February Online Auction of Works on Paper, Prints, Books & Sculpture (Online Auction)

etching

signed, titled and numbered 18/50 in the lower margin; unframed (matted)

8.75 × 8.75 in (22.2 × 22.2 cm)

colour silkscreen on paper

signed and numbered 14/65 lower left

48 × 36 in (121.9 × 91.4 cm) (sheet)

watercolour

signed and dated 1972 lower right; titled lower left

19 × 24.5 in (48.3 × 62.2 cm) (sight)

colour lithograph on paper (repaired)

signed, dated 1971 and numbered 4/90 lower left

20 × 27.75 in (50.8 × 70.5 cm) (sheet)

colour photograph

signed, titled and dated 2001 on an artist label on the reverse; from an edition of 15

10 × 12.75 in (25.4 × 32.4 cm) (sheet)

colour photograph

signed, titled and dated 2001 on an artist label on the reverse; from an edition of 15

10 × 12.75 in (25.4 × 32.4 cm) (sheet)

bronze

initialed and dated 2001 with incised stamp lower right; titled on an artist’s label on the reverse

8.5 × 55.25 × 1.5 in (21.6 × 140.3 × 3.8 cm) (overall)

soft-ground etching and aquatint on paper

signed and numbered 44/60 in the lower margin

42 × 32.25 in (106.7 × 81.9 cm) (subject)

watercolour and ink on paper (diptych)

signed and dated 1977 upper left of the left segment; each sheet framed individually

39 × 28 in (99.1 × 71.1 cm) (overall)

ink

signed and dated 1982

60 × 72 in (152.4 × 182.9 cm)

colour lithograph

signed and numbered 88/100 at the lower edges; unframed

10.25 × 9.75 in (26.0 × 24.8 cm) (sheet)

mixed media on paper

signed and dated 1965 in the lower right subject; titled in the lower right margin

11.5 × 9.5 in (29.2 × 24.1 cm) (subject)

print with hand colouring

signed, titled, dated 1992 and inscribed “A/P” in the lower margin

14.75 × 11.25 in (37.5 × 28.6 cm) (sight)

colour screenprint

signed and numbered 158/300 in the lower margin

18 × 19.25 in (45.7 × 48.9 cm) (sheet)

catalogue & three colour lithographs

the catalogue numbered 446/1100; the three lithographs unsigned & unframed

8.75 × 7.5 in (22.2 × 19.1 cm) (each lithograph)

colour serigraph

signed, titled, dated 1977 and numbered 32/50 in the lower margin

14 × 19 in (35.6 × 48.3 cm)

oil on paper

signed lower right

30 × 22 in (76.2 × 55.9 cm) (sheet)

mixed media on paper

signed and dated 1965 lower right

11.25 × 19 in (28.6 × 48.3 cm) (sight)

colour lithograph

signed, titled, and numbered 2/75 in the lower margin; unframed

26.5 × 36 in (67.3 × 91.4 cm) (sheet)

oil on paper

signed and dated 1988 lower right; signed, titled and dated 1988 on the reverse; unframed

29.75 × 22 in (75.6 × 55.9 cm) (sheet)

colour serigraph

signed and numbered 64/250 in the lower margin; unframed (shinkwrapped)

22.25 × 30 in (56.5 × 76.2 cm)

collage on paper

signed and dated 1971 lower right; signed, titled and dated on the reverse of the framing

24.75 × 19 in (62.9 × 48.3 cm)

watercolour

signed and dated 1963 lower right

18.5 × 23.5 in (47.0 × 59.7 cm) (sight)

single autographic print

signed, dated 1957 and editioned “1-1” in the lower margin

18 × 23.75 in (45.7 × 60.3 cm) (plate size)

colour lithograph on paper

24 × 18 in (61.0 × 45.7 cm)

colour lithograph on paper

signed and editioned “A/P 7/25” along the lower edge

34.25 × 25.25 in (87.0 × 64.1 cm) (sight)

mixed media collage on paper

signed and dated 1990 lower right; titled on a gallery label on the reverse

22 × 30 in (55.9 × 76.2 cm)

gelatin silver print

3 × 4.5 in (7.6 × 11.4 cm) (image)

sumi ink on paper

dated “16/8/83” lower left edge; inscribed “For David Partridge’s 70th from Ron and Dorothy” on the reverse; unframed

22 × 30 in (55.9 × 76.2 cm) (sheet)

inkjet print

titled and dated on a gallery label on the reverse

39.5 × 49.5 in (100.3 × 125.7 cm) (sight)

watercolour

signed lower right, titled and dated “August 21, 1979” at the lower centre edge

11.25 × 15 in (28.6 × 38.1 cm) (sight)

colour silkscreen on paper

signed and editioned 26/35; unframed (Condition Noted: noticeable creasing and scuffing present - Artwork sold “as is” and not subject to return)

19.25 × 19.25 in (48.9 × 48.9 cm) (card)

colour silkscreen

signed, titled, dated 1985 and numbered 10/100 in the lower margin; unframed

30 × 37 in (76.2 × 94.0 cm) (sheet)

colour silkscreen

signed, titled dated 1997 and numbered 106/150 in the lower margin

12.25 × 18.5 in (31.1 × 47.0 cm) (sight)

mixed media on paper

signed and dated 1963 lower right

11 × 13.75 in (27.9 × 34.9 cm) (sight)

welded brass sculpture

12 × 39 × 16 in (30.5 × 99.1 × 40.6 cm)

colour silkscreen

signed, titled, dated 1967 and numbered 1/20 lower right

14 × 16 in (35.6 × 40.6 cm) (sheet)

mixed media print

signed lower right; unframed

15 × 12 in (38.1 × 30.5 cm) (sheet)

mixed media print

signed lower right; unframed

15 × 12 in (38.1 × 30.5 cm) (sheet)

colour etching and aquatint

signed, titled, dated and numbered 7/50 in the lower margin

15 × 35.5 in (38.1 × 90.2 cm) (image)

colour etching and aquatint

signed, titled, dated 1975 and inscribed “Artist’s Proof” in the lower margin

16.5 × 20.25 in (41.9 × 51.4 cm) (sight)

watercolour

signed, titled and dated “July 18 1978” lower left

10 × 14 in (25.4 × 35.6 cm) (sight)

watercolour

signed, titled and dated “3 September 1998” in the lower margin

10.5 × 14 in (26.7 × 35.6 cm) (sight)

pastel

signed and dated “1-7-69” lower right

19 × 25.5 in (48.3 × 64.8 cm) (sight)

serigraph

signed, titled, numbered 59/150 and dated 1986 in pencil in the lower margin

25 × 27.5 in (63.5 × 69.8 cm) (image)

mixed media on paper

signed, titled and dated 1979 in the lower margin; unframed

20.75 × 32 in (52.7 × 81.3 cm) (subject)

colour lithograph

signed and numbered 10/100 in the lower margin; unframed

19.75 × 27.5 in (50.2 × 69.8 cm) (subject)

serigraph with hand colouring

signed, titled, dated 1976 and numbered 23/60 towards the lower edge

14.5 × 10 in (36.8 × 25.4 cm) (sight)

acrylic on paper

signed and dated 1978 lower right

13.5 × 31 in (34.3 × 78.7 cm) (sight)

woodblock

signed, titled and numbered 25/30 in the lower margin

11 × 24.5 in (27.9 × 62.2 cm) (sight)

softground etching

signed, titled, and numbered 1/12 in the lower margin

6 × 9 in (15.2 × 22.9 cm)

felt marker drawing

signed with monogram lower right

10.25 × 13.25 in (26.0 × 33.7 cm) (sight)

colour colograph

signed, titled and numbered 4/25 at the lower edge; unframed

27.75 × 18.5 in (70.5 × 47.0 cm) (sheet)

colour serigraph

signed, titled, and numbered 10/100 in the lower margin; unframed

18 × 24 in (45.7 × 61.0 cm) (sheet)

etching

signed, titled and numbered 2/50 in the lower margin

13.5 × 16.5 in (34.3 × 41.9 cm) (plate size)

etching

signed, titled, numbered 14/50 and dated 1986 in pencil in the lower margin

22 × 31 in (55.9 × 78.7 cm) (plate size)

gouache

signed and dated 1972 lower left

14 × 19 in (35.6 × 48.3 cm) (sight)

colour serigraph

signed, titled, dated 1985, and numbered 10/100 in the lower margin; unframed

30 × 22.5 in (76.2 × 57.1 cm) (sheet)

photolithograph

signed, dated 1972 and numbered 52/150 in the lower margin

9.5 × 13 in (24.1 × 33.0 cm) (subject)

watercolour

signed lower right

14.25 × 11.25 in (36.2 × 28.6 cm) (sheet)

etching

signed, titled and dated 1905 in the lower margin; signed with monogram, dated 1905 and inscribed “Venice” within the plate

8.75 × 4.5 in (22.2 × 11.4 cm) (sight)

ink drawing

titled lower right, inscribed indistinctly lower left

16.25 × 13.75 in (41.3 × 34.9 cm) (sight)

watercolour

signed and dated 1976 lower right

21 × 28.75 in (53.3 × 73.0 cm) (sight)

watercolour

signed with initials lower right; painted circa 1927/1928 (according to an inscription by George Broomfield on the reverse); unframed (matted)

5.5 × 10.25 in (14.0 × 26.0 cm) (overall subject)

watercolour laid down

signed lower left, titled on reverse; titled and dated “Sept. 23, 1973” on the reverse of the framing

11 × 14.5 in (27.9 × 36.8 cm) (sight)

watercolour

signed lower left

8.5 × 11.75 in (21.6 × 29.8 cm)

etching; paper glued to card

signed, titled and numbered “04” in the lower margin

3.5 × 5.75 in (8.9 × 14.6 cm) (sight)

ink and wash

signed and dated “26.3.58” lower right; a sketch of the subject matter on the reverse, titled “Still Life with Artificial Lemon”

13.5 × 20.5 in (34.3 × 52.1 cm) (sight)

charcoal drawing

sold together with an unframed preparatory drawing of the sitter by the artist (sketchbook sheet size: 11.75 ins x 8.75 ins)

12.75 × 13.25 in (32.4 × 33.7 cm) (sight)

etching

inscribed “J.E.H. MacDonald”, “T.M.”, titled, dated 1915, and numbered 9/12 in the lower margin

3 × 2.5 in (7.6 × 6.3 cm) (plate size)

watercolour

signed lower right

11.5 × 14.5 in (29.2 × 36.8 cm) (sight)

linocut

5 × 12 in (12.7 × 30.5 cm) (sight)

two drypoint etchings

“Alex Carpentier”- signed within the plate, titled and inscribed (in reverse) “Paris, 1904”, numbered 21/25 in the lower margin; “Portrait Van William”- numbered 6/10 in the lower margin

7.75 × 5.75 in (19.7 × 14.6 cm) (each- sight)

coloured chalks on paper

signed lower right

19 × 25 in (48.3 × 63.5 cm) (sight)

lithograph

signature and dated 1922 in the plate; published in 1948

22.75 × 16.25 in (57.8 × 41.3 cm)

three colour silkscreens

each signed lower right

4.25 × 6 in (10.8 × 15.2 cm) (sight)

mixed media on paper

signed and dated 1968 lower right

14.5 × 10.5 in (36.8 × 26.7 cm) (sight)

portfolio of poems and seven etchings

Poems by Jane Beecroft, etchings by Jo Manning, numbered 28/75 and housed in original paper portfolio- each etching signed, dated 1974 and numbered 28/75 in the lower margin; all unframed

20 × 15 in (50.8 × 38.1 cm) (each sheet)

acrylic on paper

signed lower right

10.75 × 7.75 in (27.3 × 19.7 cm) (sheet)

etching

signed, titled, dated 1981 and inscribed “épreuve d’atelier 2/2” in the lower margin

11.75 × 13.75 in (29.8 × 34.9 cm)

colour silkscreen on wood veneer

signed lower right

9 × 11 in (22.9 × 27.9 cm) (sight)

colour silkscreen

signed lower right

9 × 11 in (22.9 × 27.9 cm) (sight)

gouache on paper

signed lower right, titled upper centre

19.25 × 25.5 in (48.9 × 64.8 cm) (sight)

colour etching and aquatint

signed, titled, dated 1978 and inscribed “H/C” in the lower margin

11.75 × 14.5 in (29.8 × 36.8 cm) (sight)

watercolour

signed and dated 1983 lower right; titled on a gallery label on the reverse

22 × 30 in (55.9 × 76.2 cm) (sheet)

watercolour

signed and dated June 3, 1977 lower right

22 × 29.5 in (55.9 × 74.9 cm) (sheet)

acrylic on paper

signed and dated 1977 lower right

23 × 32 in (58.4 × 81.3 cm) (sheet)

two watercolours

“Roosters” (watercolour, signed lower left); “Ducks and Geese” (watercolour, signed and dated indistinctly lower left)

2.75 × 2.25 in (7.0 × 5.7 cm) (each sight)

three lithographs

each signed and inscribed “B.A.T” (bon à tirer) lower left

15 × 22 in (38.1 × 55.9 cm) (sheet)

three lithographs

each signed and inscribed “B.A.T” (bon à tirer) lower left

15 × 22 in (38.1 × 55.9 cm) (sheet)

etching and drypoint

signed, dated 1948 and numbered 6/50

6.5 × 8.75 in (16.5 × 22.2 cm) (plate size)

offset lithograph

signed and numbered 12/950 in the lower margin

13.5 × 20.5 in (34.3 × 52.1 cm) (subject)

watercolour

signed lower right

12 × 9 in (30.5 × 22.9 cm) (sight)

pair of watercolours

“Forest Scene” - signed lower right (15.5 ins x 14 ins [sight]); “Forest Interior” - signed lower right (9.75 ins x 13.75 ins [sight])

15.5 × 14 in (39.4 × 35.6 cm) (largest)

watercolour

signed lower right

7.25 × 10.5 in (18.4 × 26.7 cm) (sight)

double-sided sepia drawing

signed recto; signed and stamped by the estate of the artist verso; framed and matted with both sides of the paper visible

12 × 9 in (30.5 × 22.9 cm)

silkscreen on veneer

signed within the plate

9.5 × 11.25 in (24.1 × 28.6 cm) (sight)

silkscreen on veneer

signed within the plate lower right

9.5 × 11.25 in (24.1 × 28.6 cm) (sight)

silkscreen on veneer

signed within the plate lower right

9.5 × 11.25 in (24.1 × 28.6 cm) (sight)

silkscreen on veneer

signed within the plate lower right

9.5 × 11.25 in (24.1 × 28.6 cm) (sight)

lithograph

signed and titled in the lower margin; edition of 200, originally published in a portfolio entitled “Lithographs of Ontario” by Charles Goldhamer & Tom Stone of Toronto (per D & E Lake Ltd. Fine Arts label verso), a photocopy of the introduction to the portfolio attached verso

10.5 × 8 in (26.7 × 20.3 cm) (plate size)

watercolour

signed lower right

14 × 10.25 in (35.6 × 26.0 cm) (sight)

watercolour

signed lower right

11 × 9 in (27.9 × 22.9 cm)

colour serigraph

10 × 8.25 in (25.4 × 21.0 cm) (sight)

etching

dated 1938 within the plate; inscribed “to Mrs. & Miss Switzer. Compliments, etcher” in the lower margin

4 × 5.5 in (10.2 × 14.0 cm) (plate size)

oil on paper

signed at the left edge

15.5 × 22.5 in (39.4 × 57.1 cm)

single autographic print

signed, dated 1956 and inscribed 1-1 in the lower margin; signed, titled and dated 1956 on the reverse; unframed

25 × 18.75 in (63.5 × 47.6 cm) (sheet)

monoprint

signed, titled and dated 1998 along the lower edge; unframed

30 × 21 in (76.2 × 53.3 cm) (sheet)

mixed media on paper

17.25 × 17.25 in (43.8 × 43.8 cm) (subject)

colour photograph

signed, titled and numbered 1/9 in the lower margin

20 × 19.25 in (50.8 × 48.9 cm) (sight)

colour serigraph

signed, titled, dated 1979, and numbered 27/50 in the lower margin; unframed

22 × 19 in (55.9 × 48.3 cm) (sheet)

colour lithograph

signed and numbered 23/70; dated 17.10.1968 in reverse in the lower left plate

19.75 × 25.5 in (50.2 × 64.8 cm) (sheet)

colour lithograph

signed, dated 1961 and numbered 42/75 in the lower margin

13.5 × 18 in (34.3 × 45.7 cm) (subject)

colour etching

signed, titled and numbered 1/1 in the lower margin

17.25 × 19.25 in (43.8 × 48.9 cm) (subject)

lithograph

signed and numbered 18/200 within the subject in pencil

17.5 × 15 in (44.5 × 38.1 cm)

colour serigraph

signed and numbered 32/99 in the margin; unframed (matted)

20 × 16 in (50.8 × 40.6 cm) (subject)

mixed media print

signed lower right; the artist’s stamp lower left; unframed

15.5 × 12 in (39.4 × 30.5 cm) (sheet)

mixed media print

signed lower right; unframed

15 × 12 in (38.1 × 30.5 cm) (sheet)

serigraph

signed, titled and dated 1956 in the plate; signed, dated 1972 and numbered 52/150 in the lower margin

22 × 13.5 in (55.9 × 34.3 cm)

coloured lithograph

signed, titled, dated 1961 and numbered 19/25 in the lower margin; unframed

21.5 × 15 in (54.6 × 38.1 cm) (sheet)

colour lithograph

signed and numbered 194/350 in the lower margin

23 × 18 in (58.4 × 45.7 cm) (image)

colour etching with gold application

signed and numbered 51/300 in the lower margin

22.5 × 30 in (57.1 × 76.2 cm) (sheet)

pencil drawing

signed in the lower left margin

5.5 × 7.5 in (14.0 × 19.1 cm) (subject)

pencil drawing

signed in the lower left margin

7.5 × 7.25 in (19.1 × 18.4 cm) (subject)

colour silkscreen laid down on paper

signed, titled and numbered 3/25 lower right; unframed (condition noted: surface scuffs, denting and a puncture present at the upper edge; artwork sold “as is” and not subject to return)

20 × 28 in (50.8 × 71.1 cm) (sheet)

colour silkscreen

signed and numbered 97/100 in the lower margin; unframed

29.25 × 37 in (74.3 × 94.0 cm) (sheet)

colour etching

signed and dated 1973 in the lower margin; titled on the reverse; unframed

23 × 21.25 in (58.4 × 54.0 cm)

sampson-matthews silkscreen

40 × 30 in (101.6 × 76.2 cm)

sampson-matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

sampson-matthews silkscreen

30 × 39.5 in (76.2 × 100.3 cm)

sampson-matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

silkscreen

stamped on the reverse “Serigraphic Process Display, Made in Canada by Display Division, Department of Public Relations, Canadian Pacific, Montreal, If soiled, clean with damp cloth”

24 × 30 in (61.0 × 76.2 cm)

sampson-matthews silkscreen

30.5 × 40.5 in (77.5 × 102.9 cm)

four colour serigraphs

each signed with initials, titled and numbered: “In the Islands, Georgian Bay” AP 34/60; “Sunshine After Rain” AP 35/60; “Farm House” AP 36/60; “Autumn on the York River” AP 35/60; each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

three colour serigraphs

each signed with initials, titled and numbered: “Moose Lake” AP 31/60; “The Village Store” AP 34/60; “Crescendo” AP 36/60; each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

book

Hugues de Jouvancourt (Translation and Adaptation by Nancy Côté), Editions la Fregate, Montreal, 1971, from an edition of 200; in the original slip cover

12.5 × 10.75 in (31.8 × 27.3 cm) (overall)

seven books

“Thépot” (Collection Prisme, Paris, 1972); “Jean Paul Riopelle” (Robert Miller Gallery, 2005); “Fernand Leduc de 1943 à 1985” (Musée de Beaux-Arts de Chartres, 1985); “Rita Letendre: The Montreal Years 1953-1963” (Concordia Art Gallery, Montreal, 1989); “Riopelle: the sixties” (Didier Imbert Fine Art, Paris, 1994); “The Automatiste Revolution” (Nasgaard & Ellenwood, Vancouver/Toronto/Berkeley, 2009); “Bellefleur” (Guy Robert, Montreal, 1988)

five books

“Paul-Émile Borduas” (François-Marc Gagnon, Montreal, 1988); “1920s Modernism in Montreal: The Beaver Hall Group” (Montreal Museum of Fine Arts, 2015); “Morrice: The A.K. Prakash Collection in Trust to the Nation” (Katerina Atanassova, Ottawa, 2017); “Jewish Painters and Modernity, Montreal 1930-1945” (Esther Trépanier, Montreal, 1987); “The Women of Beaver Hall” (Evelyn Walters, Toronto, 2005)

seven books

“Light for a Cold Land: Lawren Harris’s Work and Life - An Interpretation” (Peter Larisey, Toronto, 1993); “Emily Carr: New Perspectives on a Canadian Icon” (Hill, Lamoureux & Thom [curators], National Gallery of Canada/Vancouver Art Gallery, 2006), “André Bieler at the Crossroads of Canadian Painting (Les Presses de L’Université Laval, 2004); “Climbing the Cold White Peaks: A survey of artists in and from Hamilton 1910-1950” (Stuart MacCuaig, Hamilton, 1986); “Jori Smith: A Celebration” (Concordia University, 1997); “Harold Town: Drawings” (McClelland and Stewart Limited, Toronto/Montreal, 1969); “David Urban: “The Constructor”” (Michael Gibson Gallery, 2005)

two books

“Karsh Portraits” (University of Toronto Press, Toronto, 1976, within the original jacket, signed and dated 1976 by Yousuf Karsh); “Portraits of Greatness” (Thomas Nelson and Sons, London and Edinburgh, 1960, signed and dated ‘Sept. 23rd, 1973’ upon an insert; also signed and inscribed to a former owner of the book)

six books

“A Dictionary of Canadian Artists” (compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd., Ottawa), vols. 1, 2, and 4 are 1st editions, vols. 3, 5, and 6 are 3rd editions

seven books

“Someone With Me: The Autobiography of William Kurelek” (William Kurelek, Toronto, 1982); “Walter J. Phillips: A Selection of His Works and Thoughts” (Michael J. Gibson, National Gallery of Canada, 1978); “Canada: Painted by T. Mower Martin, Described by Wilfred Campbell” (Wilfred Campbell, London, 1906); “Colour in the Canadian Rockies” (Walter J. Phillips and Frederick Niven, Toronto, 1937); “Mildred Valley Thornton: An Exhibition of Painting & Watercolours” (Butler Galleries, Vancouver, 1985); “An Artful Life: A Biography of D.H. Kahnweiler” (Pierre Assouline, New York, 1990); “Fields: Paintings by William Kurelek” (Tundra Books, Montreal, 1976)

seven books

“The Birth of the Modern: Post-Impressionism in Canadian Art. c. 1900-1920” (Joan Murray, Oshawa, 2001); “A Canadian Art Movement: The Story of the Group of Seven” (F.B. Housser, Toronto, 1974); “J.E.H. MacDonald: A Biography & Catalogue of his Work” (E.R. Hunter, Toronto, 1940); “Enjoying Canadian Painting” (Patricia Godsell, Don Mills, 1976); “Frederick H. Varley” (Peter Varley, Toronto, 1983); “Couleur et Lumière: les paysages de Cullen et de Suzor-Coté” (Louise Beaudry, Laval, 1991); Krieghoff (Hugues de Jouvancourt, Montreal, 1971)

eight books

“Abstract Painting in Canada” (Roald Nasgaard, Vancouver, 2007); “York Wilson” (Paul Duval, Ottawa, 1978); “Posters of the Canadian Pacific” (Marc C. Choko and David L. Jones, 2004); “Présences du réel” (Éditions du Noroît, 1983); “Goodridge Roberts” (Sandra Paikowsky, Kleinburg, 1998); Form and Figure (Pierre B. Landry, Ottawa, 1989); “Somewhere Waiting: The life and art of Christiane Pflug” (Ann Davis, Toronto, 1991); “Canadian Painting 1850-1950” (National Gallery of Canada, 1967)

six books

“A Treasury of Art Masterpieces: From the Renaissance to the Present Day” (Thomas Craven (ed.), New York, 1958); “W.H. Coverdale Collection of Canadiana” (W. Martha E. Cooke, Ottawa, 1983); “Cineplex Odeon: The First Ten Years” (David Burnett, Toronto, 1989); Canadian Landscape Painting, 1670-1930 (R.H. Hubbard, Madison, 1973); “Building the Rideau Canal: A Pictorial History” (Robert W. Passfield, Don Mills, 1982); Old Montreal with Pen and Pencil (Victor Morin, Canadian Pacific Railway, 1929)

book and lithograph

“Jack Chambers” (Toronto, Nancy Poole Studios, 1978); contains a lithograph of daffodils (signed, numbered 229/300 and dated 77 in the lower margin)

12.5 × 12.5 in (31.8 × 31.8 cm)

book

signed by Yousef Karsh on the title page; Yousef Karsh, University of Toronto, 1978

12.25 × 9.75 × 1 in (31.1 × 24.8 × 2.5 cm) (overall)

book

Toronto: Art Gallery of Ontario, 1987; inscribed “Alex Colville 23 May 92” on page 5

10 × 9.75 × 0.75 in (25.4 × 24.8 × 1.9 cm) (overall)

book

Louis Hemon, “Maria Chapdelaine” (with illustrations by Clarence Gagnon), Paris, 1933, leather bound volume, numbered 1887 of 1900

10.25 × 8.5 in (26.0 × 21.6 cm)

plaster bust on a wooden base

signed, titled and inscribed to a previous owner “Christmas ‘57” on the underside of the wooden base; sold together with a copy of “The Girls: A Biography of Fraces Loring & Florence Wyle” (Rebecca Sisler, Clarke, Irwin & Company Limited, Toronto/Vancouver, 1972)

7 × 5 × 5 in (17.8 × 12.7 × 12.7 cm) (overall (excluding base))

mixed media on paper

signed and dated “Dec. 1995” (twice) lower right

21.25 × 23.5 in (54.0 × 59.7 cm) (sight)

watercolour

signed and dated 1968 lower right

22 × 14.5 in (55.9 × 36.8 cm)

3 works on paper laid down on board

“Falling Spruce” (oil pastel over watercolour; signed lower left; 20.5 ins x 25 ins); “Abstract Landscape” (watercolour; signed lower right; 28 ins x 19.25 ins); “Thistles” (black ink; signed lower right; 19 ins x 24.25 ins); unframed; condition noted

etching

signed at the lower center margin; unframed

14 × 13.75 in (35.6 × 34.9 cm) (sheet)

serigraph

signed and numbered 106/250 in pencil in the lower margin

37 × 37.5 in (94.0 × 95.3 cm) (subject)

copperplate etching on paper

signed and numbered 10/99

15 × 11 in (38.1 × 27.9 cm) (sheet)

colour lithograph

signed “Hayden”, dated 1968 and numbered 53/75 in the lower margin

15 × 18.5 in (38.1 × 47.0 cm) (subject)

pastel on red paper

signed, titled, dated “Ottawa, 1986” and certified “26.09.05” verso by Michael Hood (son of the artist)

11.75 × 8.75 in (29.8 × 22.2 cm) (sight)

pair of photolithographic reproductions

“Whistler’s House at Old Chelsea”- signed Seymour Haden, titled and dated 1863 within the plate (5.5 ins x 10.25 ins); “Landscape”- signed St. Popescu and dated “’27” within the plate (8 ins x 6 ins)

5.5 × 10.25 in (14.0 × 26.0 cm) (largest)

engraving

7 × 10.25 in (17.8 × 26.0 cm) (subject)

gouache

signed lower right; titled on a gallery label on the reverse

30.75 × 22.75 in (78.1 × 57.8 cm) (sheet)

colour etching

signed, titled and numbered 83/100 in pencil in the lower margin

23 × 32 in (58.4 × 81.3 cm) (image)

watercolour

signed, titled and dated “September 3 1977” lower left

10 × 14 in (25.4 × 35.6 cm) (sight)

colour lithograph

printed inscriptions: “H.D. Thielcke pinxt. Historical Portrait Painter to H.R.H. the late Duchess of York”; “Published for the Proprietor by Messrs. Colnagnhi & Puckle, Cockspur St. 1st of July 1841”; “On Stone by H. Lynch, Day & Haghe Lithrs. to the Queen” and “Dedicated by special permission to Her Majesty Adelaide the Queen Dowager by Her very grateful humble servants, H.D. Thielcke”

18.75 × 15.5 in (47.6 × 39.4 cm) (plate size)

acrylic on paper

initialed lower right

24.5 × 24.5 in (62.2 × 62.2 cm) (image)

serigraph

signed, titled and numbered 102/270 in pencil in the lower margin

20 × 20 in (50.8 × 50.8 cm) (image)

silkscreen

signed, titled and numbered 9/10 in pencil in the lower margin

17 × 21 in (43.2 × 53.3 cm) (image)

mixed media on paper

signed lower right

19.25 × 15 in (48.9 × 38.1 cm) (sight)

pair of signed posters

“Cape Spear”- signed, dated 1984 and inscribed “For Juan and Margaret” towards the lower edge (23.75 ins x 34.5 ins); “David Blackwood”- signed, dated 1991 and inscribed “For Juan and Margaret, Best Wishes” towards the lower edge (20.5 ins x 38.5 ins)

colour photolithograph

inscribed “W. Kurelek”, initialed by the wife of the artist (J.K.) and numbered 191/225 in the lower margin; unframed (matted)

12 × 9.5 in (30.5 × 24.1 cm) (subject)

colour photolithograph

inscribed “W. Kurelek”, initialed by the wife of the artist (J.K.) and numbered 117/225 in the lower margin

15 × 11.5 in (38.1 × 29.2 cm) (sight)

colour screenprint

signed, titled and numbered 166/200 in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm)

colour screenprint

signed, titled and numbered 151/200 in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

colour screenprint

signed, titled and numbered 167/200 in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

colour etching

signed, titled, numbered 9/50 and inscribed “Royal Wulff” & “Salmon Hamburg”; unframed (matted)

9.75 × 23.75 in (24.8 × 60.3 cm) (plate size)

silkscreen

signed, titled, numbered and dated 2003 in pencil in the lower margin

28 × 32.5 in (71.1 × 82.5 cm) (image)

serigraph

signed, titled and numbered in the lower margin

28.5 × 20 in (72.4 × 50.8 cm) (image)

gouache and ink

17.5 × 25 in (44.5 × 63.5 cm) (sight)

colour print on arches rag paper

signed, titled and numbered 47/99 in the lower margin

24 × 18.5 in (61.0 × 47.0 cm) (sight)

mixed media drawing

signed, titled and dated 1983 lower right

10.75 × 14.5 in (27.3 × 36.8 cm) (sight)

lithograph

signed, titled, dated 1988 and numbered 47/150; unframed

20 × 26 in (50.8 × 66.0 cm) (sheet)

serigraph

signed, titled and numbered 90/120

15.5 × 19.25 in (39.4 × 48.9 cm) (sight)

stonecut

inscribed “Syoolie Awp/ Annie Amamatuak”, titled, dated 1976, numbered 27/30, inscribed “Povungnituk” and inscribed in syllabics in the lower margin; unframed

18 × 23.5 in (45.7 × 59.7 cm) (sheet)

colour lithograph

signed, titled, dated 2000 and inscribed “A/P” in the lower margin

14.5 × 11 in (36.8 × 27.9 cm) (sheet)

mixed media print

signed lower right; unframed (shinkwrapped)

15.25 × 12 in (38.7 × 30.5 cm) (sheet)

mixed media print

signed lower right; unframed (shrinkwrapped)

15.5 × 12 in (39.4 × 30.5 cm) (sheet)

mixed media drawing

signed, titled and dated 1981 lower right

29.5 × 22 in (74.9 × 55.9 cm) (sight)

mixed media drawing

signed, titled and dated 1981 lower right

29.5 × 21.75 in (74.9 × 55.2 cm) (sight)

colour serigraph

signed, titled, and inscribed “Artist’s Proof” in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

colour serigraph

signed, titled, and inscribed “Artist’s Proof” in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

acrylic on paper

signed lower right; unframed

22 × 30.5 in (55.9 × 77.5 cm)

colour lithograph

signed, titled, dated 1974 and numbered 9/25 in the lower margin; unframed (shrinkwrapped)

22.25 × 30 in (56.5 × 76.2 cm) (sheet)

colour serigraph

signed, titled, dated 1979 and numbered 143/150 in the lower margin; unframed

22 × 32 in (55.9 × 81.3 cm) (sheet)