Little Pictures (Online Auction)

oil on canvas

signed and dated 1888 lower left

8 × 10 in (20.3 × 25.4 cm)

oil on board

signed, titled and dated 1927 on the reverse

9.5 × 12.75 in (24.1 × 32.4 cm)

oil on board

signed lower left; titled on plate

10.5 × 13.75 in (26.7 × 34.9 cm)

oil on masonite

signed upper right; titled and dated 1966 on the reverse; sold together with the publication “Barker Fairley: Portraits” (Gary Michael Dault, Methuen Publications, Agincourt, Ontario, 1981)

12 × 16 in (30.5 × 40.6 cm)

oil on unstretched canvas

signed on the reverse

5 × 6.25 in (12.7 × 15.9 cm)

set of four silkscreens

- “First Snow” - “Farm House” - “March Day” - “Forest Edge” each signed, titled and numbered 54/100 in the lower margin; sold with folded information card titled and numbered 54/100

6 × 7.5 in (15.2 × 19.1 cm) (each sight)

watercolour on paper

signed lower left; titled and dated 2000 to a gallery label on the reverse

5 × 7 in (12.7 × 17.8 cm)

oil on board

signed lower right; partial title and gallery label affixed to the reverse of the frame

5 × 6 in (12.7 × 15.2 cm)

oil on board

signed and titled on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on canvas board

signed lower left

12 × 16 in (30.5 × 40.6 cm)

watercolour on paper mounted to card

signed and dated 1896 lower left; titled on a gallery label on the reverse

10 × 15.25 in (25.4 × 38.7 cm) (sight)

oil on board

signed and dated 1893 lower left; signed and titled on a label on the reverse

8.75 × 12 in (22.2 × 30.5 cm)

oil on board

signed and dated 1934 lower left; titled on the reverse

7.75 × 10 in (19.7 × 25.4 cm)

oil on board

signed lower left

12 × 16 in (30.5 × 40.6 cm)

oil on board

inscribed and dated 1909 lower left

10 × 13 in (25.4 × 33.0 cm)

oil on canvas board

signed and titled on an exhibition label on the reverse

7 × 9.75 in (17.8 × 24.8 cm)

coloured crayon

signed lower right

9.25 × 10.5 in (23.5 × 26.7 cm) (sight)

two acrylics on board

“Sunset Falls - Rousseau, Ont.” - signed lower right; signed, titled and dated 1986 on the reverse, 10 x 12.5 ins; “Sunset Near Yellow Point, Vancouver Island” - signed lower right; signed, titled and dated 1985 on the reverse, 12.25 x 14.25 ins

12.25 × 14.25 in (31.1 × 36.2 cm) (largest)

ink

signed and dated 1938 lower left; inscribed “à Jaco et Helene, 1971” lower right

7.5 × 10 in (19.1 × 25.4 cm) (sheet)

oil on card

signed, titled and dated “Sept 1927” on the reverse; Condition noted: craquelure, sold “as is” and not subject to return

8.25 × 10.25 in (21.0 × 26.0 cm)

oil on masonite

signed lower left; unframed

8.75 × 4 in (22.2 × 10.2 cm)

oil on board

signed lower right; titled on the reverse

10.25 × 13.75 in (26.0 × 34.9 cm)

oil on board

unsigned; unframed

12 × 16 in (30.5 × 40.6 cm)

oil on board

signed and dated 1882 lower left

9 × 12 in (22.9 × 30.5 cm)

pencil

signed lower centre

7.5 × 9.75 in (19.1 × 24.8 cm) (sight)

oil on masonite

signed lower right; signed, titled and inscribed “VIII 63” (August 1963) on a label on the reverse

5.5 × 8 in (14.0 × 20.3 cm)

oil on board

signed lower right; titled on the reverse

16.25 × 12 in (41.3 × 30.5 cm)

oil on board

signed lower right

9 × 7 in (22.9 × 17.8 cm)

five double-sided oil paintings on board

each unframed

8.5 × 10.5 in (21.6 × 26.7 cm) (each)

oil on board

estate stamp on the reverse

10 × 13 in (25.4 × 33.0 cm)

watercolour

signed lower right; titled to a gallery label on the reverse

6 × 7 in (15.2 × 17.8 cm) (sight)

acrylic on board

signed lower right; signed and titled on the reverse

8 × 10 in (20.3 × 25.4 cm)

no-medium

a colour silkscreen reproduction (early state) of Maud Lewis’s work by Bill Ferguson

11 × 11 in (27.9 × 27.9 cm) (sight)

oil on masonite

signed lower right; signed on the reverse; titled and dated c. 1995 to a gallery label on the reverse

6 × 7 in (15.2 × 17.8 cm)

acrylic on canvas

signed lower right

8 × 10 in (20.3 × 25.4 cm)

oil on canvas board

signed lower right; signed and titled on the reverse

9 × 6 in (22.9 × 15.2 cm)

oil on board

signed lower middle right; signed, titled and dated “May 1977” on the reverse; titled and dated to a gallery label on the reverse

15.75 × 12.25 in (40.0 × 31.1 cm)

brown pencil on paper

signed, titled and dated 1931 lower right

8.5 × 11.5 in (21.6 × 29.2 cm) (sight)

graphite drawing

signed and dated 1944 lower left

8.5 × 11.25 in (21.6 × 28.6 cm) (sight)

oil on board

signed lower right; signed, titled and dated May 1985 on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on board

signed lower right

10 × 12 in (25.4 × 30.5 cm)

oil on board

signed and dated 1996 lower left; signed, titled and dated on the reverse

13 × 9 in (33.0 × 22.9 cm)

oil on panel

initialed lower right; signed, titled, dated 2010 and inscribed “Montreal” and “3135” on the reverse

8 × 6 in (20.3 × 15.2 cm)

watercolour

signed and dated 1874 lower right

5.5 × 9.75 in (14.0 × 24.8 cm) (sight)

watercolour

signed lower right; titled to a label on the reverse of the frame

10.5 × 14.5 in (26.7 × 36.8 cm) (sight)

watercolour

signed and dated 1895 lower left; titled on a gallery label on the reverse

6.25 × 9.75 in (15.9 × 24.8 cm) (sight)

pencil sketch

10.5 × 16.5 in (26.7 × 41.9 cm) (sight)

oil on canvas

12 × 10 in (30.5 × 25.4 cm)

crayon on paper

titled and dated 1941 middle centre

13.25 × 9 in (33.7 × 22.9 cm) (sight)

mixed media on paper

signed and dated “61” upper left

9.75 × 6.75 in (24.8 × 17.1 cm) (sight)

oil on panel

signed, titled, dated 2013 on the reverse; unframed

10 × 8 in (25.4 × 20.3 cm)

oil on masonite

signed, titled, dated 1954 and inscribed “512/64” on the reverse; unframed

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed upper right; dated “March 1974” on the reverse; unframed

11 × 14 in (27.9 × 35.6 cm)

oil on board

artist stamp on the reverse

11.5 × 8 in (29.2 × 20.3 cm)

gelatin silver print

titled, dated 2000 and numbered 2/25 to the artist’s label on the reverse

10 × 10 in (25.4 × 25.4 cm) (subject)

watercolour

signed and dated 1982 lower left; titled and dated to a gallery label on the reverse

6.75 × 6.25 in (17.1 × 15.9 cm) (sight)

colour lithograph & book

“Mary Pratt” (Mary Pratt, Sandra Gwyn and Gerta Moray, McGraw-Hill Ryerson Limited, Toronto/Montreal, 1989); signed by the artist and numbered “52” on a label on the frontispage; sold together with: “Strawberry Shortcake” (colour lithograph, signed, titled, numbered 52/75 and dated 1989 in pencil in the margin, 10.75 x 10.75 inches (sheet)); unframed; all housed in the original slipcase and box

10.5 × 10.75 in (26.7 × 27.3 cm) (lithograph (sheet))

pair of silkscreens

each unframed (matted)

7 × 6 in (17.8 × 15.2 cm) (each sight)

colour silkscreen

unframed (matted)

10.75 × 9 in (27.3 × 22.9 cm)

two crayon drawings

“Team of Horses” (9.25 x 12.5 inches (sheet)); “Standing Nude” (14.75 x 10.75 inches (sheet)); both unframed

14.75 × 10.75 in (37.5 × 27.3 cm) (largest sheet )

pencil

10 × 7.75 in (25.4 × 19.7 cm) (sight)

three colour sillkscreens on veneer and one colour silkscreen on card

three colour sillkscreens on veneer and one colour silkscreen on card each unframed and affixed to inside of Alice and Charles Matthews Christmas cards

8 × 3.25 in (20.3 × 8.3 cm) (each sheet)

three silkscreens on veneer

each unframed and affixed to inside of Alice and Charles Matthews Christmas cards

4.75 × 6.25 in (12.1 × 15.9 cm) (each sheet)

three silkscreens

each unframed and matted Condition Noted: “Floral Arrangement” presents scuffs and fading as well as foxing throughout the matting. Artwork is sold as is and not subject to return

11.5 × 10 in (29.2 × 25.4 cm) (each sheet)

three watercolours

each signed lower right; 5.75 x 9 ins (sight); 5.75 x 9 ins (sight); 6 x 9.5 ins (sight)

6 × 9.5 in (15.2 × 24.1 cm) (largest sight)

colour aquatint

signed and titled in the lower margin

5.25 × 4.5 in (13.3 × 11.4 cm) (plate size)

etching

signed and titled lower margin

5 × 4.5 in (12.7 × 11.4 cm) (plate size)

two watercolours

“Houses on St. Vincent Street, Montreal” watercolour; signed lower right; 3.75 in x 4.75 ins (sight) inscribed on a sheet on the reverse of the framing: “18th Century “Cape Trinity” watercolour; signed lower right; 3.75 ins x 4.75 ins (sight)

4 × 5 in (10.2 × 12.7 cm) (each sight)

etching

signed, titled and numbered 22/70 in the lower margin

5.25 × 4 in (13.3 × 10.2 cm) (plate size)

two colour serigraphs

- “First Snow” (signed, titled and numbered 137/150 in the lower margin - 16 x 18.5 ins. [sheet]); - “Island” (signed, titled and numbered 29/82 in the lower margin - 14 x 16.25 ins. [sheet]); each unframed

16 × 18.5 in (40.6 × 47.0 cm) (largest sheet)

colour serigraph

signed in the lower right margin

11 × 13.5 in (27.9 × 34.3 cm) (plate size)

two oil paintings

- “Child with Puppy” (oil on board, signed lower left - 7.5 x 9.5 ins.); - “Man with Spear” (oil on board, signed lower left - 9.5 x 11.5 ins.)

9.5 × 11.5 in (24.1 × 29.2 cm) ((largest piece))

mixed media on paper

signed lower right; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)

mixed media on paper

signed lower right; unframed

16 × 12 in (40.6 × 30.5 cm) (sheet)