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Prelude to the Afternoon of a Moose, L’apres midi d’un orignal (Baie-St-Paul, Quebec) by Charles Pachter

Artwork by Charles Pachter, Prelude to the Afternoon of a Moose, L’apres midi d’un orignal (Baie-St-Paul, Quebec)

Charles Pachter
Prelude to the Afternoon of a Moose, L’apres midi d’un orignal (Baie-St-Paul, Quebec)

acrylic on canvas
signed and dated 2001 lower right; signed, titled and dated on the reverse, unframed
24 x 30 ins ( 61 x 76.2 cms )

Auction Estimate: $8,000.00$6,000.00 - $8,000.00

Price Realized $9,200.00
Sale date: November 29th 2013

Literature:
Bogomila Welsh-Ovcharov, “Charles Pachter”, Toronto, 1992, page 41, plates 48, 51, 53, 55, 59-66 for further works by the artist which feature the moose subject.
As a child, Charles Pachter came face-to-face with a moose at the 1947 Canadian National Exhibition, an encounter which would later echo through the artist’s catalogue of work, the creature acting as an iconic figure of Canadian identity. Bogomila Welsh-Ovcharov notes that, for Pachter, the moose was an “elusive animal he would consider the ultimate symbol of the Canadian psyche.” While his earliest depictions of the animal would share focus with Queen Elizabeth II (the artist describing the unlikely duo as “Monarchs of the North”), the moose continues to appear with regularity within Pachter’s oeuvre, the artist routinely setting the mighty but stoic animal within varying landscapes. Standing calmly on the shore of Baie-St.-Paul, the moose’s powerful silhouette here plays both in contrast and harmony with the warmly composed beach landscape.

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Charles Pachter
(1942)

Current SalesHighlightsWatch Artist

With a focus on national identity and cultural symbolism, Charles Pachter has emerged as one of Canada’s most recognizable and celebrated contemporary artists. Born in 1942 in Toronto, Ontario, to Jewish immigrant parents, Pachter developed a deep interest in Canadian heritage and visual storytelling from an early age. He studied at the University of Toronto, the Sorbonne in Paris, and the Cranbrook Academy of Michigan, cultivating a diverse artistic education that would shape his eclectic and bold approach.

Pachter rose to prominence in the 1960s and 1970s, adopting a Pop Art aesthetic similar in spirit to his American contemporaries while placing a focus on Canadian culture. His work reimagines national iconography including Queen Elizabeth II, the Canadian flag, and the country’s wildlife with wit, reverence, and irony. Best known for his stylized renderings of moose in unexpected contexts with his “Queen on Moose” series, Pachter combines flare, vivid colour fields with sharp graphics to elevate the everyday into the iconic. In addition to painting, he has worked as a printmaker, muralist, and designer, and has made lasting contributions to public art across Canada. His mural of the Maple Leaf flag on Toronto’s Grange Avenue has become a beloved landmark. Throughout his career, Pachter has continued to explore themes of memory, patriotism, and modernity. His legacy includes not only a prolific body of visual work but also a lifelong dedication to promoting Canadian identity through art. Now residing and working in a self-designed home and studio known as the Moose Factory in downtown Toronto, Pachter remains a vital figure in the Canadian landscape.