Online Auction of Works on Paper, Prints & Books

ink drawing

signed and dated “July 31, 1959” lower left; inscribed “8719” on the reverse

11 × 16 in (27.9 × 40.6 cm)

watercolour

signed and dated 1897 lower right

10.5 × 19 in (26.7 × 48.3 cm)

colour block print on card

initialed within the plate; titled and dated c. 1913 to a gallery label on the reverse

4.25 × 5.75 in (10.8 × 14.6 cm) (sheet)

gouache

- “Sillery (Jesuit House)”: signed and titled on the reverse (11.5 x 14 ins); unframed - “Château Richer, Quebec”: signed lower right and titled on the reverse (17.5 x 13 ins); unframed - “English Church from City Hall”: signed lower left and titled indistinctly on the reverse (19.5 x 15.5 ins); unframed

19.5 × 15.5 in (49.5 × 39.4 cm) (largest )

felt pen

signed and inscribed “avec amitié” lower right

11 × 14.25 in (27.9 × 36.2 cm) (sight)

lithograph

signed and dated 1965 in the lower margin

8 × 6 in (20.3 × 15.2 cm) (image)

two colour woodblock prints

- “Goin’ Home” (signed, titled and numbered 31/50 in the lower margin - 8.5 x 10.5 ins. [image]); - “Above Twelve Mile Creek” (signed, titled and numbered 23/50 in the lower margin - 8.5 x 10.5 ins. [image])

8.5 × 10.5 in (21.6 × 26.7 cm) (image (each))

etching

signed, dated 1937 and inscribed “Trial proof” in the lower margin; signed with initials and dated 1937 in the plate; titled on a gallery label on the reverse

8 × 6 in (20.3 × 15.2 cm) (sight)

etching

signed and titled in the lower margin; titled on a gallery label on the reverse

8.25 × 10 in (21.0 × 25.4 cm)

pencil sketch on paper

unsigned; unframed

9.5 × 12.5 in (24.1 × 31.8 cm)

pair of etchings

-”Church St Denis Que” signed and titled in the lower margin, inscribed “To Harry Smith, May 1926” at the lower edge (10 ins x 7.75 ins); -”At the Club”- signed, titled and inscribed “To Harry, 1936” in the lower margin (10 ins x 8 ins); each unframed

crayon on paper

signed lower right; dated “December 21st, 1932” upper right

4.25 × 7.75 in (10.8 × 19.7 cm) (sight)

lithograph

signed, titled, dated “Oct. 1976” and numbered “1/222/250” in the lower margin

17.5 × 28 in (44.5 × 71.1 cm) (subject)

colour serigraph

signed, titled, dated 1980 and numbered XVII/XXX lower right; unframed

20 × 28 in (50.8 × 71.1 cm) (sheet)

colour silkscreen

unframed

24.75 × 37.75 in (62.9 × 95.9 cm) (sheet)

colour etching and aquatint

signed, titled and numbered A.P. 1/10 in the lower margin

5 × 7 in (12.7 × 17.8 cm) (plate size)

graphite and coloured pencil

signed and dated “July 12, 1980” lower right; titled and dated 1981 to a label on the reverse

58.5 × 40 in (148.6 × 101.6 cm) (sheet)

pencil drawing

signed and dated 2.23.66 lower right

16.25 × 13.5 in (41.3 × 34.3 cm) (sight)

red and black charcoal on paper

initialed and dated 1955 lower centre

16 × 12.75 in (40.6 × 32.4 cm) (sight)

seven digital prints

Full listing within cataloguing details

19.5 × 20.5 in (49.5 × 52.1 cm) (largest)

etching

signed, titled, dated 2010 and numbered 11/30 in the lower margin

11 × 14 in (27.9 × 35.6 cm) (sight)

pen and ink drawing

signed and dated 1983 lower right; titled and dated 1983 to a label on the reverse; together with 1977 exhibition poster and pamphlet

5.5 × 7.5 in (14.0 × 19.1 cm) (sheet)

colour screenprint

signed, titled, dated 1970 and numbered 109/125 in pencil in the lower margin; titled and numbered 109/125 on two labels in the reverse; Printer: Sirocco Screenprints, New York; Publisher: Ives-Sillman Inc. New Haven, Connecticut.

21 × 21 in (53.3 × 53.3 cm) (sheet - sight)

ink and watercolour

signed lower right; signed, titled and dated 1970 on the reverse

9 × 13 in (22.9 × 33.0 cm) (sight)

colour lithograph with lead collage and chine collé

signed, titled, dated ‘91 and numbered 1/3 in the lower margin; titled, dated 1991 and numbered 1/3 on a gallery label on the reverse

42 × 30.25 in (106.7 × 76.8 cm) (sheet)

silkscreen

signed and numbered 66/150 in the margin lower right; signed upper right in the plate; titled and dated 1973 on a gallery label on the reverse; Printer: Kelpra Studio, Ltd., London; Publisher: Marlborough Graphics, New York

29.25 × 23 in (74.3 × 58.4 cm) (sight)

oil on paper

titled and dated 2006 to a gallery label on the reverse

5.25 × 3.75 in (13.3 × 9.5 cm) (sight)

ink and watercolour

signed and dated 1956 lower right

7.5 × 5.5 in (19.1 × 14.0 cm)

ink and watercolour

signed and dated 1969 lower left

8 × 11 in (20.3 × 27.9 cm)

watercolour

signed and dated Sept. 1977 lower right

23.5 × 17.5 in (59.7 × 44.5 cm) (sight)

ten colour lithographs

Full listing within cataloguing details

23 × 19 in (58.4 × 48.3 cm) (each sheet)

two colour lithographs

- ”Head in the Wind” (artist’s stamp and numbered VI/XXV in the lower margin - 22.25 x 29.25 ins. [sheet]); - “Leaving the Clothing Depot” (artist’s stamp and numbered VI/XXV in the lower margin - 29.25 x 22.25 ins. [sheet]); together with a 45 LP vinyl record “The Voice of Miller Brittain”, 1963; each unframed in the original folio

22.25 × 29.25 in (56.5 × 74.3 cm) (each sheet)

charcoal; graphite on paper

selection of various works on paper, some signed and dated (1959-1961); each unframed

24 × 17.75 in (61.0 × 45.1 cm) (each sheet)

Book and c-print

Published by Edward Burtynsky, 2010, signed on titled page; “Shipbreaking #10 Field Proof, Chittagong, Bangladesh, 2000”- chromogenic print from a Type 55 Polaroid, signed and numbered 1/100 on the reverse

13 × 15 in (33.0 × 38.1 cm) (sheet)

book and silkscreen

David Silcox and Meriké Weiler “Christopher Pratt”, Quintus Press, Toronto, 1981; signed by the authors and artist on the inside front page; includes Christopher Pratt, “Western Shore”, screenprint, signed, titled, dated 1980 and numbered 3/93 in the lower margin; 11.25 x 13 inches (sheet); unframed; in original case with box

11.25 × 13 in (28.6 × 33.0 cm) (sheet)

mixed media on paper

signed and titled lower right

13 × 13.25 in (33.0 × 33.7 cm) (sight)

20 colour lithographs

Full listing within cataloguing details

30 × 22 in (76.2 × 55.9 cm) (each sheet)

six pen and ink drawings; seven prints

- “Interior with Piano” (pen and ink - 6.25 x 11.5 ins. [sheet], unframed (mounted); - Selection of five pen and ink drawings - each 14 x 16.5 ins. [sheet]; - Selection of seven prints - 10.75 x 15 ins. [sheet - largest]; each unframed

14 × 16.5 in (35.6 × 41.9 cm) (sheet (largest))

etching in colours

signed, titled, dated 1977 and numbered 14/75 in the lower margin

23 × 17 in (58.4 × 43.2 cm) (plate size)

watercolour

signed, titled and dated Aug. 1992 at the lower edge

11.75 × 8.75 in (29.8 × 22.2 cm) (sight)

charcoal

signed and dated 1986 in the lower right margin; titled and dated to a gallery label on the reverse

23.25 × 31.25 in (59.1 × 79.4 cm) (sight)

mixed media on paper

signed lower right, artist’s stamp lower left; unframed

15.25 × 12 in (38.7 × 30.5 cm) (sheet)

mixed media on paper

signed lower right, artist’s stamp lower left; unframed

15.5 × 12 in (39.4 × 30.5 cm) (sheet)

three etchings

- “Le vieux puits, Musée de Cluny, Paris” (signed, titled and dated 1929 within the plate; signed and numbered 42/100 in the lower margin - 5.75 x 4.25 ins. [plate]); - “Rio Albrizzi Venice” (initialed, titled and dated 1912 within the plate; signed and numbered 65/100 in the lower margin - 2.75 x 1.75 ins. [plate]); - “Ponte Della Malvasia Venice” (initialed, titled and dated 1912 within the plate; signed and numbered 3 etat 7/11 in the lower margin - 2.75 x 1.75 ins. [plate]); each unframed

5.75 × 4.25 in (14.6 × 10.8 cm) (plate size (largest))

three etchings

- “Ferme a Bizy” (signed, titled and dated 1923 within the plate; signed and numbered 79/100 in the lower margin - 3.25 x 6 ins. [plate]); - “La Casa di Desdemona” (titled within the plate; signed and numbered 12/100 in the lower margin - 5.75 x 4 ins. [plate]); - “Le Viaduc et le Loing à Moret” (initialed, titled and dated 1917 within the plate; signed and numbered 27/75 in the lower margin - 5 x 6.75 ins. [plate]); each unframed

5 × 6.75 in (12.7 × 17.1 cm) (plate size (largest))

two etchings

- “Le porte Guillaume et vieilles maisons à Chartres” (signed, titled and dated 1926 within the plate; signed and numbered 38/100 in the lower margin - 6.5 x 9 ins. [plate]); - “Santa Maria Della Salute Venice” (titled within the plate; signed and numbered 17/100 in the lower margin - 5.5 x 4 ins. [plate]); each unframed

6.5 × 9 in (16.5 × 22.9 cm) (plate size (largest))

woodcut print

signed within the image plate lower left, signed within the margin of the plate lower right; unframed

5.75 × 7 in (14.6 × 17.8 cm) (sheet)

etching

inscribed with the artist’s name and signed by Monique Duguay in the lower right margin

3.5 × 4.25 in (8.9 × 10.8 cm) (sight)

watercolour

signed lower right

3 × 3.5 in (7.6 × 8.9 cm) (sight)

pastel

indistinctly inscribed lower left

10 × 14 in (25.4 × 35.6 cm) (sight)

ink

signed and titled at bottom; inscribed “I draw to fill my head and paint to empty it” at top; dated 2005 on the reverse

6.5 × 4.75 in (16.5 × 12.1 cm) (sheet)

photograph

signed, titled and dated 1973 on the reverse; unframed

11 × 14 in (27.9 × 35.6 cm) (sheet)

photograph

signed, titled and dated 1949 to the mat and on the reverse; unframed (matted)

10 × 8 in (25.4 × 20.3 cm) (sheet)

photograph

printed studio name “Peake & Whittingham” lower left; dated “June 8/25” and inscribed “#25” lower right

9 × 7 in (22.9 × 17.8 cm) (sight)

colour silkscreen

signed, dated 1970 and numbered 14/60 in the lower margin

25 × 20 in (63.5 × 50.8 cm) (sheet)

book and serigraph

“Charles Pachter” (Bogomila Welsh-Ovcharov, McClelland & Stewart, 1992); signed by Bogomila Welsh-Ovcharov, Margaret Atwood and Charles Pachter on the frontispiece; sold together with “The Ascent” (serigraph on paper, signed, dated 1992 and numbered 52/150 in the lower margin, 11.5 x 9.5 ins); housed in folder; all in original slipcase

11.5 × 9.5 in (29.2 × 24.1 cm)

mezzotint in colours

signed, titled, dated 1988 and numbered 5/35 in the lower margin

19.25 × 25.25 in (48.9 × 64.1 cm) (plate size)

mixed media on paper

signed lower right; exhibition catalogue accompanies lot

41 × 26 in (104.1 × 66.0 cm) (sheet)

pencil drawing

signed and dated 1981 lower right; titled lower middle; unframed

13.25 × 10.25 in (33.7 × 26.0 cm) (sheet)

photograph

signed and numbered 1/9 in the lower margin

21 × 16.5 in (53.3 × 41.9 cm) (sight)

watercolour

signed lower right

15.5 × 11.5 in (39.4 × 29.2 cm) (sight)

etching

signed, titled and inscribed “Artist Proof” in the lower margin; unframed (matted)

9.75 × 16 in (24.8 × 40.6 cm) (plate size)

conte on paper

unsigned; unframed

12 × 9 in (30.5 × 22.9 cm)

two drawings

- “Standing Figure and Fallen Figure” (7.5 x 9.5 ins. [sight]); - “Walking Figure and Seated Figure” (8 x 10 ins. [sight])

8 × 10 in (20.3 × 25.4 cm) (sight (largest))

pastel and book

signed and dated 1938 lower left; sold together with “Lucy Jarvis: Even Stones Have Life” (Roslyn Rosenfeld, Goose Lane Editions and Beaverbrook Art Gallery, Fredericton, 2016)

27.5 × 21.25 in (69.8 × 54.0 cm) (sight)

watercolour on paper

signed and dated 1969 lower left

11 × 14 in (27.9 × 35.6 cm)

watercolour on paper

signed and dated 1947 upper left

17.5 × 23.25 in (44.5 × 59.1 cm) (sight)

graphite

signed, titled and dated 1979 in the lower margin

26.5 × 18.5 in (67.3 × 47.0 cm) (sight)

photograph

signed lower margin

9.5 × 7 in (24.1 × 17.8 cm) (sheet)

ink and wash

signed lower right; titled and dated c. 1935 on the reverse of the mat; unframed (matted)

10 × 14 in (25.4 × 35.6 cm) (sight)

three etchings

- “Street Scene” (signed lower right margin - 11.75 x 9.75 ins. [plate]); - “Vendor” (signed lower right margin - 8 x 9.75 ins. [plate]); - “Baker House” (signed lower right margin - 8.75 x 6.75 ins. [plate]); each unframed (matted)

11.75 × 9.75 in (29.8 × 24.8 cm) (plate [largest])

various media

-Printed Christmas cards with fifteen unique designs by Stanley Francis Turner (various media and sizes) -Five holiday gouache/ watercolour studies (two of them signed; each measuring approximately 5.75 ins x 4.75 ins) - Two prints: “Chinese Player” (signed, titled, dated 1922 and numbered 21/50 in the lower margin; 8 ins x 8 ins [subject]); “Somewhere East of Suez” (printed title in the margin; 8.5 ins x 7.5 ins [subject])

5.75 × 4.75 in (14.6 × 12.1 cm) (studies)

maps and books

The four “vacation maps / carte de vacances” included: Bas St. Laurent; Ottawa Valley and Eastern Ontario; Southwestern Ontario; Gaspésie et de la Baie des Chaleurs (this lot includes two copies of each map) Publications: “A Portfolio of Pictures from the Canadian Section of Fine Arts - British Empire Exhibition, London 1924” (back cover missing and front cover detached) “The Canadian Graphic Art Year Book” (Ryerson Press, 1931): contains an unsigned woodcut “Cathedral Mountain” by T. W. McLean

watercolour laid on card

signed lower left; titled lower left; inscribed “On the Fraser River” on the reverse of the card

9.25 × 13 in (23.5 × 33.0 cm) (sight)

etchings

- “Lower Town, Quebec”: signed, titled and inscribed “Little Champlain Street, Quebec” in the lower margin (15 x 11.25 ins [sheet]); unframed - “Notre Dame des Victoires, QC”: signed, titled and inscribed “No 14” in the lower margin (15 x 11 ins [sheet]); unframed - “Untitled”: signed, dated 1921 and numbered 42/50 in the lower margin (14.5 x 9 ins [sheet]); unframed

15 × 11.25 in (38.1 × 28.6 cm) (largest )

watercolour

signed and dated 1937 lower right

14 × 10 in (35.6 × 25.4 cm)

watercolour

signed lower right; titled and dated 1946 on the reverse

4 × 5 in (10.2 × 12.7 cm) (sheet)

colour laser jet photograph

printed circa 2010; unframed

11 × 8.5 in (27.9 × 21.6 cm) (sheet)

colour laser jet photograph

printed circa 2010; unframed

8.5 × 11 in (21.6 × 27.9 cm) (sheet)

colour laser jet photograph

printed circa 2010; unframed

11 × 8.5 in (27.9 × 21.6 cm) (sheet)

black and white laser jet photograph

printed circa 2010; unframed

11 × 8.5 in (27.9 × 21.6 cm) (sheet)

black and white laser jet photograph

printed circa 2010; unframed

11 × 8.5 in (27.9 × 21.6 cm) (sheet)

digital print

signed, titled and dated 1994 in the lower margin

22 × 16.75 in (55.9 × 42.5 cm) (subject)

two photographs

- “Untitled (Cemetery)” (11.5 x 17 ins. [sight]); - “Untitled (Country Road with Distant Figure)” (11.5 x 17 ins. [sight])

11.5 × 17 in (29.2 × 43.2 cm) (each (sight))

photograph

signed, titled and dated 2012 in the lower margin; unframed

16.5 × 11.75 in (41.9 × 29.8 cm) (sheet (largest))

photograph

titled and dated c. 1900 on a label at the lower middle

19.25 × 13 in (48.9 × 33.0 cm) (sight)

two silkscreens

“The Common Mallard” (signed within the plate lower right, 12 x 13.25 ins (sheet)); “The Sharp Tailed Grouse” (signed within the plate lower right, 11 x 12.5 ins (sheet)); each unframed

12 × 13.25 in (30.5 × 33.7 cm) (sheet (largest))

sampson-matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the lower margin; inscribed “A.J. Casson” lower right; a Sampson-Matthews label on the reverse; unframed

19.75 × 25 in (50.2 × 63.5 cm)

six pencil drawings

- “Settlers” (pencil, 4.5 x 6.25 ins. [image] - initialed lower right); - ”Royal“ (pencil, 4 x 7.25 ins. [image]); - “On the Roll Way” (pencil, 8 x 8.25 ins. [image] -signed lower right, titled upper left margin); - “Supply Store” (pencil, 4.5 x 6.75 ins. [image] - initialed lower right); - “Log Jam” (pencil, 7.75 x 5 ins. [image] - signed lower right, titled lower right margin); - “Lumbering in the North” (pencil, 7.5 x 8.25 ins. [image] - signed lower right, titled upper margin); each unframed, together in mat

8 × 8.25 in (20.3 × 21.0 cm) (image (largest))

sampson-matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the lower margin; initialed within the plate and inscribed “Supervised by A.J. Casson” lower right; a Sampson-Matthews label on the reverse; unframed

20.25 × 27 in (51.4 × 68.6 cm)

sampson-matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

sampson-matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada, Ottawa” printed in the lower margin; signed within the plate and inscribed supervised by A. J. Casson lower right; a Sampson-Matthews label on the reverse; unframed

19.5 × 23.5 in (49.5 × 59.7 cm)

sampson-matthews silkscreen

artist name and title printed in the lower margin; signed within the plate; a Sampson-Matthews label on the reverse; unframed

19.5 × 26.75 in (49.5 × 67.9 cm)

2 pencil drawings

- “Morin Heights” (signed and titled at the lower edge - 10 x 13 ins. [sight]); - “Kilrenny Cellardyke” (signed and titled lower left - 9.75 x 13.25 ins. [sight]); each unframed (matted)

10 × 13 in (25.4 × 33.0 cm) (sight (largest))

sampson-matthews silkscreen

signed lower left; a Sampson Matthews label on the reverse

30 × 40 in (76.2 × 101.6 cm)

screenprint

unframed (matted)

11 × 13.25 in (27.9 × 33.7 cm) (image)

watercolour

signed lower right; titled on a gallery label on the reverse

9 × 13 in (22.9 × 33.0 cm) (sheet)

watercolour and graphite on paper

signed lower right; titled and dated 1950 on the reverse

19.5 × 20.5 in (49.5 × 52.1 cm) (sight)

colour serigraph

signed, titled and numbered 38/82 in pencil in the lower margin

12.25 × 14.25 in (31.1 × 36.2 cm) (sight)

colour serigraph

signed, titled and numbered 34/60 in pencil in the lower margin

17.25 × 21.25 in (43.8 × 54.0 cm) (sight)

five mixed media drawings and pamphlet

Full listing within cataloguing details

watercolour

12 × 19 in (30.5 × 48.3 cm) (sight)

watercolour

titled and inscribed “Lawrence R.” lower left

12.25 × 17.75 in (31.1 × 45.1 cm) (sight)

watercolour

signed lower right; titled on the reverse of the frame

8.5 × 10.75 in (21.6 × 27.3 cm) (sight)

photomechanical print

title in the margin

7.25 × 9 in (18.4 × 22.9 cm) (image)

acrylic on paper

titled and dated 2000 on a gallery label on the reverse

16.5 × 12.5 in (41.9 × 31.8 cm) (sight)

pastel

signed lower right

9 × 8 in (22.9 × 20.3 cm)

two photographs

- “Mayor of Mijas, Andalucia” (signed and dated 1958 lower margin; titled on the reverse of the frame - 9.5 x 6.75 ins. [image]); - “House in Mijas, Andalucia” (signed and dated 1958 lower margin; titled on the reverse of the frame - 9.5 x 7.5 ins. [image])

9.5 × 7.5 in (24.1 × 19.1 cm) (image (largest))

pair of woodblock/etchings

- “House of Many Mansions - East” (signed with monogram, titled and numbered 38/100 lower right; titled and numbered on a gallery label on the reverse of the frame - 23.75 x 17.25 ins. [plate]); - “House of Many Mansions - West” (signed with monogram, titled and inscribed “artist’s proof” lower left; titled on a gallery label on the reverse of the frame - 23.5 x 17 ins. [plate])

23.75 × 17.25 in (60.3 × 43.8 cm) (plate (largest))

aquatint

signed and numbered “175” in the lower margin; sold together with “Malíř a grafik T.F. Šimon 1877-1942 výběr z díla” (Eva Bužgová, Palác Kinských Staroměstskén Náměstí 12, Prague, May 31-July 3, 1994)

10.5 × 12 in (26.7 × 30.5 cm) (sight)

two works on paper

- “Autumn Cars” (watercolour, signed lower right - 17.25 x 12.5 ins. [subject]); - “Petrochemicals” (mixed media on paper, titled and inscribed “Review - August 1958” on the reverse - 14 x 10.5 ins. [subject]; each unframed; together with 2 issues of Imperial Oil Review, October 1956 and August 1958, with the above works as cover illustrations

17.25 × 12.5 in (43.8 × 31.8 cm) (subject (largest))

lithograph

signed and dated 1977 lower left

17.25 × 22.25 in (43.8 × 56.5 cm)

watercolour; pen & ink; graphite

each unframed

18 × 21 in (45.7 × 53.3 cm) (sheet (largest))

pen & ink on illustration board

signed and dated Apr/58 on the reverse; together with a screenprinted Christmas card signed by the artist and “La Revue Imperial Oil”, Avril 1958 all unframed;

10 × 12.75 in (25.4 × 32.4 cm) (sheet)

colour serigraph

signed, titled and numbered 53/80 in pencil in the margin

20.25 × 26.25 in (51.4 × 66.7 cm)

coloured pencil

signed, titled and dated 1990 in the lower margin

14.5 × 20.75 in (36.8 × 52.7 cm) (sheet)

mixed media

selection of original illustration and cartoons in various mediums, many signed by the artist, one portrait study signed “Dolesch” lower right; all unframed

12.75 × 18 in (32.4 × 45.7 cm) (largest sheet)

graphite on vellum

seven drawings; signed lower right; each unframed (mounted together on illustration board)

6.75 × 5.5 in (17.1 × 14.0 cm) (each sheet)

pencil drawing

signed at left side; signed and titled on the reverse

5.75 × 10.25 in (14.6 × 26.0 cm) (sight)

two lithographs

“Wren” (signed and numbered 148/300 in the lower right corner, 24.25 x 18.25 ins (sight)); “Warbler” (signed and numbered 143/300 in the lower right corner, 24.25 x 18.25 ins (sight)

24.25 × 28.25 in (61.6 × 71.8 cm) (sight (each))

colour lithograph

signed and numbered 18/60 in pencil in the lower margin

19 × 15 in (48.3 × 38.1 cm) (sight )

book; lithograph

Raymond Souster, “Place of Meeting Poems 1958-1960”, Gallery Editions 1, Lindsay, Ontario, 1961; sold together with Michael Snow, “Untitled”, lithograph, 7.5 x 4.5 inches

book and lithograph

lithograph by Napachie Pootoogook; McClelland and Stewart, Toronto, 1978, signed by the author and numbered 120/150; with a lithograph by Napachie Pootoogook enclosed (”Inuksuit”, signed, titled, inscribed “Dorset, 1978” and numbered 120/135); presented within the original slipcover

15 × 18.25 × 3 in (38.1 × 46.4 × 7.6 cm)

ten books

Full listing within cataloguing details

three books

- “Jean-Auguste-Dominique Ingres” (Text by Robert Rosenblum, Harry N. Abrams, New York); - “The Complete Works of Marcel Duchamp” (Arturo Schwarz, Harry N. Abrams, New York, 1970); - “Eiko Ishioka: Japan’s Ultimate Designer” (Callaway Editions, New York, 1983)

limited edition two book set

- “Marilyn” (André de Dienes, Taschen, Köln, 2003); - “Journal” (André de Dienes, Taschen, Köln, 2002); together in a fitted box

book

“Leonardo da Vinci: The Complete Paintings and Drawings” (Frank Zöllner, Taschen, Köln, 2003)

eleven books

Full listing within cataloguing details

seven books

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eight books

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six catalogues

1916; 1917; 1918; 1921; 1922; 1923

four books

Full listing within cataloguing details

38 books and magazines

Full listing within cataloguing details

nineteen books

Full listing within cataloguing details

twenty books

Full listing within cataloguing details

stamps and cachet envelopes in a First Day Covers binder and Centennial stamp box

Full listing within cataloguing details

stamps and cachet envelopes in a binder and Centennial stamp box

Full listing within cataloguing details

nine catalogues

1930; 1931; 1932; 1934; 1935; 1936; 1937; 1938; 1939

6 catalogues

1925; 1926; 1927; 1928; 1929; The Art Gallery of Toronto Exhibition Catalogue, November 1929

book and lithograph

M.B. Loates Publishing, 1980; signed by A.J. Casson and Paul Duval and numbered 57/150 in pencil on the title page; a signed and numbered 57/150 A.J. Casson lithograph is included (sheet 15.5 x 18.5 inches); housed in its original case

18.5 × 22.75 × 5 in (47.0 × 57.8 × 12.7 cm)

book and lithograph

McClelland and Stewart, Toronto/England, 1977, signed by Harold Town & David Silcox and numbered 89/135; a lithograph of Tom Thomson by Harold Town within the book (signed, dated 1977 and numbered 89/135); presented within the original slipcover

15 × 18.25 × 2.75 in (38.1 × 46.4 × 7.0 cm)

various media

nine books

Full listing within cataloguing details

five books

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ten books

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eight books

Full listing within cataloguing details

8 books

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eleven books

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eleven publications

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eight publications

Full listing within cataloguing details

six publications

Full listing within cataloguing details

Seven publications

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book

“Maurice Cullen” (William R. Watson, The Ryerson Press, Toronto, 1931) - signed and inscribed by the author on the first page

book

“Banting as an Artist” (A.Y. Jackson, The Ryerson Press, Toronto, 1943)

folio of eight prints

- “Franz Johnston: Western Sketchbook - 1924” (First Edition, Rous & Mann Press, Ltd., 1970) - numbered 396/500 in pencil; includes set of eight prints - each 15 x 11 ins. [sheet], in the original folio cover

15 × 11 in (38.1 × 27.9 cm) (each sheet)

book

- “Roloff Benny: an Aegean note-book - comments on a mid-century odyssey in Greece, with 20 original lithographs” (signed by the artist and numbered 246/300 on inside page, dated 1950 on an insert, includes 20 lithographs - each 9.5 x 10 ins. [sheet]) - housed in the original slipcover

book with serigraph

- “Jack Chambers” (Nancy Poole - numbered 120/300); - “Daffodils” (colour serigraph, signed, dated 1977 and numbered 120/300 in the lower margin, 11.75 x 11.5 ins. [sheet]) unframed, housed in folder; all in the original slipcase

book

- “York Wilson” (Paul Duval, Wallack Galleries, Ottawa, 1978) - housed in the original slipcase

book with framed colour woodblock

“Andre Bieler: An Artist’s Life and Times” (Frances K. Smith, Merritt Publishing Company, 1980) in original slipcase; signed by the author and artist and numbered “52/225” on an introductory page; sold together with: “Mon voisin”- colour woodblock; signed, titled and numbered 52/225 in the lower margin (13 ins x 10 ins (sheet))

13 × 10 in (33.0 × 25.4 cm) (sheet)

eleven books

Full listing within cataloguing details

ten publications

Full listing within cataloguing details

ten colour lithographs

- “Man in the Moon Whistles a Tune”; - “Stand Up Sit Down”; - “Angel of Peace Tries Again”; - “The Hunter”; - “The Three Eyed Woman”; - “The Couple”; - “Father and Son Team”; - “Sun Woman”; - “Tatooed Harlequin”; - “Old Man”; (each signed, dated 1973 and numbered 7/125 in the lower margin - 25.75 x 20 ins. [sheet]) each unframed, includes title sheet and index sheet, housed in the original case

25.75 × 20 in (65.4 × 50.8 cm) (each sheet)

watercolour

signed and dated 1982 lower right

37.5 × 23.5 in (95.3 × 59.7 cm) (sight)

pastel

signed and dated 1950 lower left

22 × 14 in (55.9 × 35.6 cm) (sight)

watercolour

signed lower right

14 × 11.25 in (35.6 × 28.6 cm) (sight)