September Auction of Canadian & International Art

oil on board

signed and dated 1968 lower right; inscribed “With love to Flory” on the artist’s label on the reverse

16 × 12 in (40.6 × 30.5 cm)

ink and watercolour

signed and dated 1972

8.25 × 5.25 in (21.0 × 13.3 cm)

ink and watercolour

signed and dated 1966 lower right

7 × 5.25 in (17.8 × 13.3 cm)

pastel

signed lower left

8 × 10 in (20.3 × 25.4 cm)

ink and wash

signed lower right and dated indistinctly lower left; signed, titled and dated 1960 on the reverse

12.5 × 15 in (31.8 × 38.1 cm)

oil on board

signed lower right; titled and inscribed “For Elsa” on the artist’s label on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on unstretched canvas

signed on the reverse

5 × 6.5 in (12.7 × 16.5 cm)

oil on canvas

signed and dated 1905 lower right

14 × 20 in (35.6 × 50.8 cm)

watercolour

signed lower left

15.5 × 9 in (39.4 × 22.9 cm)

watercolour

signed and dated 1887 lower left; titled on the reverse/ Please note: glass in frame is cracked and requires replacement

9.5 × 14.5 in (24.1 × 36.8 cm)

oil on canvas

signed lower left

9 × 24 in (22.9 × 61.0 cm)

two watercolours and one oil on canvas

the first watercolour signed lower left (9.5 x 16.5); the second watercolour signed lower right (9.5 x 16.5); the oil signed indistinctly lower left and relined (10 x 17)

9.5 × 16.5 in (24.1 × 41.9 cm)

oil on board

signed lower right

18 × 30 in (45.7 × 76.2 cm)

oil on board

signed lower right; signed, titled, dated 1947 on the reverse; unframed

12 × 16 in (30.5 × 40.6 cm)

charcoal / coloured chalk & charcoal

a pair of portraits: Eric George Adams, charcoal, signed and dated 1931 lower right (4 ins x 3 ins); Josepha Bowman MacKinnon, coloured chalk and charcoal, signed lower right (4 ins x 2.5 ins)

4 × 3 in (10.2 × 7.6 cm)

oil on canvas

signed lower right

7 × 5 in (17.8 × 12.7 cm)

oil on canvas board

signed lower right

10 × 8 in (25.4 × 20.3 cm)

mixed media on card

signed and dated 1978 lower left

10 × 8.25 in (25.4 × 21.0 cm)

ink and watercolour

signed and dated 1976 lower right

7.5 × 5.25 in (19.1 × 13.3 cm)

oil on paper

signed lower right

7.5 × 12.5 in (19.1 × 31.8 cm)

mixed media on board

signed, titled and dated 1980 on the reverse

24 × 30 in (61.0 × 76.2 cm)

mixed media on board

signed, titled and dated 2007 on the reverse

36 × 36 in (91.4 × 91.4 cm)

oil on board

signed lower left; signed and titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on board

signed and dated on the reverse

10 × 12 in (25.4 × 30.5 cm)

watercolour

signed lower right

21 × 19 in (53.3 × 48.3 cm)

oil on canvas

signed lower left; signed and titled on the reverse

24 × 30 in (61.0 × 76.2 cm)

oil on board

signed lower left; signed and dated on the reverse

9 × 12 in (22.9 × 30.5 cm)

watercolour

signed and dated “31.10.64” lower left

15 × 22 in (38.1 × 55.9 cm)

pastel

signed and dated September 21, 1962 lower right

19.5 × 25 in (49.5 × 63.5 cm)

charcoal

signed lower right

18 × 24 in (45.7 × 61.0 cm)

oil on canvas board

signed lower right; itled on the artist’s label on the reverse

12 × 16 in (30.5 × 40.6 cm)

watercolour

signed and dated 1956 lower right; unframed

19 × 24 in (48.3 × 61.0 cm)

acrylic on canvas

signed and dated 1983 lower right

43.75 × 95.25 in (111.1 × 241.9 cm)

oil on card

signed and dated 1998 lower right, unframed

20 × 35 in (50.8 × 88.9 cm)

acrylic on canvas

signed, titled and dated August 1978

72 × 64 in (182.9 × 162.6 cm)

acrylic on canvas

signed, titled and dated “4/81” on the reverse

56.25 × 109.25 in (142.9 × 277.5 cm)

watercolour and ink

signed and 1981 lower right

39 × 29 in (99.1 × 73.7 cm)

acrylic on canvas

signed and dated 1978 lower right; signed, titled and dated 1978 on the reverse

54 × 102 in (137.2 × 259.1 cm)

conte and tempera on paper

54 × 36 in (137.2 × 91.4 cm)

oil on board

signed lower right

9 × 12 in (22.9 × 30.5 cm)

oil on canvas

signed lower right; titled on the reverse

18 × 24 in (45.7 × 61.0 cm)

oil on canvas

signed lower right; signed, titled and dated 1989 on the reverse

30 × 40 in (76.2 × 101.6 cm)

oil on canvas

signed lower left

24 × 36 in (61.0 × 91.4 cm)

oil on canvas

signed lower right; signed, titled and dated 1987 on the reverse

14 × 18 in (35.6 × 45.7 cm)

oil on canvas

signed lower left; signed and titled on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed lower left

24 × 36 in (61.0 × 91.4 cm)

oil on canvas

signed lower right; signed, titled and dated 1988 on the reverse

30 × 40 in (76.2 × 101.6 cm)

oil on canvas

signed lower right; signed and titled on the reverse

24 × 30 in (61.0 × 76.2 cm)

oil on canvas

signed lower right; signed, titled and dated 1988 on the reverse

20 × 24 in (50.8 × 61.0 cm)

oil on canvas

signed lower left

16 × 24 in (40.6 × 61.0 cm)

colour etching and aquatint

signed, titled, dated 1991 and numbered 72/75 in the margin

7.75 × 10 in (19.7 × 25.4 cm)

silkscreen

signed, titled, dated 1980 and numbered 13/50 in the lower margin

19 × 25 in (48.3 × 63.5 cm)

etching and aquatint

signed, titled, dated 1989 and numbered 26/75 in the margin

15 × 35.25 in (38.1 × 89.5 cm)

lithograph

signed, titled and numbered 4/35 in the margin

23.75 × 17.25 in (60.3 × 43.8 cm)

lithograph

signed, titled and numbered 5/35 in the lower margin

23.5 × 17.5 in (59.7 × 44.5 cm)

hand-coloured etchings

each signed and inscribed “Artist’s Proof”

22 × 30 in (55.9 × 76.2 cm)

lithograph

signed, titled, dated 2001 and numbered 8/20 in the margin

24 × 15.75 in (61.0 × 40.0 cm)

lithograph and etching

signed, titled, dated 1980 and numbered 7/9

38 × 29.5 in (96.5 × 74.9 cm)

etching

signed, titled, dated 1971 and numbered 20/20 in the lower margin

10.75 × 11 in (27.3 × 27.9 cm)

screenprint

signed, dated 1968 and numbered 51/100

50 × 28 in (127.0 × 71.1 cm)

screen print

signed, dated 1968 and numbered 45/50

50 × 26 in (127.0 × 66.0 cm)

silkscreen

signed, titled, dated 1969 and numbered 3/25 in the margin

18 × 22 in (45.7 × 55.9 cm)

signed, titled, numbered 15/40 and inscribed LXXVII, stamped with artist’s monogram, mounted at four corners to backing, some surface grime present

26 × 40 in (66.0 × 101.6 cm)

colour etching

signed, titled, numbered 21/40 and inscribed “XXX” in the lower margin

27.75 × 36.5 in (70.5 × 92.7 cm)

etching

signed, dated “1/72” and numbered “1/15”

11.75 × 11.75 in (29.8 × 29.8 cm)

aquatint

signed, titled, dated 1980 and numbered 38/50

22 × 17.5 in (55.9 × 44.5 cm)

a pair of serigraphs, contained within a single frame, each signed, titled, dated 1971 and numbered 59/100 (2)

7 × 7 in (17.8 × 17.8 cm)

serigraph

signed, titled and inscribed “A/P” in the lower margin

23.5 × 23.5 in (59.7 × 59.7 cm)

serigraph

signed, titled, dated 1980 and numbered 18/40

21 × 36 in (53.3 × 91.4 cm)

silkscreen

signed, titled and numbered 13/30

16.5 × 16.5 in (41.9 × 41.9 cm)

silkscreen

signed, titled and numbered 30/50 in the lower margin

22.25 × 23.75 in (56.5 × 60.3 cm)

four colour lithograph

signed, titled, dated 1971 and numbered 21/50 on the reverse

22 × 22 in (55.9 × 55.9 cm)

serigraph

signed, titled, dated 1982 and inscribed “A/P” in lower margin

17.75 × 23.75 in (45.1 × 60.3 cm)

colour woodblock

signed with monogram in the plate; signed and dated in the margin; some discolouration visible in the margin

10 × 8 in (25.4 × 20.3 cm)

colour woodcut

signed and inscribed 250 in the margin

7 × 9.5 in (17.8 × 24.1 cm)

silkscreen

signed, titled and numbered 134/310

17 × 33 in (43.2 × 83.8 cm)

poster print

17.5 × 15.5 in (44.5 × 39.4 cm)

sampson-matthews silkscreen

signed lower right within the plate and signed and inscribed “supervised by A.J. Casson” lower right; a Sampson-Matthews label on the reverse

30 × 40 in (76.2 × 101.6 cm)

sampson-matthews silkscreen

signed lower right within the plate

19.75 × 28.5 in (50.2 × 72.4 cm)

stonecut

signed, titled, dated 1976, numbered 29/50 and inscribed “Dorset”

18 × 28 in (45.7 × 71.1 cm)

lithograph

signed, titled, dated 1983 and numbered AP 3/10

20.75 × 28 in (52.7 × 71.1 cm)

lithograph

signed, titled, dated 1979 and numbered 18/50

22 × 30 in (55.9 × 76.2 cm)

colour screenprint

signed, dated 1969 and numbered 15/100 in the margin

19.5 × 37 in (49.5 × 94.0 cm)

etching

4.25 × 3.5 in (10.8 × 8.9 cm)

oil on masonite

signed lower left; titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed lower right

23.5 × 19.5 in (59.7 × 49.5 cm)

oil on canvas

signed lower left

24 × 36 in (61.0 × 91.4 cm)

watercolour

signed upper right; titled and dated “Oct. 17, 1994”

16 × 17.5 in (40.6 × 44.5 cm)

red ink and graphite on paper

titled in English and French, signed on the backing, staining from adhesive, sold “as is” and not subject to return

1 × 1.75 in (2.5 × 4.4 cm)

hand-woven wool tapestry

stitched signature lower right; unframed

67 × 88 in (170.2 × 223.5 cm)

stone sculpture

signed with monogram and dated 1967 on the wooden base

18.5 × 14.5 × 8 in (47.0 × 36.8 × 20.3 cm)

stone sculpture

signed with monogram and dated 1967 on the wooden base

16 × 8 × 6 in (40.6 × 20.3 × 15.2 cm)

polished bronze

signed, dated 1975 and numbered 4/6

7 × 15 × 9 in (17.8 × 38.1 × 22.9 cm)

plexiglass and mirror

signed, dated 1970 and numbered 31/100

12.5 × 24 × 6 in (31.8 × 61.0 × 15.2 cm)

bronze

signed and numbered 6/10

10.5 × 11.5 × 5.5 in (26.7 × 29.2 × 14.0 cm)

acrylic on board

signed with initials and dated 1999 lower right; signed, titled and dated on the reverse

18 × 24 in (45.7 × 61.0 cm)

no-medium

“The Lake O’Hara Art of J.E.H. MacDonald and Hiker’s Guide” (Lisa Christensen, 2003); “Canadian Painting in the Thirties” (Charles Hill, 1975); “David Milne: Watercolours, Painting Towards the Light” (Katharine Lochnan, 2005); “Suzor-Coté: Light and Matter” (Laurier Lacroix, 2002)

no-medium

“David Milne” (Ed. Ian Thom, 1991); “Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art” (Terry Fenton & Karen Wilkin, 1978); “The Best of The Group of Seven” (Joan Murray, with an essay by Lawren Harris, 1984); “The Fine Arts in Canada” (Newton MacTavish, 1925); “Painting in Canada: A History” (J. Russell Harper, 1966); “The Group of Seven Project” (OAAG, 2010); “The Downfall of Temlaham” (Marius Barbeau, 1928); “Canadian Landscape Painters” (Albert H. Robson, 1932); “Thomson” (Ed. Dennis Reid, 2002).

no-medium

“One Man’s Obsession” (Robert McMichael, 1986); “Remembering Henri Masson: 50 Years of Painting” (Galerie d’Art Vincent, 2001); “The Best of The Group of Seven” (Joan Murray, with an Essay by Lawren Harris, 1984); “The Nude in Canadian Painting” (Jerrold Morris, 1972); “Memoirs of an Art Dealer” (G. Blair Laing, 1979); “Clarence Gagnon: Dreaming the Landscape” (Helene Sicotte & Michele Grandbois, 2006); “Paterson Ewen” (Ed. Matthew Teitelbaum, 1996); “Maurice Cullen” (Hugues de Jouvancourt, 1978).

no-medium

“Helen McNicoll: A Canadian Impressionist” (Natalie Luckyj, 1999); “By a Lady: Celebrating Three Centuries of Art by Canadian Women” (Maria Tippett, 1992); “James Wilson Morrice: Painter of Light and Shadow” (Wayne Larsen, 2008); “John Lyman: 1886-1967” (Louise Dompierre, 1986); “Letters Home: 1859-1906: The Letters of William Blair Bruce” (Joan Murray [signed by author], 1982); “Arthur Dominique Rozaire: Poet with a Brush” (Katherine Halligan & Janet Blake, 1998); “Suzor-Cote” (Hugues de Jouvancourt, 1980); “Le Nu dans l’art au Quebec” (Jacques de Roussan, 1982); “F.S. Coburn: Beyond the Landscape” (Evelyn Lloyd Coburn, 1996); “Anne Savage: The Story of a Canadian Painter” (Anne McDougall, 1977).

oil on canvas

signed, titled and dated ‘75 on the reverse, unframed

71.5 × 61.5 in (181.6 × 156.2 cm)

oil on board

signed lower right

16 × 12 in (40.6 × 30.5 cm)

oil on canvas board

signed lower right

10 × 8 in (25.4 × 20.3 cm)