James Wilson Morrice
(1865 - 1924) RCA
Current Sale
JAMES WILSON MORRICE
Resting Nude
oil on canvas
titled "Nude" to the gallery label on the reverse; F.R. Heaton estate stamp on the stretcher
10 x 14 in ( 25.4 x 35.6 cm )
Auction Estimate: $40,000.00 - $60,000.00
Sale Date: May 28th 2025
JAMES WILSON MORRICE
Landscape, circa 1890-1892
oil on canvas laid down on board
dated circa 1895 to the framing plaque; dated circa 1900 and certified to the gallery label on the reverse
5.25 x 7.25 in ( 13.3 x 18.4 cm )
Auction Estimate: $15,000.00 - $20,000.00
Sale Date: May 28th 2025
JAMES WILSON MORRICE
On the Terrace, circa 1898
pencil
titled on a gallery label on the reverse
4 x 6.5 in ( 10.2 x 16.5 cm ) ( sheet )
Auction Estimate: $2,000.00 - $3,000.00
Sale Date: May 28th 2025
Consignments
We are currently seeking works by James Wilson Morrice to be included in future consignment sales.
If you are interested in selling works by James Wilson Morrice or want to get our opinion of value click here for more information or submit your artwork for sale.
James Wilson Morrice Biography
(1865 - 1924) RCA
Born in Montreal to a prominent family of textile merchants, Morrice spent most of his life abroad, much of it in Paris. He had gone there to enrol in the Academie Julian, the best-known of the private art schools that lured dozens of young Canadian artists to cross the ocean with the promise of technical proficiency and stylistic sophistication. Soon Morrice was studying with the Barbizon painter Henri Harpignies and looking intently at the pictures of the cutting-edge Nabis members. Affable and gregarious, Morrice was well liked in Paris among the local and emigre vanguard, notably his friends the great Henri Matisse and the influential American painter Robert Henri. He did well, showing in the most prestigious exhibitions of new art, including the Salons, and selling to discerning European collections of the highest rank. If he is remembered mostly in Canada today, it may be because Canadian collectors repatriated most of his pictures after his death, leaving Europeans with little to go on. He had been careful to maintain a reputation at home, showing here regularly and returning frequently for Christmas, which would explain why most of his Canadian pictures are winter scenes. Young Canadian artists held him in considerable esteem during his lifetime for his fearless modernism and his success in Europe. A stylistically hybrid artist, Morrice combined a lush and often dusky Post-Impressionist tone with nonchalant brushwork of a plumb assuredness, softening the blunt structures of his Fauvist friends. What results are paintings as complicated as they are straightforward and often redolent with suppressed emotion. Morrice tends to smallish pictures that draw you in, only to surprise you by their resolute diffidence. Irresistible and remote, his pictures ask for intimacy but keep their distance, like nostalgia, like longing. Morrice ran with a fast crowd of glittering cosmopolitans. Alcoholism got the better of him by the end of his fifties; his health ultimately failed while in North Africa where he had painted with Matisse and where he died at fifty-eight.
Source: National Gallery of Canada