Works on Paper & Prints

colour serigraph

signed, titled, dated 1980 and numbered 118/150 in the lower margin

25 × 17.5 in (63.5 × 44.5 cm) (subject)

serigraph on paper handmade by the artist

signed, dated 1992 and numbered 55/150 at the lower edge; titled and dated 1992 to a label on the reverse of the frame; sold together with: “Charles Pachter” by Bogomila Welsh-Ovcharov, McClelland Stewart, Toronto, 1992 (signed by Margaret Atwood, the author and the artist, numbered 55/150) and in the original printed linen slipcase

11.5 × 9.25 in (29.2 × 23.5 cm) (sheet)

watercolour and ink

signed and dated 1946 lower left; titled and dated to a gallery label on the reverse

14.5 × 19.5 in (36.8 × 49.5 cm) (sheet)

mixed media

signed and dated 2000 lower right

22 × 15 in (55.9 × 38.1 cm) (sheet)

ink

signed and dated 1993; titled and dated to a label on the reverse

23.5 × 17.5 in (59.7 × 44.5 cm) (sheet)

ink

initialed and dated 1994 lower right

23.5 × 17.5 in (59.7 × 44.5 cm) (sheet)

watercolour

signed and dated 1964 lower right; titled to two labels on the reverse

4.75 × 7.25 in (12.1 × 18.4 cm) (sight)

watercolour

signed and dated 1964 lower right

4.75 × 6.75 in (12.1 × 17.1 cm) (sight)

watercolour

signed lower left; titled to the gallery label on the reverse

13.5 × 19.75 in (34.3 × 50.2 cm) (sight)

watercolour

signed and dated 1977 lower right; titled to the artist label on the reverse

5.75 × 7.75 in (14.6 × 19.7 cm) (sight)

watercolour

signed and dated 1973 lower centre

7.5 × 5.75 in (19.1 × 14.6 cm) (sight )

watercolour and graphite; etching

- “St. Cecile Street, Montreal” (Original Study for Etching) watercolour and graphite; signed, dated 1938 and inscribed “St. Cecile St. Montreal, Original study for etching and silk screen”, 14 x 9 ins (35.5 x 22.8 cms) (sight); - “Cecile Street, Montreal” etching; signed, dated 1939 and inscribed “18-50” in the lower margin, 11 x 5.5 ins (27.9 x 13.9 cms) (plate)

14 × 9 in (35.6 × 22.9 cm) (sight (watercolour))

etching

signed and numbered 13/90 in the lower margin

17.5 × 23.5 in (44.5 × 59.7 cm) (sheet)

pencil on paper

6.5 × 12.75 in (16.5 × 32.4 cm) (sight)

watercolour and graphite on paper

Estate stamp in the lower margin

5.75 × 8.75 in (14.6 × 22.2 cm)

colour lithograph

signed and inscribed “5” lower right and numbered 52/90 lower left

22 × 25.5 in (55.9 × 64.8 cm) (sheet)

ink on laid paper

signed lower left; titled and dated to a label on the reverse

7.5 × 9 in (19.1 × 22.9 cm) (sheet)

ink and wash on cream paper

signed and dated 1946 lower right

8.5 × 11 in (21.6 × 27.9 cm) (sheet)

colour serigraph

signed, titled, dated 1981 and numbered 72/100 in the lower margin; titled to a label on the reverse

18 × 25 in (45.7 × 63.5 cm) (image)

watercolour

signed lower right

9.5 × 12.5 in (24.1 × 31.8 cm) (sight)

serigraph

signed in the plate lower right

27.5 × 20 in (69.8 × 50.8 cm) (sight)

colour serigraph

signed, titled, dated 1991 and numbered 7/50 in the lower margin

23.75 × 18.75 in (60.3 × 47.6 cm) (sight)

three watercolours

each signed and dated 1987 lower right

12 × 8 in (30.5 × 20.3 cm) (sight (each))

collage

signed and dated “20 October 1972” lower middle; signed, titled and dated on a gallery label on the reverse

16 × 10.5 in (40.6 × 26.7 cm) (sight)

three watercolour and ink

- “Trying to Anchor the Star” titled in the lower margin and inscribed “9” in the upper right margin; 10 x 15 ins (25.4 x 38.1 cms) [sight]; - “Monday Diaries” titled in the lower margin and inscribed “1” in the upper right margin; 11.25 x 14.5 ins (28.5 x 36.8 cms) [sight]; - “Untitled Abstraction” inscribed “10” in the upper right corner; 11.25 x 13 ins (28.5 x 33 cms) [sight]

11.25 × 14 in (28.6 × 35.6 cm) (largest artwork)

seven mixed media artworks

- Anthony Miles, “Accumulations of Triangles” signed with pseudonym, titled and dated 1969 in the lower margin; 27.5 x 37.5 ins (69.8 x 95.2 cms) (subject); matted; - Becky Burke, “Untitled (Two Female Figures)” signed and numbered 4/73 lower right; 21 x 27 ins (53.3 x 68.5 cms) (sheet); unframed; - Deitcher, “Life Cycle” signed, titled, dated 1968 and numbered 2/70 in the lower margin; 20.5 x 26 ins (52 x 66 cms) (sheet); unframed; - Dietcher, “Untitled Abstraction ” signed, dated 1968 and numbered 2/70 in the lower margin; 20.5 x 26 ins (52 x 66 cms) (sheet); unframed; - Bruce “Untitled Abstraction” signed upper right and dated 1965; 23 x 29 ins (58.4 x 73.6 cms) (sheet); unframed; - Gerald Zeldin, “Two Figures Kissing” signed and dated 1968 lower right; 18.5 x 15.75 ins (46.9 x 40 cms) (sheet); unframed; - Eugen Feller “Untitled Abstraction” signed and inscribed indistinctly, numbered 11/14 lower right; 19 x 26.5 ins (48.2 x 67.3 cms) (sheet); unframed

27.5 × 37.5 in (69.8 × 95.3 cm) (largest (matted) )

serigraph

signed, dated 1965 and numbered 52/100 lower right

25.75 × 20 in (65.4 × 50.8 cm) (sight)