Works on Paper & Prints

charcoal on paper

signed lower left; titled on the gallery label on the reverse; Varley Inventory No. 361 on a label on the reverse

8.5 × 11.5 in (21.6 × 29.2 cm) (sight)

woodcut

signed and inscribed “80” in the lower margin; titled on a label on the reverse

5.25 × 8.75 in (13.3 × 22.2 cm) (plate)

colour serigraph

signed, titled and numbered 103/310 in the lower margin

17 × 33 in (43.2 × 83.8 cm) (sight)

colour serigraph

signed, titled and numbered 45/72 in the lower margin; titled, dated 1977 and numbered 45/62 to the gallery label on the reverse

40 × 26.25 in (101.6 × 66.7 cm) (sheet)

etching and aquatint

inscribed with artist's name, title, dated “Dorset 2000” and numbered 25/50 in the lower margin

20.25 × 19 in (51.4 × 48.3 cm) (sight)

colour lithograph

inscribed with artist's name, titled, dated “Dorset 2006” and numbered 22/50 in the lower margin 

22.25 × 28 in (56.5 × 71.1 cm) (sheet)

etching and aquatint

inscribed with artist's name, title, dated “Dorset 2001” and numbered 20/50 in the lower margin

28.5 × 30.5 in (72.4 × 77.5 cm) (image)

sealskin stencil

inscribed with the artist's name, titled, dated 1961, numbered 19/50 and inscribed “Cape Dorset, N.W.T.” in the lower margin

15 × 23.25 in (38.1 × 59.1 cm) (sight)

colour serigraph

signed and numbered 24/150 in the lower margin;together with 5 colour prints from the Graphic Edition for the 4th IAAF World Athletics Championship- Frédéric Bruly Bouabré- Jiří Kolář- Thomas Jangala Rice and Jeannnie Nungarrayi Egan- Anton Stankowski- Mika Yoshizawaeach signed and numbered 24/150 in the lower margin; each unframed and housed in the original portfolio

31.5 × 23.5 in (80.0 × 59.7 cm) (each sheet)

three colour serigraphs

- Snowstorm (signed, titled, dated 1985 and numbered 18/35 in the lower margin; titled, dated and numbered on the gallery label on the reverse - 18.5 x 21 ins. [image]);- Narrows, Lake Vernon (signed, titled, dated 1985 and numbered 17/68 in the lower margin; titled, dated and numbered on the gallery label on the reverse - 11 x 30.75 ins. [image]);- Woman and Dog (signed, titled, dated 1987 and numbered 2/37 in the lower margin; titled, dated and numbered on the gallery label on the reverse - 16.25 x 30.75 ins. [image])

16.25 × 30.75 in (41.3 × 78.1 cm) (image (largest))

three serigraphs

- Finches (signed and numbered 1/23 in the lower margin; titled, dated and numbered on the gallery label on the reverse - 11.5 x 8.75 ins. [image]);- Lobby (signed, titled, dated 1986 and numbered 13/49 in the lower margin; titled, dated and numbered on the gallery label on the reverse - 11 x 22 ins. [image]);- Morning, Lake Joseph (signed, titled, dated 1984 and numbered 26/43 in the lower margin - 28 x 20 ins. [image]);  

28 × 20 in (71.1 × 50.8 cm) (image (largest))

colour lithograph

signed, titled, dated 1986 and numbered 24/50 in the lower margin

17 × 33 in (43.2 × 83.8 cm) (image)

colour lithograph

signed and numbered 84/125 in pencil in the lower margin

22 × 18 in (55.9 × 45.7 cm) (sheet)

colour lithograph

signed and numbered 84/125 in pencil in the lower margin

22 × 18 in (55.9 × 45.7 cm) (sheet)

watercolour and gouache

signed lower left; titled on the reverse; titled and inscribed "R.O.M 16,012 Acquired Pan. through A. Luham of the H.R.G. Fin July 10,1962" to the backing board on the reverse

25.5 × 35.5 in (64.8 × 90.2 cm) (sight)

three etchings

-"The Museum" (signed, titled, dated 1981 and numbered “27/40” in the lower margin - 10.5 x 10.5 [plate size]); -"The Empty Museum" (signed, titled, dated 1981 and numbered “27/40” in the lower margin -10.5 x 10.5 [plate size]); -"The Museum at Night" (signed, titled, dated 1981 and numbered “27/40” in the lower margin - 9.25 x 9 [plate size])

10.5 × 10.5 in (26.7 × 26.7 cm) (plate size (largest))

colour lithograph

signed and dated 1960 within the plate; Markgraf embossed stamp in the lower left margin; titled on the label in the lower right margin, which reads “The Agnes Etherington Art Centre / Queen’s University at Kingston, Ontario / Published with the Assistance of the Canada Council” upon the “Editions Markgraf Publishing”; unframed

26 × 35.25 in (66.0 × 89.5 cm) (sheet)

3 works on paper

- "Finny Fripperies" (ink and watercolour - signed lower right; signed and titled on the reverse - 21.75 x 28.75 ins. [sheet]); - "Higher Education" (ink - signed and dated 1954 lower right; titled on the reverse - 20.5 x 28 ins. [sheet]); - "Abstraction" (ink - signed and dated 1954 lower right - 22 x 29.75 ins. [sheet]); each unframed

22 × 29.75 in (55.9 × 75.6 cm) (sheet (largest))

watercolour on paper

signed lower right

10 × 13.75 in (25.4 × 34.9 cm) (sight)

three water-based media works on paper

- "Church and State Series 4" (signed, titled and dated 1995 lower right - 21.75 x 28.5 in. [sheet]);- "Church and State Series 2" (signed, titled and dated 1994 lower right - 20 x 29.5 in. [sheet]); - "The Migration 8" (signed, titled and dated 1996 lower left - 22.75 x 30 in. [sheet]); each unframed

22.75 × 30 in (57.8 × 76.2 cm) (each sheet)

charcoal on paper

8.5 × 10.5 in (21.6 × 26.7 cm) (sight)

watercolour on paper

signed lower left; titled on the reverse of the framing

20.25 × 28.75 in (51.4 × 73.0 cm) (sight)

two works on paper

- “Looking Back from Shore, Grand Manan Island” (watercolour and gouache, signed and titled on the reverse of the frame -7 x 12 ins. [sight]);- "Woman in Kitchen" (coloured pastel, initialed lower right - 10.25 x 13.75 ins. [sight]);

watercolour on paper laid down on card

signed with a monogram lower left; titled and dated 1846 to the mat 

9.5 × 13.5 in (24.1 × 34.3 cm) (sight)

watercolour on paper

signed and dated 1879 lower right; inscribed “First framed by H.G. Matthews in April 1897. First renewal of frame in November 1959 by the Isaacs Gallery, 736 Bay St., Toronto” on the reverse

5.5 × 9.5 in (14.0 × 24.1 cm) (sight)

watercolour on paper

signed and dated 1872 lower left 

10.5 × 14.5 in (26.7 × 36.8 cm) (sight)