From the Archives of Sampson-Matthews Ltd. (& Related Material)

etching

signed in pencil the lower margin; signed and dated 1920 in the plate; titled on a label on the reverse; unframed (matted)

10 × 13 in (25.4 × 33.0 cm) (plate size)

Sampson Matthews silkscreen

artist name and title printed in the lower margin

30 × 40 in (76.2 × 101.6 cm)

Sampson Matthews silkscreen

unframed

24 × 30 in (61.0 × 76.2 cm) (sheet)

colour silkscreen

Markgraf Montreal silkscreen laid down on masonite

21.5 × 27.5 in (54.6 × 69.8 cm)

Sampson Matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

Sampson Matthews silkscreen

24 × 30 in (61.0 × 76.2 cm)

Sampson Matthews silkscreen

sold together with two Christmas cards from Alan and Ruth Collier (each signed and inscribed)

20 × 24 in (50.8 × 61.0 cm)

Sampson Matthews silkscreen

20.25 × 27 in (51.4 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

sold together with an unframed colour negative (8 ins x 10 ins)

20.25 × 27 in (51.4 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

inscribed in ink “Supervised by A.J. Casson, 116/117” lower left

29.25 × 39.25 in (74.3 × 99.7 cm) (sheet)

Sampson Matthews silkscreen

sold together with unframed Hilton Hassell articles, biography, and fifteen colour slides

30 × 40 in (76.2 × 101.6 cm)

Sampson Matthews silkscreen

unframed; Condition Noted: multiple scuffs and scratches present as this work was an in-house sample at Sampson Matthews Ltd.; sold “as is” and not subject to return

20 × 27 in (50.8 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

title printed in the lower margin; unframed

19.75 × 27 in (50.2 × 68.6 cm) (sheet)

Sampson Matthews silkscreen

artist name, title and “Issued by the National Gallery of Canada” printed in the lower margin; unframed

20.25 × 27 in (51.4 × 68.6 cm) (sheet)

watercolour

signed lower left

10.5 × 14.25 in (26.7 × 36.2 cm) (sight)

watercolour

signed lower right

10.5 × 14.25 in (26.7 × 36.2 cm) (sight)

Sampson Matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

colour silkscreen

unframed (matted)

12 × 13.25 in (30.5 × 33.7 cm) (sheet)

colour silkscreen

unframed (matted)

12 × 13.25 in (30.5 × 33.7 cm) (sheet)

colour silkscreen

unframed (matted)

11 × 12.5 in (27.9 × 31.8 cm) (sheet)

colour silkscreen

unframed (matted)

12 × 13.25 in (30.5 × 33.7 cm) (sheet)

colour silkscreen

unframed (matted)

12 × 13.25 in (30.5 × 33.7 cm) (sheet)

colour etching and aquatint

signed and titled in the lower margin

4.75 × 6.5 in (12.1 × 16.5 cm) (sight)

colour etching and aquatint

signed and titled in the lower margin

8.25 × 6.25 in (21.0 × 15.9 cm) (sight)

colour aquatint on Christmas card

signed and titled in the lower margin

6.5 × 8 in (16.5 × 20.3 cm) (sight)

colour silkscreen Christmas card

signed lower right

6.75 × 8 in (17.1 × 20.3 cm) (sight)

pair of colour silkscreens

7 × 6 in (17.8 × 15.2 cm) (sight (each))

colour silkscreen

titled on a label on the reverse

9.75 × 7.75 in (24.8 × 19.7 cm) (sight)

colour silkscreen

titled on a label on the reverse

7.75 × 9.75 in (19.7 × 24.8 cm) (sight)

three colour serigraphs

- “Country Trailing”- signed in the lower margin, titled to a label on the reverse; - “Downhill Racer”- signed in the lower margin, titled to a label on the reverse; - “Powder Run”- signed and titled in the lower margin;

9.75 × 12.5 in (24.8 × 31.8 cm) (each sight)

two colour silkscreens

- “Morning Mist”- signed and numbered 197/250 in the lower margin; - “Algonquin Lake”- signed and numbered 196/250 in the lower margin

16.75 × 20.5 in (42.5 × 52.1 cm) (each sight)

colour silkscreen

sold with Greeting Cards & Ephemera for Taylor Statten Camps, Canoe Lake -Folder with Photo of “Chief” Taylor Statten (1882-1956); -Greeting Card from Jane and Page Statten, features print of black bear by A.J. Casson entitled, “Lord of Sim’s Pit”; -General Greeting Card from Taylor Statten Camps, features a print of Canoe Lake by Jack Eastaugh, a staff member of the Camps; -General Greeting Card from Camp Ahmek & Camp Wapomeo, features a drawing on the outside of a Canada Goose by Thoreau MacDonald and a tipped in photograph on the inside by wildlife photographer, Dan Gibson; -Reprinted 1950 Newspaper Article from the Toronto Telegram and three unused shipping labels from 1957; -Large Greeting Card from Jane and Page Statten features a reproduction of an etching of Canoe Lake by Woodruff K. Akroyd; all unframed

6 × 7.25 in (15.2 × 18.4 cm) (sheet)

two prints

-”Canterbury Cathedral”- mechanical print (titled in the margin; 6.5 ins x 4.5 ins (sight)); -”Ice Floes”- print of Doris McCarthy painting (9 ins x 14.75 ins); unframed

Sampson Matthews silkscreen

printed title in the lower margin sold with a B/W print of original colour palette sent to - and received by - the London Daily Telegraph (5.5 ins x 7.5 ins); unframed

30 × 40 in (76.2 × 101.6 cm)

colour silkscreen

unframed (matted)

11.5 × 13.25 in (29.2 × 33.7 cm) (sheet)

desktop calendar with six colour silkscreens

illustrated by A.J. Casson with six floral silkscreens; unframed

9.25 × 9 in (23.5 × 22.9 cm)

flip calendar and colour silkscreen on board

calendar intact and affixed with two staples (Irwin and Gordon Toronto, 1928); sold with three unframed printed Christmas cards by the artist

12 × 6 in (30.5 × 15.2 cm) (sheet)

lithograph with Christmas cards and prints

illustration for “New Growth Series- The Relations of Men and Women” sold together with: -5 Christmas cards with images by the artist (each 5 ins x 6.25 ins); each unframed; -14 reproduction prints of the artist’s sketches (each 5.25 ins x 8 ins); each unframed

6.5 × 4.75 in (16.5 × 12.1 cm) (sight)

book with portfolio of eight colour prints

-”Albert Franck: Keeper of the Lanes”- (Harold Town, McClelland and Stewart Limited, 1974); -”Albert Franck: His Life, Times and Work by Harold Town”- portfolio of 8 unframed lithograph prints

12.25 × 9.25 in (31.1 × 23.5 cm) (each sheet)

three books and seven prints

- “The McMichael Conservation Collection”- First Edition (1967), signed by A.Y. Jackson - “The McMichael Conservation Collection”- Second Edition (1970) - “The Group of Seven: Canadian Landscape Painters, at the Phillips Collection, Washington, D.C.” (1977) -Group of Seven & Tom Thomson Prints: (7 total): Frank Carmichael (”Scarlet Hilltop”), Lawren Harris (”Algoma Woodland”), A.Y. Jackson (”First Snow, Algoma”), Arthur Lismer (”Evening Silhouette”), J.E.H. MacDonald (”Young Maples, Algoma”), Tom Thomson (”Woodland Waterfall”), F.H. Varley (”Mountain Portgage”); each 9.75 ins x 12 ins; each unframed

9.75 × 12 in (24.8 × 30.5 cm) (each sheet)

fourteen greeting cards and five reproduction prints

Alan C. Collier, Adrian Dingle, Clarence Gagnon, Donald MacKay Houstoun, A.Y. Jackson, R. Lambert, Thoreau MacDonald, Isabel Mclaughlin, Tom Roberts and Tom Thomson; Produced for various clients of Sampson Matthews including Buntin Reid Paper Co., Canadian Liquid Air Ltd., Fiberglass Canada Ltd., General Motors Canada, the McLaughlin Family, The McMichael Collection, Metropolitan Toronto Association for the Mentally Ill, Noranda Mines Limited. Also Included: five reproductions of a painting by Isabel McLaughlin (from 1963)

9.25 × 8.5 in (23.5 × 21.6 cm) (largest sheet)

five works

Four print promotions for Kenwood Overcoats and one black and white print of a Buckingham Cigarette advertisement - all illustrated and designed by J.E. Sampson; each unframed

10 × 6.25 in (25.4 × 15.9 cm) (folded sheet)