art department and decided to become an artist. Colville enlisted in the First Canadian Army in the spring of 1942 after graduation. Serving as a lieutenant in Fredericton, New Brunswick, and Camp Petawawa, Ontario, until he began service as an official war artist in England. While in Yorkshire, Colville made sketches of the preparation of equipment to be sent to France for the D-Day effort. In October 1944, he was present at the liberation of the Bergen-Belsen concentration camp. Several weeks later he returned to Ottawa where he created paintings from his sketches and watercolours.

After leaving military life Colville was offered a faculty position at Mount Allison. After settling in Sackville with his family he concentrated on teaching and growing his family. At this time he was influenced by ancient Egyptian art that featured humans in frontal and profile positions. In 1951, Colville had his first solo show at the New Brunswick Museum in St. John. The works included in the exhibition included landscapes of what he saw around him in the Maritimes. This exhibition was influential on Colville’s life as it was the first time his work was written about in newspapers, the first time he lectured publicly on his art, and his first sale to a museum. Throughout the rest of the 1950s, Colville exhibited regularly in New York and throughout Canada in Toronto, Ottawa, and Hamilton.

Colville resigned from Mount Allison in 1963 to focus on his art career. During this period, he worked on important exhibitions, solo shows, and his inclusion in the 1966 Venice Biennale. In 1965, Colville designed circulation coins for Canada’s centennial, which allowed his work to reach the largest possible audience. During the 1960s, Colville was elected to the Order of Canada, received honorary degrees from Trent University, Mount Allison, and Dalhousie University. He traveled to Santa Cruz, California, in 1967-68 to work as a visiting artist at the University of California. In 1971, he was an artist in residence in Berlin.

Colville’s success continued throughout the 1970s and 1980s. He was awarded the Canada Council Molson Prize in 1974 and earned more honorary degrees from Canadian universities. In 1981, Colville was named the chancellor of Acadia University––a position he held for ten years. In 1983, The Art Gallery of Ontario held his first museum retrospective, which toured Canada and Germany.

Literature Sources
Ray Cronin, “Alex Colville: Life and Work”, Art Canada Institute, Toronto, 2017 (https://aci-iac.ca/art-books/alex-colville)
"A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977