Prints & Works on Paper

colour serigraph

signed in the plate, signed and titled in the lower margin; titled on a label on the backing on the reverse

10.5 × 8.5 in (26.7 × 21.6 cm) (sight)

six prints

- “Untitled Landscape with Church and Village” - typed inscription “from Rilla and Bertram Brooker at Christmas, 1945” on reverse, 6.75 x 4.5 ins [card]; - “Untitled (Snowy Tree Leaves)” - typed inscription ”Greetings from Rilla and Bertram Brooker Christmas, 1950” inside, 6.75 x 5 ins [card]; - “Untitled (Horse and Carriages)” - typed inscription “Greetings from Rill and Bertram Brooker Christmas, 1951” on reverse, 7.75 x 10 ins [card]; - “Untitled (Candles)” - typed inscription “Greetings from Rill and Bertram Brooker Christmas, 1952” inside, 7 x 5.5 ins [card]; - “Untitled (Cheers)” - lithograph and plastic, typed inscription “Best wishes for a cheery Christmastide - Rill and Bertram Brooker Christmas 1953” inside, 7.25 x 5.75 ins [card]; - “Untitled (Noel)” - typed inscription “Greetings from Rill and Bertram Brooker Christmas 1954”, 7.75 x 5 ins [card]; each matted; each unframed

watercolour

titled, estate stamp and inscribed “First watercolour, ten years old “Simply to thy cross I cling” to a paper affixed to the reverse of the frame

7.25 × 6.25 in (18.4 × 15.9 cm) (sheet)

watercolour

signed and dated 1936 lower left

10 × 14 in (25.4 × 35.6 cm) (sight)

ink on paper

signed lower right

13.25 × 18 in (33.7 × 45.7 cm) (sight)

four watercolours

- “Notre Dame Church of Montreal” (signed lower left; titled on the reverse - 3.25 x 2.25 ins. [sight]; - “A Winter’s Afternoon on the Beautiful Hills of St. Jovite, P.Q.” (signed lower left; titled on the reverse - 2.25 x 3.25 ins. [sight]); - “A Street Corner in the Old City of Quebec” (signed lower left; signed, titled and dated 1941 on the reverse - 2.25 x 3.25 ins. [sight]); - “In the Historic Old Province of Quebec” (signed lower right; signed, titled and dated 1941 on the reverse - 3.25 x 2.25 ins. [sight])

3.25 × 2.25 in (8.3 × 5.7 cm) (each sight)

watercolour

signed lower right

21.25 × 27 in (54.0 × 68.6 cm)

watercolour

signed lower left

9.5 × 13.5 in (24.1 × 34.3 cm) (sight)

watercolour

signed lower right

16 × 27 in (40.6 × 68.6 cm) (sight)

etching

signed and titled lower margin

9.75 × 11.25 in (24.8 × 28.6 cm) (plate size)

etching

signed in the lower margin; titled lower left within the plate

6.25 × 8.25 in (15.9 × 21.0 cm) (plate size)

colour reproduction

7.25 × 10.75 in (18.4 × 27.3 cm) (sight)

aquatint in colours

signed and inscribed “E. Jacobi” lower margin

12.75 × 15.25 in (32.4 × 38.7 cm) (plate size)

three etchings framed together

- “Mitsou en chemise” (8.5 x 6 ins. [plate size]); - “Mitsou s’habille” (8 x 5.75 ins. [plate size]); - “Mitsou allangee Nue de des” (8.5 x 6 ins. [plate size]); each signed in the lower margin and titled to labels on the reverse of the frame

8.5 × 6 in (21.6 × 15.2 cm) (plate size [largest])

etching

signed in the plate. A later impression.

10.75 × 7.5 in (27.3 × 19.1 cm) (plate size)

ink

signed and dated 17/02 lower right; signed, titled and dated 2003 on the backing on the reverse

11.5 × 11.75 in (29.2 × 29.8 cm)

lithograph

signed, dated 1972 and numbered 146/150 in pencil in the lower margin; unframed

16.75 × 22 in (42.5 × 55.9 cm) (sheet)

colour photolithograph

signed, dated 1973 and numbered 29/70 in the lower margin

20 × 20 in (50.8 × 50.8 cm)

digital print on paper

stamped signature and numbered 2/9 in the lower margin; titled, numbered and dated 2008 on a gallery label on the backing on the reverse

31 × 45 in (78.7 × 114.3 cm) (subject)

four black and white photographs

7 × 9.75 in (17.8 × 24.8 cm) (sight)

four posters

29.5 × 19.5 in (74.9 × 49.5 cm) (each sight)

ink on paper

titled upper left

35.5 × 23.5 in (90.2 × 59.7 cm) (sheet)

ink on paper

titled lower left

23 × 34.5 in (58.4 × 87.6 cm) (sheet)

watercolour

-”Cannes”, watercolour and gouache, signed, titled and dated 1947 lower left, 11.25 x 15.25 ins (28.6x 38.7 cms)(sight) -”Hungarian Grape Field with Wagon”, oil on paper, indistinctly inscribed lower left, inscribed with title and dated ca. 1943 on a label on the backing on the reverse, 10.5 x 11.75 ins (26.7 x 29.8 cms) -”Two Figures”, watercolour, signed and dated 1943 lower left, 12.75 x 14.5 ins (32.9 x 36.8 cms)

11.25 × 15.25 in (28.6 × 38.7 cm) (largest sheet)

oil on paper

signed lower right; inscribed “Dear Bill and Isabel, I’m happy that you are the custodians of this one - que j’aime tout, Louis” on the reverse of the framing

11.5 × 8.5 in (29.2 × 21.6 cm)

marker on paper

signed and dated 1957 lower left; sold together with the playbill for “This Is Our First Affair” at The Crest Revue

7.25 × 5 in (18.4 × 12.7 cm) (sheet)

mixed media on paper

signed and dated 1978 lower right

25 × 37.75 in (63.5 × 95.9 cm) (sight)

watercolour on paper

signed lower right; titled to the gallery label on the reverse

10.5 × 14.75 in (26.7 × 37.5 cm) (sight)

colour serigraph

signed and numbered 32/300 in the lower margin

32.25 × 35.25 in (81.9 × 89.5 cm)

watercolour

signed lower right

22 × 29.75 in (55.9 × 75.6 cm) (sight)

acrylic on paper

signed and dated 1995 lower right; titled and dated to a gallery label on the reverse

19.5 × 30.75 in (49.5 × 78.1 cm) (sight)

watercolour

signed and dated 1995 lower left; titled and dated on a label and on a gallery label on the backing on the reverse.

9 × 12.25 in (22.9 × 31.1 cm) (sight)

carbon graphite on paper

signed and dated 1976 lower left; typed title on a label on the reverse

29.25 × 21.75 in (74.3 × 55.2 cm) (sight)

watercolour

signed and dated 1977 lower right; typed titled on a label on the reverse

28.5 × 20.5 in (72.4 × 52.1 cm) (sight)

colour lithograph

signed and dated 1983 lower right; numbered 51/100 lower left; titled, dated, and numbered on a gallery label on the backing on the reverse

22.25 × 29.25 in (56.5 × 74.3 cm) (sight)

woodcut

signed and dated 1949 lower left; unframed

5.25 × 6.75 in (13.3 × 17.1 cm) (sheet)

linocut

4 × 5.5 in (10.2 × 14.0 cm) (plate size)

etching

signed and titled in the lower margin

12.75 × 16.75 in (32.4 × 42.5 cm) (plate size)

five engravings

- “The Plains of Abraham, Near Quebec” (4.75 x 7.25 ins. [image]); - “Fish Market, Toronto” (6.5 x 9.25 ins. [image]); - “Lake of The Two Mountains” (4.75 x 7.25 ins. [image]); - “Lily Lake ( St. Johns )” (4.75 x 7 ins. [image]); - “Montreal From The Mountain” (6.5 x 9.25 ins. [image]); each with the title printed in the margin

6.5 × 9.25 in (16.5 × 23.5 cm) (image (largest))

folio of seven photolithographic reproductions

folio of seven photolithographic reproductions each signed with initials, titled and numbered AP 41/75 in the lower margin; housed in a card portfolio box with cover page; each unframed: - “The Client”; - “Ice Hummocks”; - “Thunderheads”; - “North Channel”; - “Mill Lake”; - “Village Mosaic”; - “Aftermath”

25.5 × 30 in (64.8 × 76.2 cm) (each sheet)

colour reproductions

A.Y. Jackson, “The Red Maple” colour reproduction on paper, laid on board National Gallery of Canada copyright printed at lower corner 22.75 x 28 ins J.E.H MacDonald, “Mist Fantasy” colour reproduction on paper, laid on card 20 ins x 24 ins Condition Noted: Wear present; some surface abrasions and grime This lot is sold “as is” and is not subject to return.

portfolio of 13 prints

each signed and numbered 79/150 in the lower margin; each housed in original portfolio with accompanying title page Please note: Prints 3 and 10 are not included in this portfolio Condition noted: foxing and staining present on portfolio

24 × 15.5 in (61.0 × 39.4 cm) (each sheet)

set of 10 block prints

includes: “Magpies, Winter Sun”, “Caribou Trek”, “From My Window (squirrel)”, “Pronghorn Does (antelope)”, “Cougar”, “Chickens in the Snow”, “Mule Deer”, “Goldeneyes”, “Afternoon of a Fawn” and “Foxes”; each signed, titled and numbered 50/100 in the lower margin; 10.25 x 14.25 inches (each sheet) all unframed; original portfolio cover included

10.25 × 14.25 in (26.0 × 36.2 cm) (each sheet)

screenprint in colours

signed, titled, dated 1968 and numbered 61/100 lower right

20 × 25.5 in (50.8 × 64.8 cm) (sheet)

colour silkscreen

signed, titled, dated 1982 and numbered 66/100 in the lower margin

18.75 × 26.25 in (47.6 × 66.7 cm) (subject)

colour lithograph

signed and numbered I LXXVI/CL with publisher’s blind stamp copyright 1979 in the lower margin, contained in the original folio case with justification pages. Publisher: Gala Publishers with Dalart N.V. Los Angeles; unframed

29.5 × 21.5 in (74.9 × 54.6 cm)

colour lithograph

signed, titled, numbered 11/111 and inscribed “Hors de Commerce” in the lower margin; unframed

27 × 36.5 in (68.6 × 92.7 cm) (sheet)

colour serigraph

signed, titled and numbered 246/250 lower margin

29 × 23 in (73.7 × 58.4 cm) (sheet)

colour serigraph

signed, titled and numbered 244/250 in the lower margin

29 × 23 in (73.7 × 58.4 cm) (sheet)

two acrylics on paper

“Into the Circle” (signed and dated 1990 lower right; titled on the reverse; 23 x 31.25 ins [sheet]); “Untitled Abstraction” (signed lower right; 25.25.5 x 30.75 ins [sheet])

23 × 31.25 in (58.4 × 79.4 cm) (largest sheet)

colour serigraph

signed, titled, dated 1972 and numbered “A/P” at the lower edge

12 × 17.75 in (30.5 × 45.1 cm) (sheet)

archival pigment print

signed, titled, dated 2003 and numbered 2/10 on the reverse; unframed

32 × 32 in (81.3 × 81.3 cm) (sheet)

drawing

9 × 11 in (22.9 × 27.9 cm) (sight)

two pencil sketches

- “Woman” (5.5 x 3.75 ins. [sight]); - “Seated Woman” (6 x 4.25 ins. [sight]); each unframed [matted]

6 × 4.25 in (15.2 × 10.8 cm) (largest [sight])

watercolour

signed, titled and dated 1919 lower edge

14.75 × 11.75 in (37.5 × 29.8 cm) (sight )

pastel

signed and dated 1942 lower left

13.5 × 10 in (34.3 × 25.4 cm) (sight)

four books

- Kay Woods, “Harold Town: The First Exhibition of New Work, 1969-1973”, The Robert McLaughlin Gallery, Oshawa, 1973; - Harold Town “Silent Stars/Sound Stars/Film Stars”, McClelland & Stewart, Toronto/Montreal, 1971; - Harold Town “Enigmas”, McClelland & Stewart, Toronto/Montreal, 1964; signed by the artist and numbered 67/175; with Harold Town, “Untitled”, lithograph, signed, dated 1964 and numbered 67/175 in the lower margin, 12.75 x 14.5 ins [sheet]; - Harold Town and Irving Layton “Love Where the Nights are Long”, McClelland & Stewart, Toronto, 1962; signed by Harold Town and Irving Layton and numbered 38/199 on the title page