FASTWÜRMS is the trademark of Kim Kozzi and Dai Skuse, a they/them joint authorship and poly-disciplinary artist based in treaty 18. Formed in 1979, they make independent films, build installations, create paintings, drawings and prints, make photographs and text art, sculptures and raku ceramics, textile and performance art, public art projects and artist architecture and ecological and social exchange projects.
FASTWÜRMS is a witch queer polity: we expand fields we build worlds and utopias and make working models of new ways of being in the world.
FASTWÜRMS is a witch queer epistemology: we make art as the feral code to knowledge and wisdom re-imagining the future as a commonwealth of boundless diversity and poetic cosmology.
FASTWÜRMS aesthetic is maximalist: a cauldron of boundless abundance and a praxis of many and more.
FASTWÜRMS ethos is determined by the witch ethics algorithm: Do what you want, harm unto none, Love is the Law.
FASTWÜRMS is a positivity economy: we build social making models we create proliferation prototypes of mutualism, reciprocity and generosity.
FASTWÜRMS is a liberation narrative: we have a ‘can’t stop won’t stop’ compulsion to exceed boundaries and limitations to build a bountiful and beautiful, polymorphous and polycultural Avalon.