Online Auction of Prints & Works on Paper

screenprint in colours

signed, dated 1974 and numbered 57/144 lower left; dated and numbered on a gallery label on the backing on the reverse

61.5 × 37 in (156.2 × 94.0 cm) (sheet)

colour serigraph

signed, titled, dated 1978 and numbered 68/75 in the lower margin

12.75 × 11 in (32.4 × 27.9 cm) (sheet)

pastel on paper

signed lower right; titled and dated 2003 to a gallery label on the reverse

22.25 × 25 in (56.5 × 63.5 cm) (sheet)

pencil and gouache

signed lower right; titled and dated 1945 on an exhibition label on the reverse

22 × 28.75 in (55.9 × 73.0 cm) (sight)

colour serigraph on rice paper

signed and dated 1991 in the lower margin

35 × 23 in (88.9 × 58.4 cm) (sheet)

four serigraphs; four etchings

- K.M. Graham, “For Jack” (signed, titled, dated 1983 and numbered 80/90); - Joseph Drapell, “Heart” (signed, titled, dated 1984 and numbered 80/90); - Dan Christensen, “One for Jack” (signed, titled, dated 1984 and numbered 80/90); - Friedel Dzubas, “Fugue” (signed, titled and numbered 80/90); - Darryl Hughto, “Grotto” (signed, titled, dated 1984 and numbered 80/90); - Michael Steiner “Untitled” (signed and numbered 80/90); - Dorothy Knowles, ”Summer Day” (signed, titled, dated 1984 and numbered 80/90); - William Perehudoff, “Jack’s Dance” (signed, titled, dated 1984 and numbered 80/90); all measuring approximately 22 ins x 30 ins [sheet], each unframed

22 × 30 in (55.9 × 76.2 cm) (each sheet)

colour lithograph

signed and inscribed H.C. within the lower margin; unframed

28.5 × 41 in (72.4 × 104.1 cm) (sheet)

collage on paper

signed in the lower right margin

11.25 × 9 in (28.6 × 22.9 cm) (sheet)

ink on Shoji paper

initialed lower right; signed on the reverse of the frame

18.5 × 29.25 in (47.0 × 74.3 cm) (sheet)

colour lithograph

signed, titled, dated 1977 and numbered 38/75 lower right; unframed

28 × 40 in (71.1 × 101.6 cm) (sheet)

colour lithograph

signed and dated 1979 lower right; numbered 17/38 lower left

37.5 × 29 in (95.3 × 73.7 cm) (sight)

colour lithograph

signed, dated 1967 and numbered 1/12 lower centre

22 × 29 in (55.9 × 73.7 cm) (sheet)

colour aquatint

signed, titled, dated 1982 and numbered 38/50 in the lower margin

22.25 × 29.25 in (56.5 × 74.3 cm) (sheet)

pencil on paper

signed and dated “December 26, 1965” lower right

9.25 × 12.25 in (23.5 × 31.1 cm) (sheet)

lithograph

signed, titled, dated 1959 and numbered 4/15 in the lower margin

15 × 11 in (38.1 × 27.9 cm) (sheet)

ink and watercolour on paper

signed and dated 2007 lower right; titled and dated on a gallery label on the reverse

13.75 × 16.75 in (34.9 × 42.5 cm) (sheet)

gouache and collage on paper

signed lower right by the artist’s wife, Lela Miller Wilson; titled and dated 1966 on a label on the reverse

6.5 × 8 in (16.5 × 20.3 cm) (sight)

acrylic on paper

- “Abstract Landscape #1” (1980, 22.5 x 26 [sheet] - signed and dated 1980 lower right); - “Abstract Landscape #2” (1979, 22.5 x 26 [sheet] - signed and dated 1979 lower centre); - “Abstract Landscape #3” (1979, 23 x 26 [sheet] - signed and dated 1979 lower right); - “Abstract Landscape #4” (1979, 19.25 x 23.75 [sheet] - signed and dated 1979 lower right); - “Abstract Landscape #5” (1979, 19.75 x 23.75 [sheet] - signed and dated 1979 lower right); each unframed

22.5 × 26 in (57.1 × 66.0 cm) (sheet (largest))

ink on paper

signed and dated 1977 lower right

8 × 5.25 in (20.3 × 13.3 cm)

watercolour

signed and dated 1967 lower right

17.75 × 26 in (45.1 × 66.0 cm) (sight)

watercolour

signed and dated 1971 lower right

20.25 × 27 in (51.4 × 68.6 cm) (sight)

pen and ink on card

signed and dated 1970 lower right; signed, titled and dated on the reverse

7.75 × 5.75 in (19.7 × 14.6 cm) (sheet)

wood engraving

4 × 4 in (10.2 × 10.2 cm) (image)

watercolour on card

signed and dated 1970 lower right; signed, titled and dated on the reverse

4.25 × 5.75 in (10.8 × 14.6 cm) (sheet)

linocut in colours

signed, titled, dated 1974 and numbered 137/200 in the lower margin

4.25 × 5.5 in (10.8 × 14.0 cm) (sight)

watercolour

signed lower right

11 × 14 in (27.9 × 35.6 cm) (sheet)

colour etching

signed, titled, dated 1979 and numbered 5/25 in the lower margin; unframed

33.5 × 29 in (85.1 × 73.7 cm) (sheet)

colour serigraph

signed, titled (”N.S.I”), dated 1978 and numbered 46/55 in the lower margin

16 × 23 in (40.6 × 58.4 cm) (image)

colour serigraph

signed, titled (”N.S.III”), dated 1978 and numbered 46/55 in the lower margin

16.25 × 23.25 in (41.3 × 59.1 cm) (image)

lithograph

signed, titled and numbered 42/50 in the lower margin

12.5 × 14.5 in (31.8 × 36.8 cm)

serigraph in colours

signed and dated 1954 lower right

12.5 × 9.75 in (31.8 × 24.8 cm) (sight)

colour silkscreen on veneer

signed lower left

11 × 12.5 in (27.9 × 31.8 cm)

watercolour

signed lower right

10.5 × 14.25 in (26.7 × 36.2 cm) (sheet)

colour woodblock

signed, dated 1968 and numbered 101/150 in the lower margin

14.5 × 11.5 in (36.8 × 29.2 cm) (sight)

colour etching

signed, titled, dated 1954 and numbered 2/10 in the lower margin

4.5 × 6 in (11.4 × 15.2 cm) (plate size)

book and lithograph

“Mary Pratt” (Mary Pratt, Sandra Gwyn and Gerta Moray, McGraw-Hill Ryerson Limited, Toronto/Montreal, 1989); sold together with “Strawberry Shortcake” (colour lithograph, signed, titled, numbered 3/75 and dated 1989 in pencil in the margin, 10.75 x 10.75 inches (sheet)); unframed; all housed in original slipcase

10.75 × 10.75 in (27.3 × 27.3 cm)

lithograph

signed, titled, dated “Oct. 1975” and numbered “1/13/250” in the lower margin

21.75 × 26.75 in (55.2 × 67.9 cm) (subject)

colour serigraph

signed, titled (”N.S.II”), dated 1978 and numbered 46/55 in the lower margin

16.5 × 23 in (41.9 × 58.4 cm) (sight)

c-print

signed, titled, dated 2012 and numbered 1/3 on the reverse

7.75 × 12 in (19.7 × 30.5 cm) (sheet)

c-print

signed, titled, dated 2012 and numbered 1/3 on the reverse

7.75 × 11.75 in (19.7 × 29.8 cm) (sheet)

watercolour on paper

signed, titled and dated 1977 on an artist label on the reverse

5.75 × 3.75 in (14.6 × 9.5 cm) (sight)

encaustic on paper

signed, titled and dated 1983 in the lower margin; titled and dated on a gallery label on the reverse

17 × 12.75 in (43.2 × 32.4 cm) (sheet)

14 lithographs in colours

signed and numbered 87 on the inside back cover; text “Passages” by Pierre Schneider, published by the Maeght Éditeur, Vence, France, 1968 for exhibition of 22 Riopelle assemblages at Galerie Maeght; housed in original slipcase

15 × 22 in (38.1 × 55.9 cm) (largest sheet)

ink on paper

signed and dated 1996 lower right

11.5 × 9 in (29.2 × 22.9 cm) (sheet)

serigraph in colours

signed and numbered 79/100 in the lower margin

10.5 × 10.5 in (26.7 × 26.7 cm) (plate size)

serigraph in colours

signed and numbered “E.A. 17/20” in the lower margin

15.25 × 10 in (38.7 × 25.4 cm) (subject)

three prints

- Ken Weishar “8064” (colour serigraph - signed, titled, dated “84” and numbered 5/5 in the lower margin - 26 x 20 ins. [sheet]); - David Mikkelson “Jungle Girl” (etching - signed, titled and numbered 44/250 in the lower margin - 22.25 x 30 ins. [sheet] - M. Gueneau “signes anciens” (colour aquatint - signed, titled, dated “81” and numbered E.A. 3/8 in the lower margin - 22.25 x 30 ins. [sheet]); each unframed

22.5 × 30 in (57.1 × 76.2 cm) (largest sheet)

aquatint

signed and numbered 1/10 in the lower margin; signed, titled, dated 1997 and inscribed “2nd state” on the reverse

six drawings and prints

- “Study of a Man’s Head” (charcoal on paper, dated “Feb. 27 60” upper left - 23.75 x 17.5 ins. [sheet]); - “Two Men at Old-fashioned Gas Station” (scratchboard illustration - 20 x 26.25 ins. [sheet]); - “Abstract Study” (ink on paper, dated “Mar 3 61” at the upper left - 23.75 x 17.5 ins. [sheet]); - “The Swing” (colour lithograph, signed, titled, dated ‘83 and inscribed A.P. at the lower edge - 22.25 x 30 ins. [sheet]); - “The Bench #7” (lithograph, signed, titled, dated 82 and numbered 3/5 at the lower margin - 30.25 x 22 ins. [sheet]); - “Abstract Face” (pencil, dated ”Feb 15 59” upper right - 25 x 21 ins. [sight]) - unframed {matted); each unframed

30.25 × 22 in (76.8 × 55.9 cm) (largest sheet)

two books and two drawings

- “Volume One” (McLelland & Stewart, Toronto, 1979); signed by Blair Laing and numbered 52/105; suede cover and within the original slipcover; Accompanied by an original drawing by Horatio Walker (sheet size 7.25 x 4 ins); inscribed “Estate of Horatio Walker, certified by his niece Olive C. Petty”,“349” and “Es- 1305” on the reverse; drawing affixed to inside frontispiece; - “Volume Two” (McLelland & Stewart, Toronto, 1982); signed by Blair Laing and numbered 52/105; suede cover and within the original slipcover; Accompanied by an original drawing by Edward D. Nares “York Redoubt” housed in a portfolio (signed, titled and inscribed “July 24th” lower left, sheet size 7.5 ins x 10.5 ins [matted]); signed by Blair Laing and titled on a label on the reverse of the matting

watercolour on paper

signed lower centre

17 × 13 in (43.2 × 33.0 cm) (sight)

watercolour on paper

signed and dated 1971 lower right

9.25 × 7.75 in (23.5 × 19.7 cm) (sight)

watercolour

signed lower right; signed and titled on the reverse of the framing

10 × 14 in (25.4 × 35.6 cm) (sight)

two mixed media works on paper

- “Peeking out of” (signed and dated 1985 lower left; titled in pencil on the reverse of the frame - 16 x 20 ins. [sight]); - “Veils make mountains disappear” (signed and dated 1985 lower right; titled in pencil on the reverse of the frame - 20 x 16 ins. [sight])

16 × 20 in (40.6 × 50.8 cm) (sight)

two etchings

“Houses of Parliament” (signed and numbered 52/150 in the lower margin, 6.75 x 3.75 ins (sight)); “Chateau Frontenac” (signed and numbered 52/100 in the lower margin, 7.25 x 3.5 ins (sight))

7.25 × 3.5 in (18.4 × 8.9 cm) (largest (sight))

laid down on card

-”Fuseau méxican”; -”Fuseau de la Nouvelle Zélande”; -”Buce de Lamarack; Buce ventru; Buce monilifère”; -”Casques triangulaire; Casque flambé; Casque flambé trés jeune”; -“Harpe ventrue; Harpe ventue jeune”; -”Casque rouge; Casque rouge jeune; each with identification category and plate number at upper edge; each unframed (matted) and laid down on card support adhered to matting

8 × 5 in (20.3 × 12.7 cm) (sight (each))

three colour silkscreens

each signed lower right

4.25 × 6 in (10.8 × 15.2 cm) (sight)

coloured pencil

signed lower right

7.75 × 7.5 in (19.7 × 19.1 cm) (sight)

pastel on paper

signed lower right; unframed

26 × 20.5 in (66.0 × 52.1 cm) (sheet)

watercolour

unsigned; printed title and dated 2014 on an artist label on the reverse

15 × 22 in (38.1 × 55.9 cm) (sheet)

etching

signed and titled in the lower margin

7.5 × 10 in (19.1 × 25.4 cm) (plate size)

watercolour

signed lower right

12.75 × 16 in (32.4 × 40.6 cm) (sight)

watercolour on card

signed lower left; unframed

7.25 × 12.75 in (18.4 × 32.4 cm)

pastel on paper

signed and dated 1987 lower right; titled and dated to two gallery labels on the reverse

38 × 30 in (96.5 × 76.2 cm) (sheet)

mixed media on paper

signed lower right

18.5 × 16 in (47.0 × 40.6 cm) (image)

two colour serigraphs

- “Man in Wigwam” (signed, titled and numbered 30/65 in the lower margin); - “Animal Direction” (signed, titled and numbered 71/90 in the lower margin); each unframed

20 × 25 in (50.8 × 63.5 cm) (each sheet)

five works on paper laid down on board

- “Tree Study” (pencil on paper laid down on board, signed lower right - 20.25 x 26.25 ins.); - “Forest Landscape” (charcoal on paper laid down on board, signed lower right - 20.5 x 26.5 ins.); - “Lake Shore” (charcoal on paper laid down on board, signed lower right - 19.25 x 25.5 ins.); - “Trees and Lake” (charcoal on paper laid down on board, signed lower right - 19.25 x 24.75 ins.); - “Thistles” (pencil on paper laid down on board, signed lower right - 19.25 x 25.25 ins.); each unframed

20.5 × 26.5 in (52.1 × 67.3 cm) (largest sheet)

six works on paper

- “Forest Landscape” (charcoal on paper, signed lower middle left - 18 x 24 ins.); - “Country Landscape” (ink and wash on paper, signed lower right - 18 x 24 ins.); - “Forest Study” (mixed media on paper, signed lower right - 19.25 x 26.5 ins.); - “Tree Study” (charcoal and ink on paper, signed lower right - 19.25 x 25.5 ins.); - “Abstract Tree” (charcoal on paper, signed lower right - 19 x 24.75 ins.); - “Angry Cat” (ink on paper, signed middle left - 18 x 24 ins.); each unframed

19.25 × 26.5 in (48.9 × 67.3 cm) (largest sheet)

watercolour

signed lower left

6.75 × 4.75 in (17.1 × 12.1 cm) (sight)

etching

signed lower right; unframed sold together with forty-three blank Gerry Moses Christmas cards

4.75 × 8 in (12.1 × 20.3 cm) (sheet)

watercolour on paper

signed and dated 1976 lower left

17.5 × 23.25 in (44.5 × 59.1 cm) (sight)

mixed media on paper

signed, titled and inscribed “The life force springs forth from a tongue biting Spanish onion” on the reverse of the framing

9 × 6 in (22.9 × 15.2 cm) (sight)

six works on paper laid down on board

- “Portrait of a Man” (mixed media on paper laid down on board - 21.5 x 18.75 ins.); - “Christ” (mixed media on paper laid down on board, signed lower right - 24.25 x 17 ins.); - “Abstract Landscape” (mixed media on paper laid down on board, signed lower right - 17.25 x 23 ins.); - “Abstract Landscape” (charcoal on paper laid down on board, signed lower right - 19.25 x 26.25 ins.); - “Abstract Landscape” (ink and wash on paper laid down on board, signed lower right - 18.5 x 24.25 ins.); - “Thistle” (pastel on paper laid down on board, signed lower right - 19.5 x 25.25 ins.); each unframed

25.25 × 19.5 in (64.1 × 49.5 cm) (largest sheet)

etching

signed, titled and numbered 44/75 in the lower margin

11 × 8 in (27.9 × 20.3 cm) (sight)

photolithographic reproduction

signed with initials, titled and numbered 124/250 in the lower margin

19 × 22.75 in (48.3 × 57.8 cm) (sight)

photolithographic reproduction

signed with initials, titled and numbered 227/300 in the lower margin

10.25 × 11.75 in (26.0 × 29.8 cm) (sight)

black & white photograph

signed and dated 1978 on the matting

19 × 12.25 in (48.3 × 31.1 cm) (sight)

black & white photograph

signed and dated 1986 on the matting

16.5 × 13.75 in (41.9 × 34.9 cm) (sight)

set of three serigraphs

unframed

30 × 22.25 in (76.2 × 56.5 cm) (each sheet)

colour silkscreen

signed and dated 1974 lower right; inscribed “Gerry-Happy New Year Rita & Kosso” at lower edge; unframed

7.5 × 11 in (19.1 × 27.9 cm) (sheet)