Sybil Andrews
(1898 - 1992)
Previously Sold Works
SYBIL ANDREWS
Wet Race Meeting
colour linocut
signed, titled and numbered 10/50 upper left
9.25 x 6.75 in ( 23.5 x 17.1 cm ) ( sight )
Auction Estimate: $20,000.00 - $30,000.00
Price Realized $22,800.00
Sale date: May 30th 2024
SYBIL ANDREWS
In Full Cry
colour linocut, laid on card
signed, titled and numbered 34/50 upper right
11.5 x 16.5 ins ( 29.2 x 41.9 cms )
Auction Estimate: $9,000.00 - $12,000.00
Price Realized $12,980.00
Sale date: November 19th 2019
SYBIL ANDREWS
Sails, 1960
colour linocut
signed and inscribed “Sail” and “TP” lower left
7.75 x 8.75 ins ( 19.7 x 22.2 cms )
Auction Estimate: $12,000.00 - $15,000.00
Price Realized $23,000.00
Sale date: November 29th 2013
SYBIL ANDREWS
Day’s End (1961)
colour linocut
signed and numbered 30/60 upper left
10.75 x 10.25 ins ( 27.3 x 26 cms )
Auction Estimate: $10,000.00 - $15,000.00
Price Realized $7,500.00
Sale date: November 28th 2014
SYBIL ANDREWS
Pilate: Station I
colour linocut
signed, titled and numbered 9/60 in the upper right corner
12.75 x 11.5 ins ( 32.4 x 29.2 cms ) ( sight )
Auction Estimate: $2,500.00 - $3,500.00
Price Realized $2,360.00
Sale date: July 18th 2018
SYBIL ANDREWS
Cambridge (The Dining Hall, Christ’s College)
etching
signed and titled in the lower margin; unframed
8.5 x 13 ins ( 21.6 x 33 cms ) ( sheet )
SYBIL ANDREWS
The Mowers
lino-cut prints
11.5 x 13.75 ins ( 29.2 x 34.9 cms )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $18,000.00
Sale date: June 23rd 2012
Consignments
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S. Andrews Biography
(1898 - 1992)
Born in Suffolk in England, Andrews was trained in the modernist style at the Grosvenor School of Modern Art in London. She became part of a group of artists who worked in the linocut print medium and embraced a modern expressionist style. The linocut print was a new medium having first been used in 1912. This group of printmakers, led by Claude Flight, were considered to be avant garde and experienced some antagonism from the traditional art establishment. Andrews favoured subjects which were ordinary in and of themselves, portraying them in a dynamic expressionist style.
Andrews immigrated to Canada with her husband in 1947, settling in Campbell River. A painter and printmaker she was influenced by 5th and 6th Century artists of Greece, Chinese carvers of the Han Dynasty and medieval art of Britain and Europe generally. She continued to work steadily on her linocut prints while teaching weekly art classes. Recognition of her work came shortly after her arrival in 1948 with a solo exhibition at the Vancouver Art Gallery.
The Glenbow Museum, Canada, is a major centre for the study of her work with a collection of over 1000 examples of Andrews' works, including all of her famous colour linocuts and the original linoleum blocks, paintings in oil and watercolour, drawings, drypoint etchings, sketchbooks, and personal papers.
Her work is also represented in such prestigious public collections as the Victoria and Albert Museum in London, England; the National Gallery of New Zealand; and the Art Gallery of Ontario.