December Auction of Canadian & International Art (Online Auction)

watercolour

signed and titled lower right

11.25 × 23 in (28.6 × 58.4 cm)

pair of oils on board

“Log Bar Near Ottawa”- initialed lower right, signed and titled on the reverse; “Trees in Winter Newmarket”- initialed lower right, signed and titled on the reverse

4 × 4.5 in (10.2 × 11.4 cm) (each)

oil on board

signed lower right; titled with the estate stamp on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

oil on canvas board

signed lower right; title and estate stamp on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

watercolour

signed lower right; titled on the artist’s label on the reverse

11 × 14.5 in (27.9 × 36.8 cm)

pencil and watercolour on sketchbook paper

signed lower right

4.75 × 6.5 in (12.1 × 16.5 cm) (image)

mixed media

graphite, colour pencil, and watercolour on paper; signed and titled in the lower margin

6 × 8.75 in (15.2 × 22.2 cm) (sheet)

watercolour

signed and dated 1980 lower right

30 × 22 in (76.2 × 55.9 cm) (sheet)

oil on canvas board

signed lower right; titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

watercolour

signed, dated and inscribed “14” upper right

10 × 11 in (25.4 × 27.9 cm)

acrylic on board

signed and dated 1977 lower right; signed, titled, dated 1977 and inscribed “Whitehorse-Yukon” on a copy of a label affixed to the reverse

16.5 × 24 in (41.9 × 61.0 cm)

oil on canvas

signed lower left; signed and dated 1927 on the stretcher

15 × 18 in (38.1 × 45.7 cm)

oil on canvas

signed lower right; signed, titled and dated “Feb. 83” on the reverse

18 × 24 in (45.7 × 61.0 cm)

oil on canvas

signed and dated 1981 lower right; signed, titled and dated “81-25” on the reverse

48 × 44 in (121.9 × 111.8 cm)

three colour serigraphs

each signed with initials, titled and numbered (”Moose Lake” AP 33/60; “Annables General Store” AP 39/60; “Morning on the Key River” AP 39/60); each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

three colour serigraphs

each signed with initials, titled and numbered (”Below Ragged Falls” AP 35/60; “Winter Sun” AP 38/60; “Sunshine After Rain” AP 37/60); each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

three colour serigraphs

each signed with initials, titled and numbered (”Early Snow” AP 38/60; “Approaching Thunderstorm” AP 33/60; “Sunlit Island” AP 34/60); each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

acrylic on canvas

signed lower right; signed and titled on the reverse

7.5 × 9.5 in (19.1 × 24.1 cm)

mixed media on paper

signed lower right

10.5 × 13.5 in (26.7 × 34.3 cm) (sight)

oil on canvas board

signed lower left

12 × 16 in (30.5 × 40.6 cm)

oil on canvas board

signed lower right; inscribed “Storm Over Toronto Bay; West Wind Blow on Toronto Bay c. 1939” on the reverse

8.5 × 10.5 in (21.6 × 26.7 cm)

oil on board

signed lower left; a portrait of a woman on the reverse

12 × 16 in (30.5 × 40.6 cm)

colour serigraph

signed, titled and numbered 48/178 in the lower margin

15.25 × 15.25 in (38.7 × 38.7 cm)

two pen and ink drawings

“Dundas Road” (titled lower right; 3.75 x 5 ins sight); “Thornill” (3.5 ins x 5.25 ins sight); each unframed (matted)

three pen and ink drawings

“Richmond Hill” (titled lower left; 3.25 ins x 4.75 ins sight); “School House” (3.5 ins x 4.5 ins sight); “Rural Church” (dated 1969 lower right; 3.5 ins x 2.25 ins sight); each unframed (matted)

no-medium

signed lower right; dated “Nov. 9, 1946” lower left; a certification from the artist’s son accompanies this artwork

12 × 9 in (30.5 × 22.9 cm)

oil on canvas

signed lower right

11 × 16 in (27.9 × 40.6 cm)

two Sampson Matthews silkscreens

20 × 26 in (50.8 × 66.0 cm)

oil on board

signed with initials “J.H” and dated 1900 lower right

5.5 × 8.5 in (14.0 × 21.6 cm)

oil on board

signed lower right; signed, titled and dated 1941 on the reverse

8.5 × 10.5 in (21.6 × 26.7 cm)

watercolour

10.75 × 16.75 in (27.3 × 42.5 cm)

watercolour

signed and dated 1894 lower left

9.5 × 12.5 in (24.1 × 31.8 cm)

watercolour

signed and dated 1873 lower right

5.25 × 7 in (13.3 × 17.8 cm) (sight)

oil on canvas

signed lower left; titled on the reverse

8 × 10 in (20.3 × 25.4 cm)

watercolour

signed lower left

5 × 8.5 in (12.7 × 21.6 cm) (sight)

watercolour

signed and dated 1877 lower right

6.5 × 10 in (16.5 × 25.4 cm) (sight)

oil on board

8 × 11.5 in (20.3 × 29.2 cm)

watercolour

signed lower right

13.75 × 19.5 in (34.9 × 49.5 cm) (sight)

oil on canvas

signed and dated 1863 lower left

18 × 15 in (45.7 × 38.1 cm)

watercolour

signed lower right; titled and dated on the reverse

13.75 × 20.5 in (34.9 × 52.1 cm)

watercolour

signed and dated 1897 lower right

12.5 × 18.75 in (31.8 × 47.6 cm) (sight)

oil on canvas

signed lower right; signed, titled and dated 1987 on the reverse

18 × 24 in (45.7 × 61.0 cm)

oil on board

signed and dated “08-20-85” lower right; signed, titled and dated on the reverse

8 × 12 in (20.3 × 30.5 cm)

oil on board

signed lower left

8 × 10 in (20.3 × 25.4 cm)

oil on board

signed lower left

18 × 24 in (45.7 × 61.0 cm)

oil on board

signed lower left; titled on the artist’s label on the reverse

16 × 24 in (40.6 × 61.0 cm)

oil on canvas board

signed lower left

12 × 10 in (30.5 × 25.4 cm)

watercolour

signed lower centre

15 × 11 in (38.1 × 27.9 cm) (sight)

watercolour

signed lower right

10 × 12.5 in (25.4 × 31.8 cm) (sight)

oil on board

signed and dated 1927 on the reverse

9.25 × 13 in (23.5 × 33.0 cm)

oil on canvas

signed lower right

20 × 24 in (50.8 × 61.0 cm)

oil on board

signed lower right

22.25 × 15 in (56.5 × 38.1 cm)

oil on board

signed lower right; Estate Inventory Number 1485

12 × 16 in (30.5 × 40.6 cm)

oil on canvas board

signed lower left

8 × 10 in (20.3 × 25.4 cm)

oil on board

signed lower left

24 × 30 in (61.0 × 76.2 cm)

pencil sketch

signed lower right

2.75 × 3.25 in (7.0 × 8.3 cm)

oil on board

signed lower right

14 × 17.5 in (35.6 × 44.5 cm)

oil on board

signed lower right; titled on the reverse

7.5 × 9.75 in (19.1 × 24.8 cm)

oil on canvas board

signed lower right

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed lower right

10 × 12 in (25.4 × 30.5 cm)

oil on canvas

signed lower left; signed, titled and dated 1971 on the reverse

20 × 26 in (50.8 × 66.0 cm)

oil on board

signed lower right; titled on the reverse; unframed

11 × 8.5 in (27.9 × 21.6 cm)

two miniature watercolours

the first signed with initials lower right; signed, dated 1944 and inscribed “This 200-Year-Old Mill on the Levis St., Lambert, P.Q. Highway Still Grinds Grain” on the reverse of the framing; the second signed with initials lower left; signed, dated 1944 and inscribed “An Old French Habitant Home on the Montreal Oka Highway, at St. Eustache, P.Q.-Canada” on the reverse of the framing; both insribed “This is a Genuine Watercolour and a Hand Carved Frame” on the reverse of the framing

2 × 2.25 in (5.1 × 5.7 cm) (sight)

assorted media on paper (4)

“Joseph Sketching” (ink and watercolour on paper, signed, titled and dated 1949 in the lower margin - 9.25 x 6.75 ins); “Shoppers” (ink on paper, signed, titled and dated 1952 in the lower margin - 9.25 x 7 ins); “Checkers” (signed, titled and dated 1959 in the lower margin - 7.25 x 9.25 ins); “The Field” -(ink and watercolour on paper, signed, titled and dated 1957 in the lower margin - 7.25 x 9.25 ins); unframed

assorted media on paper (4)

“Art Class” (ink and watercolour on paper, signed, titled and dated 1949 in the lower margin - 6.75 x 9 ins); “Yankel” (watercolour on paper, signed, titled and dated 1950 in the lower margin - 9.25 x 6.75 ins); “Friends” (ink on paper, signed, titled and dated 1955 in the lower margin - 9.25 x 7.25 ins); “Hop Scotch/Untitled” (double sided ink on paper, signed, titled and dated 1952 in the lower margin; signed, dated 1952 lower right on the reverse - 9.25 x 7 ins); unframed

assorted media on paper (2)

“Indians in the Market (studies in pencil on paper, titled and inscribed “5 am Cristobal, 2.V.62, Las Casas, Chiapas, Mexico” along the lower edge - 11 ins x 8.5 ins); “Three Men Chatting (study in watercolour and pastel, signed and dated 1962 lower left; dated “July 1962” with size notations in lower right margin; on the reverse “Landscape” in watercolour - 13 x 19.5 ins) unframed

coloured pencil on paper

signed with initials lower right; dated “15.6.51” in the lower margin

8.75 × 11.5 in (22.2 × 29.2 cm)

watercolour

signed lower right

24 × 18 in (61.0 × 45.7 cm)

Sampson Matthews silkscreen

“Painted by Emily Carr”, “Issued by the National Gallery of Canada, Ottawa” and title printed in the lower margin; a Sampson Matthews label on the reverse; unframed

40 × 25.25 in (101.6 × 64.1 cm)

laid on card

11 × 13.5 in (27.9 × 34.3 cm)

Sampson Matthews silkscreen

Please note, this work has been trimmed from its original state (total reduction of 1/2 of an inch from the height; 1 1/2 inches from the width)

19.5 × 24.5 in (49.5 × 62.2 cm)

oil on canvas

signed lower right

16.25 × 20.25 in (41.3 × 51.4 cm)

oil on masonite

signed and titled on the reverse

24 × 30 in (61.0 × 76.2 cm)

oil on board

signed lower right; signed, titled and dated 1993 on the reverse

60 × 36 in (152.4 × 91.4 cm)

oil on canvas

signed lower right; titled on a label on the reverse

16 × 18 in (40.6 × 45.7 cm)

tempera

signed and titled on the matting

10.5 × 8.5 in (26.7 × 21.6 cm) (sight)

colour prints

“Friendly Haven”- signed and titled within the plate, 17.75 x 20.5 ins (sheet) (unframed); “Mount McKay- at the Leakehead”- signed and titled within the plate, 17.75 x 20.5 ins (sheet)(unframed); “Guelph in Summer”- signed and titled within the plate, 17.75 x 20.5 ins (sheet) (unframed); “Houseboats, Cabans (Quebec)”- signed and titled within the plate, 13 x 16.75 ins (sight); “Niagara, Horseshoe Falls”- signed and titled within the plate, 13 x 16.75 ins (sight); “Windmills on the Richelieu”- signed and titled within the plate, 13 x 16.75 ins (sight); “Ice Shanties on a Bright Day”- signed and titled within the plate, 13 x 16.75 ins (sight); “Quebec”- signed and titled within the plate, 5.75 x 7.5 ins (sight)

oil on canvas

signed lower right; signed and dated on the stretcher

10.75 × 13.75 in (27.3 × 34.9 cm)

etching

signed, titled, dated 1911 and inscribed “II” in the lower margin

3.5 × 2.5 in (8.9 × 6.3 cm)

pastel

signed with monogram lower left

4 × 5.5 in (10.2 × 14.0 cm) (sight)

pencil drawing

signed with initials upper right; titled and dated 1903 along lower edge; unframed (matted)

8.25 × 4.75 in (21.0 × 12.1 cm) (sight)

etching

signature and dated 1912 in the plate; signed in the lower margin; unframed (matted)

4 × 5.25 in (10.2 × 13.3 cm) (subject)

graphite drawing

framed with a former label which is titled and dated 1939

11 × 8 in (27.9 × 20.3 cm)

oil on canvas board

signed lower right

12 × 16 in (30.5 × 40.6 cm)

oil on board

signed lower right

12 × 18 in (30.5 × 45.7 cm)

ballpoint on paper

signed lower right

6.5 × 10.5 in (16.5 × 26.7 cm) (sight)

etching

signed with initials in the lower right plate

7 × 8 in (17.8 × 20.3 cm) (sheet)

oil on canvas board

signed lower right; signed and titled on the reverse

6 × 8 in (15.2 × 20.3 cm)

oil on canvas board

signed lower left; titled on the reverse

6 × 8 in (15.2 × 20.3 cm)

ink and wash

signed with initials and titled lower left; dated 1970 lower right

5 × 9.25 in (12.7 × 23.5 cm)

oil on canvas

signed lower left

8 × 10 in (20.3 × 25.4 cm)

oil on board

signed lower right; signed, titled and dated “12 Oct 1973” on the reverse

12 × 16 in (30.5 × 40.6 cm)

watercolour

signed lower right

4.25 × 5.75 in (10.8 × 14.6 cm) (sight)

oil on canvas

signed lower right

14 × 18 in (35.6 × 45.7 cm)

oil on board

signed lower left

10.5 × 14.25 in (26.7 × 36.2 cm)

oil on board

signed and dated 1990 lower right; titled on the artist’s label on the reverse

16 × 20 in (40.6 × 50.8 cm)

watercolour

signed and dated 1879 lower left

4.5 × 8.5 in (11.4 × 21.6 cm) (sight)

oil on board

signed and dated 1982 lower left; titled on the artist’s label on the reverse

12 × 16 in (30.5 × 40.6 cm)

watercolour

signed lower left

14.5 × 21.25 in (36.8 × 54.0 cm) (sight)

oil on board

signed lower left; signed, titled and dated 1936 on the reverse

30 × 36 in (76.2 × 91.4 cm)

oil on canvas

signed and dated 1895 lower left

14 × 22 in (35.6 × 55.9 cm)

silkscreen

signed within the plate

3.75 × 4.75 in (9.5 × 12.1 cm) (subject)

oil on board

signed lower left and dated “7-4-86” lower right

9 × 12 in (22.9 × 30.5 cm)

oil on board

signed lower left

8.5 × 10.5 in (21.6 × 26.7 cm)

pastel

signed lower right

11 × 8 in (27.9 × 20.3 cm)

colour screenprint

signed, titled and numbered 20/98 in the lower margin

14 × 16.5 in (35.6 × 41.9 cm) (subject)

book

Oxford University Press, London/Toronto/New York, 1941, signed by Emily Carr

oil on canvas board

signed lower right

7.5 × 9.5 in (19.1 × 24.1 cm)

oil on canvas board

signed lower right; titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on board

signed with initials lower left

24 × 18 in (61.0 × 45.7 cm)

oil on canvas

signed lower right; signed, titled and dated 2007 on the reverse

30 × 40 in (76.2 × 101.6 cm)

oil on canvas

signed lower left

9 × 11 in (22.9 × 27.9 cm)

oil on board

signed lower left

22 × 27.75 in (55.9 × 70.5 cm)

watercolour

signed lower left

22 × 34.5 in (55.9 × 87.6 cm)

oil on canvas

signed and dated 1893 lower right

20 × 30 in (50.8 × 76.2 cm)

oil on board

signed lower left

8.75 × 10.25 in (22.2 × 26.0 cm)

colour lithograph

signed with monogram within the plate; signed, titled and numbered 42/50 in the lower margin

15.25 × 22 in (38.7 × 55.9 cm) (subject)

oil on canvas board

signed lower left; titled on the reverse

16 × 12 in (40.6 × 30.5 cm)

etching

signed and numbered 15/60 in the lower margin; unframed

30 × 24.25 in (76.2 × 61.6 cm) (sheet)

colour etching and aquatint

signed, titled, dated 1979 and numbered 37/50 in the lower margin; unframed

24.5 × 20.5 in (62.2 × 52.1 cm) (sheet)

lithograph

signed, titled and numbered “7/25” in the lower margin; unframed

22.25 × 26.25 in (56.5 × 66.7 cm) (sheet)

ink on paper

signed and dated 1993 lower right

23.5 × 17.75 in (59.7 × 45.1 cm) (sheet)

acrylic and collage

signed lower right

30 × 36 in (76.2 × 91.4 cm)

pair of oils on board

“Abstract Mountain Landscape”- signed lower left; “Forest Landscape”- signed lower right; unframed

18 × 24 in (45.7 × 61.0 cm)

pair of oils on board

“Reeds in a Marsh”- signed lower left; “Spruces”- signed lower right; unframed

18 × 24 in (45.7 × 61.0 cm)

pair of oils on board

“Burnt Spruces in the Mountains” (signed lower left; 18 ins x 24 ins); “Thistle” (signed lower left; 24 ins x 36 ins); unframed

acrylic on canvas

signed lower right; signed on the stretcher; unframed

36 × 30 in (91.4 × 76.2 cm)

oil on canvas

signed lower right

24 × 32 in (61.0 × 81.3 cm)

ink on paper

signed lower right; lot sold with accompanying text “The Man in the Little Black Dress: The Fantastical Travel Adventures of Father De Menu”, unpaginated, imaged reproduced plate 8

7.5 × 10.5 in (19.1 × 26.7 cm) (sight)

oil on masonite

signed lower left, titled and dated on the reverse

16 × 19.75 in (40.6 × 50.2 cm)

oil on canvas

signed lower right; signed and titled on the reverse

48 × 36 in (121.9 × 91.4 cm)

colour serigraph

signed, titled and numbered 135/250 in the lower margin

26.75 × 20.75 in (67.9 × 52.7 cm) (sight)

colour serigraph

signed, titled, dated 1977 and numbered 32/85 in the lower margin

22 × 18 in (55.9 × 45.7 cm) (sight)

silkscreen

signed, titled, dated 1997 and numbered 8/10 in the lower margin; unframed (matted)

30 × 22 in (76.2 × 55.9 cm)

mixed media on paper

signed and dated 1975 lower right; titled lower left

13.5 × 9.5 in (34.3 × 24.1 cm)

gouache

signed lower right; titled on the reverse; unframed

22.75 × 30.25 in (57.8 × 76.8 cm)

mixed media on paper

signed lower right

22.5 × 30.5 in (57.1 × 77.5 cm)

oil on board

signed upper left

20 × 16 in (50.8 × 40.6 cm)

colour lithograph

signed, titled, dated 1994, numbered 1/7 and inscribed “Water Mark Series” in the lower margin

26 × 13.5 in (66.0 × 34.3 cm) (subject)

colour lithograph

numbered 108/150

13 × 10.75 in (33.0 × 27.3 cm) (sight)

bronze sculpture

initialed at base; inscribed indistinctly on base

12.5 × 8.75 × 6 in (31.8 × 22.2 × 15.2 cm) (overall)

colour lithograph

signed and numbered 109/950 in the lower margin

12 × 29.75 in (30.5 × 75.6 cm)

pencil drawing

signed and dated 1950 lower right

22 × 17.5 in (55.9 × 44.5 cm) (sight)

oil on canvas

signed and dated 1973 lower right

20 × 24 in (50.8 × 61.0 cm)

oil on canvas

signed lower right

30 × 40 in (76.2 × 101.6 cm)

oil on canvas board

signed (twice) along the lower edge; signed, titled, dated “Jan. 1964” on the reverse

12 × 16 in (30.5 × 40.6 cm)

ink and watercolour

signed and dated 1972 lower right

7.25 × 5.25 in (18.4 × 13.3 cm)

watercolour

signed and dated 1967 lower left

27 × 36.5 in (68.6 × 92.7 cm) (sheet)

watercolour

signed and dated 1965 lower left

17 × 23 in (43.2 × 58.4 cm) (sight)

colour silkscreen

signed, dated 1968 and numbered 25/150 in the lower margin

19.25 × 23.75 in (48.9 × 60.3 cm) (sight)

colour linocut

signed and numbered 10/16 in the lower margin

23.5 × 15 in (59.7 × 38.1 cm) (sight)

colour serigraph

signed, titled and numbered 194/200 in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

watercolour

signed and dated 1960 lower left

23.5 × 17.75 in (59.7 × 45.1 cm) (sight)

oil on canvas

signed and dated on the reverse

34 × 44 in (86.4 × 111.8 cm)

acrylic on canvas

signed and dated “20-7-95” lower right; signed, titled and dated on the stretcher

34 × 40 in (86.4 × 101.6 cm)

colour stencil

signed, titled, dated 1981, numbered 8/8 and inscribed “M. Noah” in the lower margin; unframed (matted)

38 × 27.5 in (96.5 × 69.8 cm)

laid down on board

signed and dated 1983 lower right; signed, titled and dated on the reverse of the framing

15 × 10 in (38.1 × 25.4 cm)

pair of oils on fabric

each signed lower left

35.5 × 47.5 in (90.2 × 120.7 cm) (each)

one volume

Rous and Mann, Toronto, 1926; Reproductions of Important Canadian Paintings, including Cornelius Krieghoff, Otto Jacobi, Paul Kane, Daniel Fowler, William Brymner, Paul Peel, Blair Bruce, Frederick M. Bell-Smith, James Wilson Morrice and Tom Thomson. Introductory text by Eric Browne and biographical sketches by Fred Jacob; within its original portofolio

one volume

The National Gallery of Canada, first edition; Four Artists from Quebec (Paul V. Beaulieu, “Man with Puppet”; Ozias Leduc, “The Prayer”; Alfred Pellan, “Head”; Stanley Cosgrove, “Nude”, as well as a fifth: Goodridge Roberts, “Gatineau Landscape”); in its original portfolio

colour serigraph

“Thunder Bird”- signed, titled, dated “10/80” and numbered 78/200 lower right; “Humpback Whale”- signed, titled, dated “10/80” and numbered 166/200 in the lower margin

10.75 × 21 in (27.3 × 53.3 cm) (sight)

gouache

signed and dated “28 7 72” upper right

11.25 × 15 in (28.6 × 38.1 cm) (sight)

selection of ten items

“Catalogue of Inaugural Exhibition” (Art Gallery of Toronto, 1926) (2 Copies); “Catalogue of Original Cantelon Paintings of Norfolk Historical Scenes and Pioneer Citizens”; “A.J. Casson” (Brockville Civic Auditorium, May 8-22, 1977); “Works by F.W. Schilbach” (Lord Simcoe Art Galllery, Toronto); “Exhibition of Sculpture, Wood Carvings, Paintings and Drawings by Eleanor Milne” (The Art Department, New Brunswick Museum, Saint John); “Paul Rodrik” (Munroe House, Washington, D.C., 1976); “Peel Remembers: Artists from the Perkins Bull Collection” (Brampton Public Library and Gallery, 1984); “Bulletin for Month of October, 1936” (Art Gallery of Toronto, 1936); “Bulletin for Month of March, 1938” (Art Gallery of Toronto, 1938); “An Exhibition of Watercolour Drawings of Birds by Fenwick Lansdowne” (Tyron Gallery Ltd, London); “Wilfred Campbell: A Study in Late Provincial Victorianism” (Carl Frederick Klinck, 1943); “Douglas Bentham: Getting to Now” (Norman MacKenzie Art Gallery, University of Regina, 1980); “Announcing The Official Biography of Homer Watson” (Ryerson Press, 1937); “Walter J. Phillips: Printmaker” (Brampton Public LIbrary and Art Gallery, 1986) (26 Copies of the Invitation; 1 Black and White Photograph)

selection of thirteen items

Four Etchings (Initialed “S.T.”, Mary F. Wildman and a pair by Richardson Rome); six Christmas cards (5 signed by Edmund and Norma Walker”) and three colour reproductions (two depicting the work of Franz Johnston; one depicting the work of Nicholas Hornyasnky)

selection of thirty-three Canadian art books

“The Tangled Garden: The Art of JEH MacDonald” (Paul Duval, 1978); “The 19th Century Journals & Paintings of William Pope” (Harry B. Barrett, Toronto, 1976); “Group of Seven Drawings” (Paul Duval, 1965); “Canadian Art Today” (William Townsend, ed., 1970); “The Art of Alex Colville” (Helen J. Dow, 1972); “The Arts in Canada” (Malcolm Ross, ed., 1958); “The Face of Early Canada” (F. St. George Spendlove, 1958); “Pictures from the Douglas M. Duncan Collection” (Frances Barwick, 1975); “Set of Six Filmstrips: Artists of Canada” (Pamphlet); Three Volumes of “Here and Now” (Volumes 2, 3 and 4); “Canadian Art Magazine” (Winter 1963 Issue); “Tom Thomson (Canadian Artists Series)” (Albert H. Robson, The Ryerson Press, Toronto, 1939); “David Milne: The Toronto Year 1939-1940” (Marlborough Godard, 1976) (Six Copies); “Poems of Infinitum” (De Silaghi, 1975); “Fences” (Harry Symons, drawings by C.W. Jefferys, 1958); “An Anthology of Canadian Art” (R.H. Hubbard, ed., 1960); “Emily Carr: The Untold Story” (Edythe Hembroff-Schleicher, 1978); “The J.S. McLean Collection of Canadian Painting” (Art Gallery of Toronto, 1968); Eight Volumes of “Canadian Art Sales Index” (Wesbridge; 1977-80; 1980-81; 1983-84; 1984-85; 1986-87; 1991-92; 1996-96 and 1999-2000)

bronze sculpture

signed, numbered 1/7 and inscribed “MS” at base

12.5 × 12.5 × 9 in (31.8 × 31.8 × 22.9 cm) (overall)

oil on board

signed and dated 1947 upper left

13 × 11 in (33.0 × 27.9 cm)

oil on board

signed lower left; signed and titled on reverse.

24 × 36 in (61.0 × 91.4 cm) (image)

mixed media

signed and titled in the lower margin

17.5 × 25.5 in (44.5 × 64.8 cm) (sight)

oil on canvas

unframed

30 × 48 in (76.2 × 121.9 cm)

lithograph

signed and numbered 29/185 in the lower margin

25 × 18.75 in (63.5 × 47.6 cm) (sight)

colour screenprint

signed, titled, dated 2001 (MMI), numbered 16/40 and inscribed “with Otis Tamasauskas” in the lower margin

26.25 × 33 in (66.7 × 83.8 cm)

colour lithograph and collage

signed, titled, dated 1991, numbered “P.P. 2” and inscribed “Open Studio, Toronto” and “The Forest Sang, I ran for cover, the shadows were dark” in the lower margin

41 × 58 in (104.1 × 147.3 cm) (sheet)

acrylic on board

signed and dated 1987 lower right; signed, titled and dated 1987 on the reverse; sold together with “From the Wild: Portfolios of North America’s Finest Wildlife Artists” (edited by Christopher Hume) which showcases the work of multiple wildlife artists, including D’Angelo

13.5 × 27 in (34.3 × 68.6 cm)

acrylic on canvas

signed and dated 1988 lower right; signed, titled and dated 1988 on the reverse; sold together with “From the Wild: Portfolios of North America’s Finest Wildlife Artists” (edited by Christopher Hume) which showcases the work of multiple wildlife artists, including D’Angelo

16 × 24 in (40.6 × 61.0 cm)

oil on canvas

signed and dated 89 left; unframed

24 × 18 in (61.0 × 45.7 cm)

oil on canvas

23.5 × 17.5 in (59.7 × 44.5 cm)

watercolour

signed lower right

6 × 12.5 in (15.2 × 31.8 cm) (subject)

watercolour

signed lower right

6 × 12.5 in (15.2 × 31.8 cm) (subject)