Artwork by Kim Dorland,  Hoax

Kim Dorland
Hoax

oil on board
signed, titled and dated 2006 on the reverse
14 x 11 ins ( 35.6 x 27.9 cms )

Auction Estimate: $5,000.00$3,000.00 - $5,000.00

Price Realized $5,290.00
Sale date: November 22nd 2016

Provenance:
Private Collection, Toronto
An example of Dorland’s groundbreaking practice, “Hoax” incorporates the artist’s signature fluorescent pigments and rich earth tones in the contemporary landscape painting. Throughout the artists earlier body of work of this period, a Sasquatch-like figure within the woods features prominently as a comment on mythological themes of the wilderness and the overarching myth of Canadian landscape painting in the greater art historical dialogue within Canada. Rather than present the landscape as terra nullius—the void, pristine, virgin land often idealized by historical Canadian painting and art history—the artist incorporates contemporary figures and tokens in a rugged environment, highlighted by the loose but controlled brushwork, effectively occupying the land and leaving traces of human presence and experiences. Strong formal elements of line, contrast, and balance of composition are intrinsic to Dorland’s work, highlighted here by the linear white birch trees framing the central figure and contrasting with both the pigmentation and deconstructed painting technique.

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Kim Dorland
(1974)

A native of Wainwright, Alberta, Dorland relies heavily on his tumultuous experiences growing up, translating into works that challenge preconceived notions of the Canadian wilderness. He studied at the Emily Carr Institute of Art and Design in Vancouver before earning his MFA at York University in Toronto in 2003. Dorland was also an artist-in-residence at the McMichael Canadian Art Collection in 2014.

With an emphasis on demystifying the idea of terra nullius—the void, pristine, virgin land often idealized by historical Canadian painting and art history—the artist often incorporates contemporary figures and objects in a rugged environment emphasizing one's place in the landscape. Dorland works in a variety of media, including neon pigments, spray paint and even inkjet technologies. Works often include hidden symbols and references to the relationship humans have on the landscape they inhabit. Graffiti, cars, toys and modern infrastructure populate Dorland’s landscapes, making a contemporary comment on the traditionally barren Canadian landscape throughout art history. In each work, strong formal elements of line, contrast, and colour figure prominently to create visually complex imagery. In doing this, the artist forms a dialogue with celebrated twentieth century Canadian painting technique rather than a rejection of tradition.

As one of Canada's leading contemporary painters, Dorland exhibits frequently in Canada from coast to coast at the institution and gallery level with regular art fair participation in Toronto and New York. His works are part of the collections of The Art Gallery of Alberta, Musée d’art contemporain de Montréal, Bank of Montréal, Royal Bank of Canada, and The Glenbow Museum among many other private and international collections.