Works on Paper & Prints

colour etching and aquatint

signed, titled, dated 1976 and numbered 13/35 in the lower margin

10.75 × 14 in (27.3 × 35.6 cm) (plate size)

three colour drypoint etchings

- “Broadway and Fifth (Rivers and Cities Portfolio)” - colour drypoint etching; signed, titled, dated 2006 and numbered “2/9” in the lower margin; titled, dated 2006 and numbered 2/9 to a label on the reverse; 6.75 x 7.75 inches (plate size); - “Burrard Inlet, Vancouver (Rivers and Cities Portfolio)” - colour drypoint etching; signed, titled, dated 2006 and numbered 2/9 in the lower margin; titled, dated 2006 and numbered 2/9 to a label on the reverse; 6.75 x 7.75 inches (plate size); - “Manhattan from above Brooklyn (Rivers and Cities Portfolio)”- colour drypoint etching; signed, titled, dated 2006 and numbered 2/9 in the lower margin; titled, dated 2006 and numbered 2/9 to a label on the reverse; 6.75 x 7.75 inches (plate size)

6.75 × 7.75 in (17.1 × 19.7 cm) (plate size (each))

etching and aquatint

signed, titled, dated 1965 and numbered 42/50 in the lower margin

11.75 × 14.75 in (29.8 × 37.5 cm) (plate size)

colour lithograph

signed and numbered 73/195 in the lower margin

22.5 × 27.5 in (57.1 × 69.8 cm) (sight)

colour lithograph

signed and numbered 163/195 in the lower margin

22.5 × 27.5 in (57.1 × 69.8 cm) (sight)

gelatin silver print

signed on the reverse (per gallery label); titled on a gallery label on the reverse

10 × 8.75 in (25.4 × 22.2 cm) (plate size)

gelatin silver print

signed, titled and dated 1942 on the support; the artist’s stamp on the reverse (a colour copy affixed to the reverse of the framing

9.62 × 7.75 in (24.4 × 19.7 cm)

digital chromogenic print mounted to board

signed, titled, dated 2009 and numbered 2/9 on the reverse; unframed

39.75 × 50.25 in (101.0 × 127.6 cm) (subject)

watercolour

signed and dated 1989

37.5 × 58 in (95.3 × 147.3 cm) (sight)

colour lithograph

signed and inscribed A/P in the lower margin

18.5 × 15.75 in (47.0 × 40.0 cm) (subject)

two serigraphs

“Snowdog” (signed, titled, dated 1987 and numbered 150/150 in the lower margin; 13.25 x 16.25 inches [sheet])’ “Alaska Snowfall” (signed, titled, dated 1989 and numbered 83/500 in the lower margin; 15.5 x 12.5 inches [sheet]); each unframed

15.5 × 12.5 in (39.4 × 31.8 cm) (largest sheet)

four serigraphs; four etchings

- K.M. Graham, “For Jack” (signed, titled, dated 1983 and numbered 76/90); - Joseph Drapell, “Heart” (signed, titled, dated 1984 and numbered 76/90); - Dan Christensen, “One for Jack” (signed, titled, dated 1984 and numbered 76/90); - Friedel Dzubas, “Fugue” (signed, titled and numbered 76/90); - Darryl Hughto, “Grotto” (signed, titled, dated 1984 and numbered 76/90); - Michael Steiner “Untitled” (signed and numbered 76/90); - Dorothy Knowles, ”Summer Day” (signed, titled, dated 1984 and numbered 76/90); - William Perehudoff, “Jack’s Dance” (signed, titled, dated 1984 and numbered 76/90); all measuring approximately 22 ins x 30 ins [sheet], each unframed

22 × 30 in (55.9 × 76.2 cm) (each sheet)

watercolour and pencil sketches

containing 12 sketches

5 × 7.25 × 0.25 in (12.7 × 18.4 × 0.6 cm) (overall)

colour etching

signed and dated 1919 in the lower margin; titled to a gallery label on the reverse of the frame

11.75 × 21.5 in (29.8 × 54.6 cm) (plate size)

ink and charcoal on paper; ink on paper

- “Figures on the Beach” (ink and charcoal on paper, signed lower right, pencil notations along lower margin; 9.75 x 12.25 ins [sheet]); - “Three Umbrellas and Figures” (ink on paper, signed lower right, pencil notations along lower margin; 9.75 x 11.75 ins [sheet]); each unframed

9.75 × 12.25 in (24.8 × 31.1 cm) (largest sheet)

sepia ink on paper

signed lower right; titled and dated 1963 to the left; pencil sketches of animals present on the reverse

13.25 × 10.25 in (33.7 × 26.0 cm) (sight)

gouache

signed and titled to a label on the reverse of the frame

9.5 × 11 in (24.1 × 27.9 cm) (sight)

pencil

titled, dated 1919 and certified by Thoreau MacDonald lower left

8.5 × 4.25 in (21.6 × 10.8 cm) (sight )

watercolour

signed lower left; titled to a label on the reverse

29.25 × 20.5 in (74.3 × 52.1 cm) (sight)

watercolour

signed and dated 1875 lower left

14.75 × 29.75 in (37.5 × 75.6 cm) (sight)

pastel

signed lower left

24.62 × 8 in (62.5 × 20.3 cm) (sheet)

etching

signed, dated 1948 and numbered 7-8 in the lower margin

10.25 × 7.75 in (26.0 × 19.7 cm) (sight)

pencil

signed lower right

5.5 × 7 in (14.0 × 17.8 cm) (sheet)

pastel drawing

7.75 × 12 in (19.7 × 30.5 cm) (sight)

three works on paper

- “Venetian Boats” (aquatint, signed and titled in the lower margin - 2 x 2.75 ins. [plate size]); - “Marseille Cathedral” (pencil drawing - 3.5 x 4.75 ins. [sheet]); - “Horse and Buggy” (pencil drawing - 5.25 x 6.5 ins. [sheet]);

5.25 × 6.5 in (13.3 × 16.5 cm) (largest sheet)

watercolour

signed lower right (partially covered by framing)

7 × 5.5 in (17.8 × 14.0 cm) (sight)

mixed media on paper

signed and dated 1988 lower right

44.5 × 49 in (113.0 × 124.5 cm) (sheet)

mixed media on paper

signed lower right

10.75 × 13.75 in (27.3 × 34.9 cm) (sheet)

mixed media collage on paper

signed and dated 2003 lower right

29.25 × 21.5 in (74.3 × 54.6 cm) (sheet)

watercolour

titled and dated 1986 on the reverse of the framing

29.5 × 21.75 in (74.9 × 55.2 cm) (sheet)

watercolour

signed, dated 1990 and inscribed “RVH” lower left

9 × 11.75 in (22.9 × 29.8 cm) (sheet)

mixed media on paper

signed lower right; titled on a gallery label on the reverse

8.75 × 9 in (22.2 × 22.9 cm) (sight)

mixed media on paper

signed lower right; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

mixed media on paper

signed lower right; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

book

text “Riopelle” by Thomas B. Hess, published for Riopelle exhibition at Galerie Maeght in January 1979; housed in original slipcase

15 × 22 in (38.1 × 55.9 cm) (largest sheet)

colour serigraph

signed, dated 1970 and numbered 186/200 in the lower margin; unframed

40.5 × 28.5 in (102.9 × 72.4 cm) (sheet)

colour serigraph

signed and dated 1971 lower left, numbered 84/99 lower right; unframed

40 × 28.5 in (101.6 × 72.4 cm) (sheet)

colour serigraph

signed, titled and numbered 12/25 in the lower margin; unframed

13.25 × 10 in (33.7 × 25.4 cm) (image)

screenprint

signed, titled and inscribed “Artist’s Proof” in the lower margin; unframed

30 × 22 in (76.2 × 55.9 cm) (sheet)

colour lithographs

each numbered 147/150 within the lower margin; -”Artigas, Cover” - 15 x 22.25 (38.1 x 56.5 [sheet]); -”The Fire Dance” - 15 x 22 ins (38.1 x 55.88 cm [sheet])

15 × 22.25 in (38.1 × 56.5 cm) (largest sheet)

encaustic and mixed media collage on paper

signed in the lower margin; titled and dated 1999 on a gallery label on the reverse

25 × 38 in (63.5 × 96.5 cm) (sheet)

black & white photograph

signed and dated 1998 on the matting

12 × 18 in (30.5 × 45.7 cm) (sight)

silver print

signed, titled and dated on the mat; titled and dated on labels on the reverse

6.25 × 9.5 in (15.9 × 24.1 cm) (sight)

etching

signed and inscribed “Artist Proof” in the lower margin

13 × 10.75 in (33.0 × 27.3 cm) (plate size)

etching

signed and numbered 13/15 in the lower margin; inscribed with title and dated 1958 on the reverse; unframed

10 × 7.25 in (25.4 × 18.4 cm) (plate size)

two etchings

- ”L’écho no 2” - signed, titled, dated 61 and numbered 7/12 in the lower margin, 19.75 x 13.25 in. (sheet); unframed - “Tourettes sur haup” - signed, titled, dated 60 and numbered 2/2 in the lower margin, 13 x 19.75 in. (sheet); unframed

19.75 × 13.25 in (50.2 × 33.7 cm) (largest sheet)

etching

signed, titled and numbered 8/75 in the lower margin

10 × 13 in (25.4 × 33.0 cm) (sight)

charcoal drawing

unsigned; unframed

18 × 14.5 in (45.7 × 36.8 cm) (sheet)

ektachrome

signed, titled, dated 1979 and numbered 4/10 in the lower margin

5.5 × 16.5 in (14.0 × 41.9 cm) (subject)

monotype

signed, titled and numbered 1/1 in the lower margin

23.75 × 22 in (60.3 × 55.9 cm) (sheet)

conté crayon on paper

signed lower right; titled on a gallery label on the reverse

37.25 × 26 in (94.6 × 66.0 cm) (sight)

pastel and mixed media

“At The Beach” (pastel on paper, signed and dated 1995 lower right; titled on an art rental label on the reverse; 22 x 29.5 ins [sheet]); “Fantasy in Blue” (mixed media on paper, signed lower right; titled on the reverse; 29.75 x 22.25 ins [sheet])

29.75 × 22.25 in (75.6 × 56.5 cm) (largest sheet)

pastel on paper

signed lower right

7.75 × 4.5 in (19.7 × 11.4 cm) (sight)

mixed media on paper

signed and dated 1992 lower right

22 × 30 in (55.9 × 76.2 cm) (sheet)

four colour serigraphs

each signed with initials, titled and numbered in the lower margin - “Village in Winter” AP 26/60; - “On the York River” AP 26/60: - “Autumn Afternoon” AP 35/60; - “Rock Cluster Madawaska River 1963” AP 26/60; each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

four colour serigraphs

each signed with initials, titled and numbered “A.P. 26/60” in the lower margin; each unframed

20 × 24 in (50.8 × 61.0 cm) (each sheet)

photo-transfer on paper

signed lower right; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

mixed media on paper

signed and inscribed “A/P” at the lower edge; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

mixed media on paper

signed lower right; unframed

15.25 × 12.25 in (38.7 × 31.1 cm) (sheet)

fifteen etchings in colours

each unframed

10 × 8 in (25.4 × 20.3 cm) (largest plate size)

two books

- “Paul Kane’s Frontier”- signed by the author and numbered 14 on the inside title page (J. Russell Harper, National Gallery of Canada, 1971); housed in slipcase - “Painting in Canada: A History”- signed by the author on the inside title page (J. Russell Harper, University of Toronto Press, 1966)

watercolour

signed lower left; “Proceeds to the Canadian Opera Women’s Committee” typed on a label affixed to the reverse

22 × 30 in (55.9 × 76.2 cm) (sight)

sampson-matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the margin; a Sampson Matthews label on the reverse; unframed

30 × 40 in (76.2 × 101.6 cm) (sheet)

sampson-matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the margin; a Sampson Matthews label on the reverse; unframed

20 × 27 in (50.8 × 68.6 cm) (sheet)

watercolour

titled and dated “Jan. 1969” lower left

19 × 14.75 in (48.3 × 37.5 cm) (sight)

colour serigraph

signed and dated 1954 lower right

10.25 × 8.25 in (26.0 × 21.0 cm) (subject)

colour silkscreen on veneer

11.25 × 12.25 in (28.6 × 31.1 cm)

silkscreen print

signed, titled, dated 1993 and numbered 32/125 in the lower margin

21.5 × 24.75 in (54.6 × 62.9 cm) (sight)

colour screenprint

signed and numbered 19/70 lower right

24 × 36 in (61.0 × 91.4 cm) (sheet)

mezzotint

signed, titled and inscribed “mezzotint” in the lower margin

5 × 6 in (12.7 × 15.2 cm) (sight)

lithograph

signed, titled, dated 1935 and numbered 10/40 in the lower margin

16.25 × 19.75 in (41.3 × 50.2 cm) (sight)

colour etching and aquatint

signed, titled and dated July 1961 in the lower margin; unframed

6.25 × 6 in (15.9 × 15.2 cm) (plate size)