Works on Paper & Prints

watercolour

signed and dated 1876 lower right; titled on the reverse

15.5 × 28.25 in (39.4 × 71.8 cm) (sight)

watercolour and gouache

signed lower left

14.5 × 10 in (36.8 × 25.4 cm) (sight)

watercolour

signed and dated 1888 lower right; titled to the gallery labels on the reverse

13 × 19.25 in (33.0 × 48.9 cm) (sight)

watercolour over graphite and laid down on card

signed and dated 1893 at centre of left side

26.25 × 15.75 in (66.7 × 40.0 cm) (sight)

watercolour

signed lower right

5.25 × 11.75 in (13.3 × 29.8 cm) (sight)

two etchings

- "Porte et Logis du Roi, Mont Saint-Michel" - signed and inscribed "epreuve d'essai" in the lower margin; titled in the plate; 13 x 8.5 inches (plate); - "La Cathédrale d'Anvers" - signed and numbered 44/100 in the lower margin; titled in the plate; 13.75 x 8.5 inches (plate)

13.75 × 8.5 in (34.9 × 21.6 cm) (plate size, the largest)

two etchings

- "Le Petit Point à Moret" signed and numbered 31/75 in the lower margin; titled and dated 1917 in the plate; 5 x 7 inches (plate); - "Le Vieux Puits: Musée de Cluny, Paris" signed and numbered 21/100 in the lower margin; titled and dated 1929 in the plate; 5.75 x 4.25 inches (plate)

5 × 7 in (12.7 × 17.8 cm) (plate size, the largest)

pastel

signed lower left; titled to a gallery label on the reverse

13.5 × 13.5 in (34.3 × 34.3 cm) (sight)

ink

signed lower left and dated "23 March 1988" lower right; titled on the artist and gallery labels on the reverse

7.75 × 4.75 in (19.7 × 12.1 cm) (sight)

pastel

signed lower right; signed on the reverse

24.25 × 18.5 in (61.6 × 47.0 cm) (sight)

watercolour

signed lower right; titled and dated 1966 to the artist and gallery labels on the reverse

8.5 × 11.5 in (21.6 × 29.2 cm) (sight)

watercolour

signed and dated 1965 lower left

10.5 × 16.5 in (26.7 × 41.9 cm) (sight)

two watercolours

each signed lower right; each unframed

4.75 × 3.5 in (12.1 × 8.9 cm) (each sheet)

watercolour

signed lower left; titled to a gallery label on the reverse

9.75 × 13 in (24.8 × 33.0 cm) (sight)

twenty-four photolithographic reproductions

set of 24 photolithographic reproductions including: Anglican Church at Magnetawan; Country Road; Drowned Land; Farm House; General Store; House at Parry Sound; Lake Superior; Little Island; March Day; North Country; Old Storm In Salem; Parry Sound; Passing Storm; Rock Pool; Summer Morning; Summer Sun; Summer Storm; Sun After Thunder; Thunderstorm; Village House; Village Mill (2 copies); Whitney; White Pine; each initialed, titled and numbered “232/250” in pencil in the lower margin, with an additional copy of “Village Mill” numbered 126/250); housed within a handmade cherry wood box Condition noted: scratches present to the cherry wood box. This work is offered "as is" and is not subject to return.

19.75 × 24 in (50.2 × 61.0 cm) (each (unframed))

graphite

signed lower right

11.75 × 8.25 in (29.8 × 21.0 cm) (sight)

pencil drawing

signed lower right; dated 1925 on the reverse; unframed

12 × 9 in (30.5 × 22.9 cm) (sheet)

watercolour

signed and dated 1976 lower right; signed, titled and dated on a gallery label on the reverse

21.25 × 26.75 in (54.0 × 67.9 cm) (sight)

copperplate etching

signed and dated 1959 in the lower margin

6.75 × 5.75 in (17.1 × 14.6 cm) (plate size)

two ink drawings

- “Untitled Abstraction” signed and dated “Nov 1971” lower right; 8.75 x 11.5 ins (sight); - “Untitled Abstraction” 8.75 x 11.5 ins (sight)

8.75 × 11.5 in (22.2 × 29.2 cm) (sight (each))

graphite

signed and dated 1981 lower right; sold together with "Margaret Priest: Recent Drawings" (Theo Waddington Gallery, 1980)

12 × 10 in (30.5 × 25.4 cm)

white conté and oil pastel on black Strathmore paper

signed and inscribed "12-17-12-72" lower left; signed, titled and inscribed "12-17-12-72" and "#64G-1381-D" on the reverse; titled to a gallery label on the reverse

19.25 × 24.75 in (48.9 × 62.9 cm) (sheet)

pastel

signed and dated 1982 lower right; signed and titled on the paper backing on the reverse

22 × 27.25 in (55.9 × 69.2 cm) (sheet)

etching

signed, titled, dated 1989, and inscribed "#192" on the reverse; sold with Ramsay Cook (ed.), "Tim Zuck: Paintings and Drawings", Alberta, 1997, signed by the artist on the titlepage and Ramsay Cook (ed.), "Tim Zuck: Paintings and Drawings (Collector's Edition)", Alberta, 1997, signed and numbered 7/100 by the artist on the titlepage; includes Tim Zuck, "Wing", etching, signed, titled, dated 1997 and numbered 7/100 in the lower margin, 8 x 10.75 ins (sheet); housed in hardcover slipcase

6 × 10 in (15.2 × 25.4 cm) (sheet)

four watercolours

each signed and dated 1967 lower left; #1 - 6 x 7.75 ins (sheet); #2 - 5 x 8.5 ins (sheet); #3 - 5 x 7.5 ins (sheet); #4 - 5 x 7 ins (sheet); each unframed

6 × 7.75 in (15.2 × 19.7 cm) (the largest)

ink and watercolour

signed lower right

20 × 25 in (50.8 × 63.5 cm) (sight)

watercolour

signed lower right

26.25 × 36.75 in (66.7 × 93.3 cm) (sight)

india ink drawing

signed and dated 1984 lower right; unframed

15 × 22 in (38.1 × 55.9 cm) (sheet)

mixed media on paper

signed lower right; stamped with the artist's name, titled "Structure", dated 1992 and inscribed "Xérès" on the reverse; unframed

13 × 16 in (33.0 × 40.6 cm)

watercolour on paper

signed and dated 1973 lower right; William Ronald Authentic Inventory No. WRAI.1973.0131

17.5 × 23.5 in (44.5 × 59.7 cm) (sight)