August Auction of Canadian & International Artwork (Online Auction)

oil on canvas board

signed lower right; titled on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed lower right; signed, titled and dated “Spring 1970” on the reverse

10.5 × 12.5 in (26.7 × 31.8 cm)

oil on canvas

signed and dated 1986 lower right

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed and dated 1940 lower left; titled on a gallery label on the reverse

20 × 24 in (50.8 × 61.0 cm)

oil on canvas

signed lower right; titled on the stretcher

15 × 16.25 in (38.1 × 41.3 cm)

watercolour

signed and titled on the mat; unframed

11.25 × 15.25 in (28.6 × 38.7 cm)

oil on board

signed with initials lower right

7.5 × 11.75 in (19.1 × 29.8 cm) (sight)

watercolour

signed lower left

13.75 × 17.5 in (34.9 × 44.5 cm) (sight)

drypoint etching

signed in the lower margin

6 × 8 in (15.2 × 20.3 cm) (sight )

oil on canvas

signed lower left; signed and titled on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on board

signed lower right

8.5 × 10 in (21.6 × 25.4 cm)

pastel

signed lower right; signed, titled and dated “March 28, 1989” on a label on the reverse

8 × 10 in (20.3 × 25.4 cm) (sheet)

oil on board

signed lower right; signed, titled and dated “April 1961” on the reverse

16 × 24 in (40.6 × 61.0 cm)

ink on paper

signed lower right; titled in the lower margin

14.5 × 8.5 in (36.8 × 21.6 cm)

single autographic print

stamped signature lower right; estate stamp lower left

22 × 18 in (55.9 × 45.7 cm) (sight)

tempera and gum arabic on board

signed and dated 1956 lower right; signed, titled and dated on a label on the reverse; unframed

14.75 × 19.5 in (37.5 × 49.5 cm)

oil on canvas board

titled and dated “1957-1959” on the reverse

22 × 29.75 in (55.9 × 75.6 cm)

pastel on paper

signed lower left

18.75 × 28.5 in (47.6 × 72.4 cm)

mixed media construction

signed, titled and dated 2005 on the reverse

8 × 12 × 2 in (20.3 × 30.5 × 5.1 cm)

oil on shaped canvas

signed and dated 1986 on the reverse; sold with a photograph of the artist holding “Abstraction”

13.25 × 9.25 × 0.75 in (33.7 × 23.5 × 1.9 cm)

mixed media construction

signed, titled and dated 1983 on the reverse; sold together with “Gordon Rayner Retrospective” (Joan Murray, The Robert McLaughlin Gallery, Oshawa, 1978) and two copies of “Gordon Rayner: Painted Wooden Cutouts and Polychrome Constructions” (Exhibition pamphlet, Christopher Cutts Gallery, Toronto, October 16 - November 10, 2010)

10.25 × 8.5 × 2.25 in (26.0 × 21.6 × 5.7 cm)

acrylic and oil on paper

signed lower right in the margin; titled and dated 1979 to a label on the reverse

13.25 × 9 in (33.7 × 22.9 cm) (image)

colour drypoint etching

signed, titled, dated and numbered “2/9” in the lower margin; titled, dated and numbered to a label on the reverse

6.75 × 7.75 in (17.1 × 19.7 cm) (plate size)

colour lithograph

signed and dated 1992 lower right; numbered “AP 4/10” lower left

12.75 × 19.75 in (32.4 × 50.2 cm) (sight)

lithograph

signed, dated 1970 and numbered “87-166” upper left; unframed

14 × 20 in (35.6 × 50.8 cm)

cast bronze

14 × 16 × 7.75 in (35.6 × 40.6 × 19.7 cm) (overall, including base)

book

limited edition publication with three-dimensional images of Kate Moss on the front and back covers; number 697 in an edition of 6000 (Spring 1999)

12.5 × 9.75 × 0.75 in (31.8 × 24.8 × 1.9 cm)

mixed media

limited edition book enclosed within the original molded-plastic “energy sphere” case; number 2117 in an edition of 6000 (Summer 1999)

16 × 12 × 2.5 in (40.6 × 30.5 × 6.3 cm) (case)

mixed media

limited edition puzzle with sixteen cubes that can create six possible images; Switzerland edition; number 748 from an edition of 6000; contained within a silkscreen Lucite case by Louis Vuitton with a round Louis Vuitton floating compass and leather cord

8.25 × 8.25 × 3 in (21.0 × 21.0 × 7.6 cm) (case)

mixed media

Issue 54 (2008) celebrating the 75th anniversary of Lacoste containing three limited edition polo shirts with selected designs by artists Nick Knight (size Large), Karl Lagerfeld (size Medium) and Michael Stipe (size Small); number 1085 in an edition of 4000; unworn, with original tags and contained within original display box

17.5 × 13.75 × 3.75 in (44.5 × 34.9 × 9.5 cm) (case )

bronze

signed on the back of the left leg

7 × 5 × 6 in (17.8 × 12.7 × 15.2 cm)

mixed media on paper

signed and dated 1983 lower right

25 × 18.5 in (63.5 × 47.0 cm)

graphite

signed lower right; titled on a label on the reverse

9.5 × 7.75 in (24.1 × 19.7 cm)

graphite

with Atelier Gagnon stamp lower right; an unfinished sketch on the reverse

14 × 11 in (35.6 × 27.9 cm) (sheet)

watercolour

signed lower left

14.25 × 10 in (36.2 × 25.4 cm) (sight)

oil on board

signed and dated 1990 lower left; unframed

20 × 16 in (50.8 × 40.6 cm)

mixed media

“Woman with Red Wine”- etching; signed within the plate (25.25 ins x 18 ins); “Ottawa Backyard”- ink drawing; signed and dated “15 May 1966” lower right (20.75 ins x 22.5 ins); “Lido Series”- monotype; signed, titled, dated 1984 in the lower margin, inscribed “6” and “2-12-84” at the lower edge (17 ins x 14 ins); “Standing Model”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “28-11-84” lower right; “Copy Botecelli Flora”- oil on paper; signed and dated 2012 lower right; titled and dated “6.2.12” on the reverse (15.75 ins x 15 ins); “Model Reflecting in Mirror”- pastel; signed and dated “26 September 1979” lower center edge (25 ins x 18.75 ins); “Model in Blue Blouse”- pastel; signed and dated 1979 at the lower center edge (25 ins x 18.75 ins); “Model in Orange”- pastel; signed and dated “14 April 1978” lower center edge (25 ins x 18.75 ins); all unframed

oil on board

signed lower left; titled on a gallery label on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil and acrylic on canvas

signed, titled and dated 2004 on the reverse

36 × 30 in (91.4 × 76.2 cm)

oil on canvas

signed lower right

33.5 × 39 in (85.1 × 99.1 cm)

colour serigraph

signed, titled, dated 1995, numbered 12/18 and inscribed “copie d’atelier” in the lower margin

14.75 × 10 in (37.5 × 25.4 cm)

watercolour

signed lower right

10.5 × 14.5 in (26.7 × 36.8 cm)

watercolour

signed lower right

9.25 × 11 in (23.5 × 27.9 cm)

acrylic on paper

signed and dated 1978 lower right

5.5 × 10.5 in (14.0 × 26.7 cm) (sight )

oil on canvas

signed lower left; signed and titled on the reverse

24 × 20 in (61.0 × 50.8 cm)

watercolour

signed lower left

41.75 × 42.5 in (106.0 × 108.0 cm)

3 colour lithographs

each signed and dated 1967-8 within the plate; issued by the McMichael Conservation Collection of Art; each unframed

17.5 × 14.5 in (44.5 × 36.8 cm) (each sheet)

watercolour

signed with initial and dated 2002 lower left; numbered “75” lower right

19 × 14.75 in (48.3 × 37.5 cm) (sheet )

acrylic on board

signed and dated 1999 lower right; signed, titled and dated on the reverse

20 × 15 in (50.8 × 38.1 cm)

pencil drawing on Arches paper

signed, titled and dated 1998 in the lower margin

18 × 13 in (45.7 × 33.0 cm) (subject)

pastel on paper

signed and dated 1976 lower left

30 × 28 in (76.2 × 71.1 cm) (sight)

etching

signed and titled in the lower margin

9.25 × 6.75 in (23.5 × 17.1 cm) (plate size)

watercolour

signed lower right; titled on the reverse of the frame

12.25 × 9.25 in (31.1 × 23.5 cm) (sight)

graphite

signed, titled and dated “21/XII/’04”

9.5 × 6.5 in (24.1 × 16.5 cm) (sight)

Sampson Matthews silkscreen

signed within the plate; unframed

19.5 × 28.5 in (49.5 × 72.4 cm) (sheet)

Sampson Matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the margin, signed within the plate; a Sampson Matthews label on the reverse; unframed

20.25 × 27 in (51.4 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

signed and dated 1945 within the plate; unframed

20 × 27 in (50.8 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

signed within the plate; unframed

19.75 × 26.75 in (50.2 × 67.9 cm) (sheet)

oil on board

signed and dated 1967 lower left; dated “October 26, 1967” and inscribed “with A.Y. Jackson and Leo Mol” on the reverse

11 × 14 in (27.9 × 35.6 cm)

oil on paperboard laid down on card

signed lower left

16 × 19 in (40.6 × 48.3 cm)

oil on board

signed lower right

8.25 × 10.5 in (21.0 × 26.7 cm)

oil on canvas board

signed lower left; signed, titled and dated 1950 on the reverse

24 × 30 in (61.0 × 76.2 cm)

oil on board

signed lower right; titled on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed lower right; signed, titled and dated 1993 on the reverse

24 × 48 in (61.0 × 121.9 cm)

oil on canvas board

dated 1960 and inscribed “Art Shilling” on the reverse

10 × 14 in (25.4 × 35.6 cm)

oil on board

signed and dated 1980 lower right; signed and titled on the reverse

8 × 10 in (20.3 × 25.4 cm)

oil on canvas

signed lower right; signed, titled and dated 1997 on the reverse; unframed

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed and dated 1982 lower left; signed and titled on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on board

signed lower left; titled on a label on the stretcher

16.25 × 20 in (41.3 × 50.8 cm)

oil on canvas

signed and dated 1980 lower left

42 × 62 in (106.7 × 157.5 cm)

oil on board

signed lower left; signed, titled and dated 1953 on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

oil on canvas

signed and dated 1910 lower right

23.25 × 15 in (59.1 × 38.1 cm)

oil on board

signed and dated 1977 lower right

24 × 18 in (61.0 × 45.7 cm)

acrylic on canvas

signed lower right; signed, titled and dated 2014 on the reverse; unframed

30 × 24 in (76.2 × 61.0 cm)

four colour serigraphs

“Snow Laden Pine”, “White Forest”, “White Pine”, “Alone la Cloche”-each signed by the estate of the artist, titled and numbered AP “20/60” in the lower margin; each unframed

27.5 × 32 in (69.8 × 81.3 cm) (each sheet)

mixed media drawing

signed lower right

6.75 × 4.75 in (17.1 × 12.1 cm) (sight)

oil on canvas

signed lower right; unframed

30 × 36 in (76.2 × 91.4 cm)

colour lithograph

signed and numbered 28/300 in the lower margin

33.5 × 47.25 in (85.1 × 120.0 cm) (sight )

oil on canvas board

signed lower right; signed, titled and dated “March 1976” on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed and dated 1985 lower right; signed, titled and dated 1985 on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed lower left

24 × 36 in (61.0 × 91.4 cm)

oil on board

signed and initialed lower right

10 × 18 in (25.4 × 45.7 cm) (sight )

watercolour

signed lower right

7.75 × 12.25 in (19.7 × 31.1 cm) (sight)

oil on canvas board

signed, titled and dated 1930-31 on the reverse

10 × 11.5 in (25.4 × 29.2 cm)

oil on canvas

signed lower right

12 × 16 in (30.5 × 40.6 cm)

oil and pencil crayon on board

signed and dated 1976 lower right; signed and titled on the reverse

12 × 15.75 in (30.5 × 40.0 cm)

watercolour

signed and dated “30-9-90” lower right

15 × 22.5 in (38.1 × 57.1 cm)

oil and acrylic on canvas

signed, titled and dated “March 2005” on the reverse

36 × 36 in (91.4 × 91.4 cm)

oil on canvas

signed, titled and dated 2001 on the reverse

48.5 × 60 in (123.2 × 152.4 cm)

mixed media on newsprint

titled and dated 2000 to a label on the reverse

20.5 × 15.75 in (52.1 × 40.0 cm)

pen and ink

signed and dated “January 28th, 1890” lower right, titled lower left; inscribed on the reverse “This drawing was included in the C.W. Jefferys Film Documentary”

12.25 × 8.5 in (31.1 × 21.6 cm) (sheet)

oil on canvas

signed lower left; signed, titled and dated 1990 on the reverse

8 × 10 in (20.3 × 25.4 cm)

oil on canvas

signed and dated 1996 lower right; titled on the stretcher

16 × 12.25 in (40.6 × 31.1 cm)

oil on board

signed lower left; signed, titled and dated 1987 on the reverse

10 × 8 in (25.4 × 20.3 cm)

two lithographs

each signed and numbered 15/60; each unframed (matted)

11.75 × 14.5 in (29.8 × 36.8 cm) (each )

mixed media on paper

signed lower right; artist’s seal lower left; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

etching

signed and titled in the lower margin

10.5 × 8.5 in (26.7 × 21.6 cm) (plate size)

pair of prints

- ”Eskimo and Walrus”-signed and titled in the lower margin - “Eskimo and Seal” -signed and titled in the lower margin; each unframed

6.25 × 9.25 in (15.9 × 23.5 cm) (each sheet)

lithograph

signed lower right

19.75 × 25.5 in (50.2 × 64.8 cm) (sight)

thirteen books

- “L’Âge de Pierre la Lithographie Canadienne depuis ses débuts” (Musée des Beaux-Arts du Canada, 2000); - “To the Totem Forests, Emily Carr Contemporaries Interpret Coastal Villages” (Art Gallery of Greater Victoria, 1999); - “Canadian Treasures 25 Artists Paintings Years” (Kitchener- Waterloo Art Gallery, 1981); - “Forgotten Graces: Travel Sketchbooks of a Victorian Gentlewoman” (Carolyn Gossage, 2006); - “Tom Roberts Perspectives on a Canadian Artist” (Celia Roberts, 2000); - “Augustus Kenderdine” (Maeve Spain, 1986); - “William G.R. Hind 1833-1889” (J. Russell Harper, 1976); - “Murals from a Great Canadian Train” (Ian Thom, 1986); - “Sculpteurs en art Populaire au Quebec” ( Adrien Levasseur, 2008); - “The Artists’ Mecca Canadian Art and Mexico” (Christine Boyanoski, 1992); - “Don Li-Leger Paintings” (Matt Petley-Jones, 2005); - “A Grand Eye for Glory: A Life of Franz Johnston” (Roger Burford Mason, 1998); - “Charles Comfort” (Margaret Gray, Margaret Rand, Lois Steen, 1976); - “Exhibition of Prints in Honour of C. Krieghoff” (Isabel Barclay Dobell, 1972)

32 books and publications

-“Milne: Watercolours” (Art Gallery of Greater Victoria, Victoria, 1980); -“David Milne 1882-1953” (travelling exhibition, 1967); -“David B. Milne” (David P. Silcox, London Regional Art and Historical Museum, 1998); -“Milne” (Alan Jarvis, The Gallery of Canadian Art: 3, 1962); -“David Milne: City Streets and Northern Scenes” (Mira Godard Gallery, Calgary, 1981); -”Photographs by Tom Thomson” (The National Gallery of Canada, Ottawa, Bulletin 16/1970); -”Lawren Harris: Paintings 1910-1948” (Art Gallery of Toronto, Toronto, 1948); -”Lawren Harris 1963” (National Gallery of Canada, Ottawa and Vancouver Art Gallery Vancouver, 1963); -”F.H. Varley: Paintings 1915-1954” (Art Gallery of Toronto, 1954); -“Arthur Lismer: Watercolours” (Norah McCullough, Macdonald Stewart Art Centre, Guelph, 1987); -”Arthur Lismer: Nova Scotia 1916-1919” (Gemey Kelly, Dalhousie Art Gallery, Halifax, 1982); -”Arthur Lismer” (E.R. Hunter, The Granville Galleries, Halifax); “Pungent Personalities: Arts & Letters Club Drawings by Arthur Lismer, 1922-43” (University of Toronto, Toronto, 2006); -”A. Y. Jackson: Paintings 1902-1953” (Art Gallery of Toronto, Toronto and National Gallery of Canada, Ottawa, 1953); -”The Queen Comes to New Brunswick: Paintings and Drawings by Molly Lamb Bobak” (Beaverbrook Art Gallery, Fredericton, 1977-79); -”Daniel Fowler in Canada: An Artist Afterall” (Dorothy M. Farr, Agnes Etherington Art Centre, Kingston, 2006); -”Fritz Brandtner 1896-1969” (A Retrospective Exhibition, travelling, 1971-2); -”Fritz Brandtner: A Gift” (The Montreal Museum of Fine Art, 2003); -“Hilton Hassell” (Kaspar Gallery, Toronto, 1981); -”E.J. Hughes” (Vancouver Art Gallery, Vancouver, 1967); -”Clare Leighton” (Ashmolean Museum, Oxford, 1992); -”Richard Montpetit” (Gilles Archambault, Ciel d’images, Quebec, 1999); -”Charles William Jeffreys 1869-1951” (Robert Stacey, travelling exhibition, 1976-77); -”Fresh Water: A Journal of Great Lakes Marine History” (Marine Museum of the Great Lakes, Kingston, Vol. 6, No. 1, 1991); -”The National Gallery of Canada/The MacCallum-Jackman Donations” (National Gallery of Canada, Ottawa, 1969); -”Important Exhibition of Canadian and European Masters” (Galerie Claude Lafitte, Montreal); -”Artists of Distinction” (John A. Libby Fine Art, Toronto, 2011); -”Hornyansky” (Tom Thomson Memorial Art Gallery, 1978); -”Art of the Grenfell Mission: The Robin Moore Collection” (Michael Donovan (pub.); -”Lillian Freiman: Paintings and Drawings” (Agnes Etherington Art Centre, Kingston, 1978); -”Etched in Stone: The Life and Prints of Ernst Neumann” (Brian I. Oickle, Montreal Print Collectors Society, 2004) - signed by the author in the title page; -”Goodridge Roberts” (Concordia Art Gallery, Montreal, 1984); -”Henrietta Shore” (Monterey Peninsula Museum of Art, 1986)

25 books and publications

-”Cornelius Krieghoff” (Albert H. Robson); -”Cornelius Krieghoff: The Habitant Farm” (J. Russell Harper, National Gallery of Canada, Ottawa, 1977); -”Louis Muhlstock: The Draftsmen” (Saidye Bronfman Centre, Montreal, 1989) -”Eric Freifeld: An Exhibition of Drawings at the Yaneff Gallery” (Yaneff Gallery, Toronto, 1980); -”A.C. Leighton” (The Edmonton Art Gallery, Edmonton, 1981); -”Sophia Theresa Pemberton (1869-1959)” (Nicholas Tuele, The Art Gallery of Greater Victoria, 1978); -”Painting in Montreal 1915-1930” (Galerie de L’UQAM, Montreal, 1996); -”Drawings by Charles W. Jefferys” (Discoverers and Explorers in Canada 1497-1763); -”Mary Riter Hamilton 1873-1954” (Art Gallery of Greater Victoria, 1978); -”Augustus Kenderine” (Glenbow Museum, Calgary, 1986); -”W. J. Wood: Paintings and Graphics” (Christine Boyanoski and John Hartman, Art Gallery of Ontario, Toronto, 1983); -”Fantin-Latour and Dalou” (The Toledo Museum of Art); -“Thomas W. Fripp 1864-1931” (Nicholas Tuele, The Art Gallery of Greater Victoria, Victoria, 1983); -”William St. Thomas Smith” (Thames Art Gallery, Chatham, 2002); -”Paul Kane: Sketchpad” (Charles J. Musson Ltd., Toronto, 1969); -”Scenes in Canada: C. Krieghoff Lithograph Drawings after his Paintings of Canadian Scenery, 1848-1862” (McCord Museum, Montreal, 1972); -”Military Munnings: The Canadian War Art of an Equestrian Painter 1917-1918” (Canadian War Museum, 1993); -”Emily Coonan (1885-1971)” (Concordia Art Gallery, Montreal, 1987); -”The Watercolours of David Milne” (Gwendolyn Owens, Herbert F. Johnson Museum of Art, Ithaca, 1984); -“L.M. Kilpin 1855-1919” (Roger Boulet, Art Gallery of Greater Victoria, 1979); -”David Milne: Painting Place” (Rosemarie L. Tovell, National Gallery of Canada, Ottawa, 1976); -”New Perspectives on Modernism in Canada: Kathleen Munn, Edna Taçon” (The Art Gallery of York University, Toronto, 1988); -”Paul Rand” (Roger Boulet, Art Gallery of Greater Victoria, Victoria, 1980); -”Kurelek’s Vision of Canada” (The Robert McLaughlin Gallery, Oshawa, 1982); -”William McElcheran: Humanism in Bronze” (Kinsman Robinson Galleries, Toronto, 2010); “Tom Forrestall: Retrospective Exhibition: 1957-1978” (Owens Art Gallery, Sackville, 1978)

books

-“Memoirs of an Art Dealer” Vol. 1 & 2 (G. Blair Laing, McLelland and Stewart, Toronto, 1979 - signed by the author on the title page of Vol. 2); Volume 1 without the original dustjacket; Volume 2 within the original dustjacket

eighteen books

- “People and Places of New Brunswick: Molly Lamb Bobak and Bruno Bobak” (Gallery 78, Fredericton); - “F. H. Varley: Paintings 1915-1954” (The Art Gallery of Toronto, traveling exhibition, 1954-55); - “Jack Weldon Humphrey” (Heffel Gallery, Vancouver, 1999); - “Kathleen Daly, George D. Pepper” (McMichael Canadian Art Collection, Kleinburg, 1999); - “Charles Lawrence Katz: Paintings and Works on Paper” (Duncannon Press, 2009); - “Tom Thomson: Design for a Canadian Hero” (Joan Murray, Dundurn Press, Toronto and Oxford, 1998); - “Northern Belle: The Life Story of Haliburton’s Ethel Curry” (Robert Popple, RTP Publications, 2003); - “E. Grace Coombs Artist” (Lorne Pierce, Ryerson Press, 1949) - signed by the artist on the titlepage; - “Souvenir Viewpoints: Watercolours by Franklin Arbuckle” (Megan Bice, The McMichael Canadian Art Collection, 1996); - “William Berczy: The Wollsey Family” (Jean Trudel, The National Gallery of Canada, 1976); - “Quiet Harmony: The Art of Mary Hiester Reid” (Brian Foss and Janice Anderson,Art Gallery of Ontario, 2000; - “A Grand Eye for Glory: A Life of Franz Johnston” (Roger Burford Mason, Dundurn Press, 1998); - “William Berczy: Man of Enlightenment” (Katerina Atanassova, Varley Art Gallery, 2004); sold together with a cd-rom; - “Printmaking in Canada: The Earliest Views and Portraits” (Mary Allodi, Royal Ontario Museum, 1980); - “W.H. Coverdale Collection of Canadiana: Paintings, Watercolours and Paintings” (W. Martha E. Cooke, Public Archives Canada, 1983); - “Two Artists Time Forgot: Frances Jones (Bannerman) and Margaret Campbell MacPherson” (Mora Dianne O’Neill and Caroline Stone, The Rooms, Art Gallery of Nova Scotia, 2006); - “Paul Kane 1810-1871” (J. Russell Harper, Amon Carter Museum of Western Art and The National Gallery of Canada, 1971); - “When Winter was King: The Image of Winter in 19th Century Canada” (Edward Cavell and Dennis Reid, Altitude Publishing in Association with The Whyte Museum of the Canadian Rockies, 1988)

eleven books

- “Sunday Mornings with Cass” (Ted Herriott, 1993); - “Bellefleur: The Fervour of the Quest” (Guy Robert, 1988); - “Cosgrove Natures Mortes Arbes et Portraits” (Jacques de Roussan, 1994); - “F.S. Coburn Beyond the Landscape” (Evelyn Lloyd Coburn, 1996); - “Frederick H. Varley” (Peter Varley, 1983); - “Art actuel au Quebec depuis 1970” (Guy Robert, 1983); - “The Art of Tom Thomson” (Joan Murray, 1971); - “Jean Paul Riopelle force de la nature” (John K. Grande, 2005); - “Norval Morrisseau Shaman Artist” (Greg A. Hill, 2006); - “Edwin Holgate” (Rosalind Pepall and Brian Foss, 2005); - “La peinture au Quebec depuis ses origines” (Guy Robert, 1978)

stamps and envelopes in a binder

each of the following are housed within a First Day Cover binder (some within plastic sleeves, some loose within the binder): - A.H. Robinson “Sainte-Agnès” stamp, 1989 Christmas Stamps cachet, Day of Issue: October 26, 1989; - Kenojuak Ashevak “Drawing for ‘The Owl’”stamp, Kenojuak Ashevak cachet, Day of Issue: May 17, 1993 - two copies; - Marc-Aurèle de Foy Suzor-Coté “A Bend in the Gosselin River, Arthabaska” stamp, 1989 Christmas Stamps cachet, Day of Issue: October 26, 1989; - F. H. Varley “Vera” stamp, F.H. Varley cachet, Day of Issue: May 6, 1994; - Jean Paul Lemieux “Self-portrait, 1964” stamp, Jean Paul Lemieux cachet, Day of Issue: October 22, 2004; - Dorothy Knowles “North Saskatchewan River” and “The Field of Rapeseed” stamps, Dorothy Knowles cachet, Day of Issue: April 7, 2006; - Dorothy Knowles “The Field of Rapeseed” four stamps, Dorothy Knowles cachet, Day of Issue: April 7, 2006; - Dorothy Knowles “The Field of Rapeseed” stamp, Dorothy Knowles cachet, Day of Issue: April 7, 2006; - Homer Watson “Down in the Laurentides” stamp, Homer Watson cachet, Day of Issue: May 27, 2005; - David B. Milne “Red Nasturtiums” stamp, David B. Milne cachet, Day of Issue: June 29, 1992; - Jean Paul Lemieux “Self-Portrait, 1974”, A June Wedding, 1972” and “Summer, 1959” stamps, Jean Paul Lemieux cachet, October 22, 2004; - Homer Watson “Down in the Laurentides” and “The Flood Gate” stamps, Homer Watson cachet, Day of Issue: May 27, 2005; - Alfred Pellan “Blossoming c. 1950” stamp, Alfred Pellan cachet, Day of Issue: April 21, 1995; - Franz Johnston “ Serenity, Lake of the Woods”, Arthur Lismer,= “September Gale, Georgian Bay”, J.E.H. MacDonald “Falls, Montreal River” and Frederick H. Varley “Open Window” stamps, 75th Anniversary of the Group of Seven cachet, Day of Issue: June 29, 1995; - Franklin Carmichael “October Gold”, Lawren Harris “ From the North Shore, Lake Superior” and A.Y. Jackson “Evening, Les Eboulements, Quebec” stamps, 75th Anniversary of the Group of Seven cachet, Day of Issue: June 29, 1995; - A.J. Casson “Mill Houses”, L.L. Fitzgerald “Pembina Valley” and Edwin Holgate “The Lumberjack” stamps, 75th Anniversary of The Group of Seven cachet, Day of Issue: June 29, 1995; - Indians of the Plains stamps, Canadian Bank Note cachet, Day of Issue: July 6, 1972; - Bill Reid “The Spirit of Haida Gwaii” stamp, Bill Reid cachet, Day of Issue: April 30, 1996; - “Ceremonial Frontlet” stamp, Masterpieces of Canadian Art cachet, June 29, 1989; - Alexander Henderson stamp, 150th Anniversary of the first known photography by a Canadian cachet, Day of Issue: June 23, 1989; - Norval Morrisseau “Virgin Mary with Christ Child”, Lukta Qiatusk “Mother and Child” and Bill Reid “Children of the Raven” stamps, 1990 Christmas Stamps, Day of Issue: October 25, 1990; - Emily Carr “Forest, British Columbia stamp, Emily Carr cachet, Day of Issue: May 7, 1991 - two copies; - Tom Thomson “West Wind” stamp, Tom Thomson cachet, Day of Issue: May 3, 1990; - Norval Morrisseau “Virgin Mary with Christ Child” stamp, 1990 Christmas Stamps, Day of Issue: October 25, 1990; - Bill Reid “Children of the Raven” stamp, 1990 Christmas Stamps, Day of Issue: October 25, 1990; - Lukta Qiatusk “Mother and Child” stamp, 1990 Christmas Stamps, Day of Issue: October 25, 1990; - Jackson Beardy “Rebirth” stamp, 1990 Christmas Stamps, Day of Issue: October 25, 1990; - Jean Dallaire “Coq licorne”, Jean Dallaire cachet, Day of Issue: July 3, 1999 - two copies; - Jean Paul Riopelle, Fernand Leduc, Jean-Paul Mousseau and Pierre Gauvreau stamps, 50 Year Anniversary of Refus Global, August 7, 1998; -Paul-Émile Borduas, Marcelle Ferron and Marcel Barbeau stamps, 50 Year Anniversary of Refus Global, August 7, 1998; - Bruno Bobak “The Farmer’s Family” stamp, Bruno Bobak cachet, September 8, 1998 - two copies; Leo Mol “Lumberjacks” and Charles Daudelin “Embâcle”, Leo Mol and Charles Daudelin cachet, Day of Issue: June 10, 2002 - two copies (second with 2 of each stamp); - W. Hanson Boorne, 150th Anniversary of the first known photography by a Canadian cachet, Day of Issue: June 23, 1989; - Cornelius Krieghoff “The Artist at Niagara”, Cornelius Krieghoff cachet, Day of Issue: July 7, 2007 - two copies; - White Trillium stamp on envelope, stamped July 9, 1956; - W.J. Phillips ‘York Boat on Lake Winnipeg” stamp, W. J. Phillips cachet, Day of Issue: February 17, 1997; - Alex Colville “Church and Horse” stamp, Alex Colville cachet, March 22, 2002; - Emily Carr “Forest, British Columbia” stamp, B.A. Banknote cachet, Day of Issue: May 7, 1991; - William Notman, W. Hanson Boorne, Alexander Henderson and Jules-Ernest Livernois stamps, 150th Anniversary of the first known photography by a Canadian cachet, Day of Issue: June 23, 1989; - H. G. Glyde “Imperial Wildcat No. 3, Excelsior Field, near Edmonton”, J.E. H. MacDonald “The Solemn Land”, J.W. Morrice “The Ferry, Quebec”, Lawren Harris “Bylot Island”, John Ensor “Summer’s Stores”, Tom Thomson, “The Jack Pine” and A.Y. Jackson “Alaska Highway Between Watson Lake and Nelson” stamps and postcards, Seven Canadian paintings from the collection of the National Gallery of Canada as reproduced on the Centennial postage stamp issue; - F. H. Varley “Self Portrait” and “Vera” stamps on envelope, Day of Issue: May 6, 1994; - John Ensor “Summer’s Stores” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - J.W. Morrice “The Ferry, Quebec” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - A.Y. Jackson stamp, Canadian Postage Stamps cachet, Day of Issue: June 30, 1982; - Indians of the Plains stamps, Indians of Canada cachet, with informational card, Day of Issue: July 6, 1972; - Emily Carr “Big Raven” stamp, Emily Carr Canada’s Greatest Woman Artist cachet, Day of Issue: February 12, 1971; - Cornelius Krieghoff “The Blacksmith’s Shop” two stamps, Cornelius Krieghoff cachet, with information card, Day of Issue: November 29, 1972; - Arthur Lismer “Isles of Spruce” four stamps, 50th Anniversary of the Group of Seven cachet, Day of Issue: September 18, 1970; - Jack Shadbolt “The Space Between Columns #21 (Italian)” stamp, Jack Shadbolt cachet, Day of Issue: August 24, 2001; - Tom Thomson stamp, Black Creek Village cachet, May 25, 1977 - two copies; - Cornelius Krieghoff “The Blacksmith’s Shop” stamp, Cornelius Krieghoff Pioneer Painter of North America cachet, Day of Issue: November 29, 1972; - Jules-Ernest Livernois stamp, 150th Anniversary of the first known photography by a Canadian cachet, Day of Issue: June 23, 1989; - J.E. H. MacDonald “The Solemn Land” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - Marc-Aurèle de Foy Suzor-Coté, “Returning from the Field” stamp, Famous Canadians Series cachet, Day of Issue: March 14, 1969; - J.E.H. MacDonald “The Solemn Land” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - William Notman stamp, 150th Anniversary of the first known photography by a Canadian cachet, Day of Issue: June 23, 1989; R. Tait MacKenzie Olympian stamp, Senate of Canada cachet, Day of Issue: March 14, 1975; - Tom Thomson, “The Jack Pine” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - J.W. Morrice “The Ferry, Quebec” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - A.Y. Jackson “Alaska Highway Between Watson Lake and Nelson” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists, Day of Issue: February 8, 1967; - John Ensor “Summer’s Stores” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists cachet, Day of Issue: February 8, 1967; - H. G. Glyde “Imperial Wildcat No. 3, Excelsior Field, near Edmonton” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists, Day of Issue: February 8, 1967; - Lawren Harris “Bylot Island” stamp, 1967 Series Honouring “The Famous Group of Seven” Canadian Artists, Day of Issue: February 8, 1967; - two Tom Thomson stamps on envelope; - W.J. Phillips “York Boat on Lake Winnipeg” stamp, Black Creek Village cachet, November 17, 1997; - Jean Paul Lemieux, Henri Masson, Robert C. Todd and Clarence A. Gagnon stamps, Christmas 1974 cachet, Day of Issue: November 1, 1974; - Tom Thomson “The Jack Pine” stamp, Tom Thomson cachet, February 8, 1867; - Lawren Harris “Snow II” stamp, Christmas 1989 stamp series, October 26, 1989; - Paul Kane “Native American Encampment on Lake Huron” stamp, Canada Honours Paul Kane: Artist and Traveller cachet, Day of Issue: August 11, 1971 - two copies; - A.Y. Jackson “Alaska Highway Between Watson Lake and Nelson” stamp, A.Y. Jackson cachet, Day of Issue: November 8, 1867; - Paul Kane “Native American Encampment on Lake Huron” stamp, Paul Kane: Artist Among the Indians cachet; Day of Issue: August 11, 1971; - Emily Carr “The Big Raven” stamp, Honouring Canada’s Greatest Woman Painter Emily Carr 1971-1945 cachet, Day of Issue: February 12, 1971; - J.E.H. MacDonald “The Solemn Land” stamp, J.E.H. MacDonald cachet, Day of Issue: February 8, 1967; - Marc-Aurèle de Foy Suzor-Coté, “Returning from the Field” stamp, Marc-Aurèle de Foy Suzor-Coté cachet, Day of Issue: March 14, 1969; - Emily Carr “The Big Raven” stamp, Honouring Canada’s Greatest Woman Painter Emily Carr 1971-1945 cachet, Day of Issue: February 12, 1971 - two copies; - Lawren Harris “Bylot Island” stamp, Lawren Harris cachet, Day of Issue: February 8, 1967; - John Ensor “Summer’s Stores” stamp, John Ensor cachet, Day of Issue: February 8, 1967; - H.G. Glyde “Imp. Wildcat No.3, Excelsior Field, near Edmonton” stamp, H.G. Glyde cachet, Day of Issue: February 8, 1967; - J.W. Morrice “The Ferry, Quebec” stamp, J.W. Morrice cachet, Day of Issue: February 8, 1967; - Christmas 1968 stamp and cachet, Day of Issue: November 1, 1968; - Arthur Lismer “Isles of Spruce” stamp, 50th Anniversary of the Group of 7 cachet, Day of Issue: April 18, 1970; - Arthur Lismer “Isles of Spruce” stamp, Honouring the Group of Seven Painters cachet, Day of Issue: April 18, 1970; - Canada Day 1982 Official First Day Cover cachet with 12 Canadian artist stamps, Day of Issue: June 30, 1982; - Canada Day 1984 Official First Day Cover cachet with 12 Canadian artist stamps, Day of Issue: June 29, 1984

14 colour lithographs

issued by the National Gallery of Canada, each unframed - “Spring Ice” (Tom Thomson); - “Algoma Lake” (A. Y. Jackson, 2 copies); - “September Gale” (Arthur Lismer); - “Winter Landscape” (Cornelius Krieghoff); - “Oxen Drinking” (Horatio Walker); - “A Canadian Gunner” (Lilias Torrance Newton); - “Northern River” (Tom Thomson, 2 copies); - “The Solemn Land” (J.E.H. MacDonald); - “The Beach, St. Kitt’s” (Franklin Brownell); - “The Ferry, Quebec” (James W. Morrice); - “Village in the Laurentian Mountains” (Clarence Gagnon); - “The Flood Gate” (Homer Watson)

15 × 12.75 in (38.1 × 32.4 cm) (each sheet)

oil on canvas

signed lower right

8 × 6 in (20.3 × 15.2 cm)

four etchings

- “La Rue aux Juifs a Rouen” (signed, titled, dated 1923 within the plate; signed and numbered 46/100 in the lower margin - 10.5 x 8.25 ins. [plate]); - “L’Ecole de Driot a’ Paris” (signed, titled, dated 1922 within the plate; signed in the lower margin - 10.5 x 8.25 ins. [plate]); - “La Rue Saint Yves a Chartres” (titled within the plate; signed and numbered 5 etat 6/10 in the lower margin - 12 x 7.5 ins. [plate]); - “Port et Logis du Roi, Mont Saint-Michel” (titled within the plate; signed and numbered 1st state 1/2 in the lower margin - 13.25 x 8.5 ins. [plate]); each unframed

13.25 × 8.5 in (33.7 × 21.6 cm) (plate size (largest))

ink on paper

signed lower right; titled in the lower margin

14.5 × 8.75 in (36.8 × 22.2 cm) (sheet)

etching

signed, titled, dated 1993 and numbered “A.P” in the lower margin

9.75 × 6.75 in (24.8 × 17.1 cm) (sight)

mixed media on paper

signed lower left

11 × 8 in (27.9 × 20.3 cm) (sight)

oil on canvas

8 × 6 in (20.3 × 15.2 cm)

6 colour lithographs

each unframed

15 × 17.25 in (38.1 × 43.8 cm) (each sheet)

6 colour lithographs

each unframed

15 × 17.25 in (38.1 × 43.8 cm) (each sheet)

no-medium

signed lower right, titled and dated 1976 in the lower left margin; unframed

6.5 × 10.5 in (16.5 × 26.7 cm) (image)

woodcut

signed and titled in the lower margin; unframed (matted)

8.25 × 10 in (21.0 × 25.4 cm) (image)

6 colour lithographs

each unframed

15 × 17.25 in (38.1 × 43.8 cm) (each sheet)

three colour lithographs

- “Castro Verde”- signed, titled and numbered “47/50” in the lower margin (17 ins x 23 ins [image]); - “Still Life Blue Flowers”- signed, titled and numbered “20/50” in the lower margin (17 ins x 23 ins [image]); - “Poster”- signed, titled and numbered “18/22” in the lower margin (22 ins x 16 ins [image]); each unframed

17 × 23 in (43.2 × 58.4 cm) (image (largest))

two colour lithographs

- “Carreau”- signed, titled, numbered “9/25” and inscribed “Artist’s Proof” in the lower margin (17.75 ins x 13.75 ins [image]); - “Spring”- signed, titled and numbered “9/26” in the lower margin (16 ins x 20 ins [image]); each unframed

16 × 20 in (40.6 × 50.8 cm) (image (largest))

mounted to card

Engraved by John Bluck (18th/19th century), British; published in 1811 at R. Ackermann’s, London; unframed

17.25 × 22.25 in (43.8 × 56.5 cm) (sheet )

two lithographs

-“Detecting the Forgery”- signed, dated 1969 and inscribed “Artist’s Proof” lower margin (23.5 ins x 15.5 ins [sight]); -”By the Aid of the Mirror She Put On the Head”- signed, dated 1969 and inscribed “A/P” lower margin (21.5 ins x 15 ins [sight])

23.5 × 15.5 in (59.7 × 39.4 cm) (sight (largest))

mixed media collage on unstretched canvas

signed twice; dated 2005 lower right

9.25 × 7 in (23.5 × 17.8 cm) (sheet)

oil on board

signed lower right; signed, titled and dated 1965 on the reverse

16 × 12 in (40.6 × 30.5 cm)

acrylic on canvas

signed lower right; signed, titled and dated 2012 on the reverse; unframed

20 × 20 in (50.8 × 50.8 cm)

etching

signed and titled indistinctly in the lower margin

3.75 × 5.25 in (9.5 × 13.3 cm) (sight )

graphite and ink

signed and dated “6-3-58” in the lower margin

12.5 × 10 in (31.8 × 25.4 cm)

lithograph in colours

signed and numbered “2/40” in the lower margin

20 × 12 in (50.8 × 30.5 cm) (sight)

cibachrome

titled and dated to a label on the reverse

22.75 × 27.75 in (57.8 × 70.5 cm) (sight)

oil on board

signed lower right; signed and titled on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed lower right and dated May 8/90 upper left; titled on a label on the reverse

7 × 11.75 in (17.8 × 29.8 cm)

oil on board

signed lower right and dated 25-4-89 lower left; titled and dated on the reverse; unframed

7.5 × 11.75 in (19.1 × 29.8 cm)

oil on canvas

signed upper left

28 × 20 in (71.1 × 50.8 cm)

acrylic on canvas

signed lower right; unframed

42 × 36 in (106.7 × 91.4 cm)

colour serigraph

signed, dated 1970 and numbered 196/200 in the lower margin; unframed

40.5 × 28.5 in (102.9 × 72.4 cm) (sheet)

oil on canvas board

signed and titled on the reverse; unframed

16 × 20 in (40.6 × 50.8 cm)

colour lithograph

titled in the lower margin; unframed

33 × 26.5 in (83.8 × 67.3 cm) (sheet)

oil on board

signed lower left; signed, titled and dated “May 1980” on the reverse

12 × 18 in (30.5 × 45.7 cm)

serigraph in colours

signed, titled, dated 1961, numbered “462/495” and inscribed “Heritage Edition” in the lower margin

19 × 22.5 in (48.3 × 57.1 cm)

etching

signed in the lower right margin

7.5 × 9.5 in (19.1 × 24.1 cm) (sight)

watercolour

signed and dated 1970 lower right

21.75 × 29.5 in (55.2 × 74.9 cm) (sight)

oil on canvas

signed and dated 1923 lower right

14 × 10.75 in (35.6 × 27.3 cm)

pair of drawings

“Rooftop Detail”- ink on paper; signed with artist’s stamp lower right (5 ins x 7.75 ins); “Figure Study”- graphite on paper; signed with artist’s stamp lower right (11 ins x 8.5 ins); both works unframed

mixed media

-“Woman with Wine Glass”- etching; signed within the plate, signed and dated 1982 in the lower margin (25.25 ins x 18 ins); -“Blue Hat #2”; oil on paper; signed, dated 1981 and inscribed “23 Juin 1981” at the upper left corner, titled at the upper right corner (22 ins x 15.25 ins); -“Brunette Model Wearing Necklace”- oil on paper; signed and dated 2009 at the lower edge, inscribed “MM 2-2-11-09” in the lower margin (14.75 ins x 16.75 ins); -“Dancer Series #3”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “2-12-84 at the lower right edge (17 ins x 14 ins); -“Exotic Dance”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “29-11-84” at the lower right edge (17 ins x 14 ins); -“Prairie Landscape”- charcoal; signed and dated 1977 near the lower center edge (19 ins x 25 ins); -“Model Facing Forward”- conte; signed and dated 1979 near the lower center edge (26 ins x 20 ins); -“Seated Man”- conte; signed and dated “17 December 1979” at the lower centre edge; all unframed

26 × 20 in (66.0 × 50.8 cm) (largest)

mixed media

-“Woman with Wine Glass”- etching; signed within the plate (25.25 ins x 18 ins); -“Seated Model in Armchair”- watercolour; signed and dated “13.1.93” near the lower center edge (23.75 ins x 19 ins); -“Girl in Purple Sweater”- oil on paper; signed and dated 2009 near the lower edge, inscribed “MM 2-7-8-09 in the lower margin (14.75 ins x 17 ins); -“Dancer Series”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “29-11-84” at the lower right edge (17 ins x 14 ins); -“Girls, on a warm summer’s night on St. Joseph Blvd. Hull”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “29-11-84” at the lower right edge (17 ins x 14 ins); -“Prairie Landscape”- pastel; signed and dated 1979 at the lower center edge (18.75 ins x 25.75 ins); -“Portrait of Woman”- conte; signed and dated 1979 near the lower center edge (22.25 ins x 18.75 ins); -“Woman at Dresser”- conte; signed and dated 1978 near the lower center edge (25.5 ins x 19.5 ins); all unframed

oil on board

signed lower left

23 × 28.75 in (58.4 × 73.0 cm)

oil on board

signed lower left

18 × 28.25 in (45.7 × 71.8 cm)

woodblock print

signed, titled, dated ‘69 (identified as an error by the estate) and numbered 1/10 in the lower margin; signed by the artist’s spouse on a label on the reverse

12.25 × 15.25 in (31.1 × 38.7 cm) (plate size)

acrylic on canvas board

signed and dated “87” lower left; titled on the reverse

4 × 8 in (10.2 × 20.3 cm)

watercolour

signed lower right

5.5 × 7 in (14.0 × 17.8 cm) (sight)