September Auction of Canadian & International Artwork (Online Auction)

mixed media on beaver board

signed lower right

11.75 × 13.5 in (29.8 × 34.3 cm)

watercolour

signed and dated 1951 lower right; titled to a gallery label on the reverse

14.25 × 17.75 in (36.2 × 45.1 cm) (sight)

oil on canvas

signed and dated 1980 lower left; titled on tape affixed to the reverse; also titled on a gallery label on the reverse

33 × 40 in (83.8 × 101.6 cm)

colour serigraph

signed, dated 1977 and numbered 4/70 in the lower margin

17.5 × 17.5 in (44.5 × 44.5 cm) (sight (diameter))

oil on board

signed lower right; titled on a gallery label on the reverse

12 × 16 in (30.5 × 40.6 cm)

acrylic on canvas

signed lower right; titled on the gallery labels on the reverse

20 × 24 in (50.8 × 61.0 cm)

mixed media on mylar

signed twice, titled and dated 2004 twice on the reverse; unframed

61.75 × 42 in (156.8 × 106.7 cm) (sheet)

coloured ink and wash on paper

signed and dated 1945 lower right

9.75 × 7.75 in (24.8 × 19.7 cm) (sheet )

oil on canvas

signed and dated 1971 on the reverse; unframed

48 × 36 in (121.9 × 91.4 cm)

acrylic on canvas

signed, titled and dated 1971 on the reverse

82.5 × 50.75 in (209.6 × 128.9 cm) (overall)

oil on board

signed, titled and dated 1961 on an exhibition label on the reverse

23 × 35.25 in (58.4 × 89.5 cm)

bronze sculpture

inscribed with artist’s initials and dated “90”

13.75 × 7 × 5 in (34.9 × 17.8 × 12.7 cm) (overall)

oil on canvas

signed and dated 1966 lower left

39.5 × 23.75 in (100.3 × 60.3 cm)

single autographic print

signed and dated 1957 lower right, numbered 1-1 lower left; titled and inscribed “G-980-P” twice on the reverse; titled on a label on the reverse

19.75 × 25 in (50.2 × 63.5 cm) (sight)

oil on canvas

signed lower right; signed, titled and dated 2006 on the reverse

30 × 30 in (76.2 × 76.2 cm)

oil on board

signed lower right; signed, titled and dated 1967 on the reverse

16 × 12 in (40.6 × 30.5 cm)

colour etching and aquatint

signed, titled, dated 1976 and numbered 22/35 in the lower margin

19.75 × 31.75 in (50.2 × 80.6 cm) (plate size)

oil on canvas

signed lower right

24.25 × 22 in (61.6 × 55.9 cm)

oil on board

signed lower right; signed, titled and dated 1943 on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

watercolour

signed lower left; titled on the reverse

19.5 × 13 in (49.5 × 33.0 cm) (sheet)

oil on board

signed lower left; signed and titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on board

signed lower right

13 × 16 in (33.0 × 40.6 cm)

oil on canvas

signed on the reverse

32 × 24 in (81.3 × 61.0 cm)

Relief (plaster)

signed and titled in pencil on the reverse

25.5 × 25.5 × 1 in (64.8 × 64.8 × 2.5 cm)

oil on canvas

9.75 × 11.75 in (24.8 × 29.8 cm) (sight)

oil on board

signed lower left; signed and titled on the reverse

10.5 × 13.25 in (26.7 × 33.7 cm)

oil on board

signed and dated 1945 lower right; titled on the reverse

14 × 16 in (35.6 × 40.6 cm)

oil on canvas board

signed lower right; signed and titled on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

oil on canvas

signed lower left; titled and dated 1981 on a label on the reverse; titled on the stretcher

48 × 60 in (121.9 × 152.4 cm)

oil on canvas

signed lower right; signed and dated 1989 on the reverse

24 × 20 in (61.0 × 50.8 cm)

oil on canvas

signed lower right; signed, titled and dated “11/78” on the reverse

20 × 20 in (50.8 × 50.8 cm)

oil on canvas

signed lower left; signed, titled and dated 1990 on the reverse

20 × 20 in (50.8 × 50.8 cm)

linocut

signed, dated 1977, numbered 9/10 and inscribed “Artist’s Proof” in the lower margin; signed, titled, dated 1977, numbered 9/10 and inscribed “P.P.” and “A.P.” on the reverse

16 × 17.25 in (40.6 × 43.8 cm) (sight)

ink on paper

signed and dated ‘61 lower right

12.5 × 10.75 in (31.8 × 27.3 cm) (sight)

ink on paper

signed and dated 1988 lower right

21.25 × 16.5 in (54.0 × 41.9 cm) (sight)

oil on canvas

signed and dated 1955 lower right; titled on a gallery label on the reverse

20 × 26 in (50.8 × 66.0 cm)

oil on canvas

signed and dated 2004 lower right; signed, titled and dated 2005 on the reverse; unframed

26.5 × 32.75 in (67.3 × 83.2 cm)

lithograph

signed, dated 1970 and numbered 19/60 at the lower edge; titled to a gallery label on the reverse

20 × 14 in (50.8 × 35.6 cm) (sheet)

etching

signed, dated 1973, numbered 31/50 and inscribed indistinctly lower right

24.5 × 18.75 in (62.2 × 47.6 cm) (sight)

oil on board

signed lower right; titled on a label on the reverse and inscribed “474”

30 × 36 in (76.2 × 91.4 cm)

oil on board

signed lower right; inscribed “Whitby” and “330610” (date of June 10, 1933) on the reverse; unframed

10.5 × 13.5 in (26.7 × 34.3 cm)

oil on canvas

signed lower left

15.75 × 19.5 in (40.0 × 49.5 cm)

pastel

signed and dated 1936 lower right; signed and titled on a label on the reverse

15.5 × 19.75 in (39.4 × 50.2 cm) (sight )

watercolour heightened with white

signed and titled on the reverse; signed and titled on a label on the reverse, dated c. 1838 on a gallery label on the reverse; sold together with “Posted to Canada: The Watercolours of George Russell Dartnell 1835-1844” (Honor De Pencier, Dundurn Press, Toronto, 1987)

10 × 13 in (25.4 × 33.0 cm) (sight)

watercolour

signed and dated 1895 lower right; titled and dated on a label on the reverse

11.25 × 24 in (28.6 × 61.0 cm) (sight)

watercolour

signed lower left; signed, titled and inscribed “H28-22, At the Crossing of Icefield Highway” on the reverse; titled on a gallery label on the reverse

11.25 × 15.25 in (28.6 × 38.7 cm) (sight )

oil on board

signed lower right

18 × 24 in (45.7 × 61.0 cm)

oil on board

lower right; Estate stamp on the reverse

8.5 × 10.5 in (21.6 × 26.7 cm)

colour woodcut

signed lower right; Condition Noted

4.5 × 3.75 in (11.4 × 9.5 cm) (sight)

ink on paper

signed lower left and titled upper right

14.5 × 11.5 in (36.8 × 29.2 cm)

ink on paper

signed lower right; titled in the lower margin

14.5 × 11.5 in (36.8 × 29.2 cm)

pencil drawing

signed and dated 2001 lower right

20.5 × 17 in (52.1 × 43.2 cm) (sheet)

oil on masonite

signed and dated 1954 lower right; titled on the reverse; unframed

28 × 20 in (71.1 × 50.8 cm)

pastel and ink on paper

signed, titled and dated “March 1974”

18.25 × 12.25 in (46.4 × 31.1 cm) (sight )

oil on canvas

signed upper right; dated “March 1974” on the reverse; unframed

11 × 14 in (27.9 × 35.6 cm)

oil on canvas

signed and dated 1976 lower right; titled to a label on the reverse

32 × 32 in (81.3 × 81.3 cm)

oil on canvas

signed lower left; dated “July 1974” on the reverse; unframed

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed upper left; titled and dated “Jan 1874” on the reverse

18 × 22 in (45.7 × 55.9 cm)

oil on masonite

signed lower right; signed, titled and dated July 1954 on the reverse; unframed

18 × 24 in (45.7 × 61.0 cm)

stonecut and stencil

signed, titled, dated 1972 and numbered 28/40 in the lower left margin

24.75 × 39.25 in (62.9 × 99.7 cm) (sight)

mixed media on paper

signed lower right; artist’s seal lower left; titled at top of composition; unframed

15 × 12 in (38.1 × 30.5 cm)

six publications

- “Derriére le miroir: Kienholz” (No. 236, December 1979, Maeght Éditeur, Paris); - “Derriére le miroir: les mains éblouies” (No. 32, October 1950, Editions Pierre a Feu, Maeght Éditeur, Paris); - “Derriére le miroir: Geer van Velde” (No. 51, November 1951, Editions Pierre a Feu, Maeght Éditeur, Paris); - “Derriére le miroir: Bram et Geer van Velde” (No. 11 and 12, June 1948, Editions Pierre a Feu, Galerie Maeght, Paris) - 2 copies; - “Derriére le miroir: Bram van Velde” (No. 43, February 1952, Editions Pierre a Feu, Maeght Éditeur, Paris);

seven books

- “Landmarks of Canadian Art” (Peter Mellen, McClelland and Stewart Ltd., Toronto, 1978); - “Tom Thomson: The Silence and the Storm” (Harold Town and David P. Silcox, McClelland and Stewart Ltd., Toronto, 1977); - “Andre Bieler: An Artist’s Life and Times” (Frances K. Smith, Merritt Publishing Company Limited, Toronto/ Vancouver, signed by the authors and dated 1980 on the title page); - “Barker Fairley: Portraits” (Gary Michael Dault, Methuen, Toronto, 1981, signed by Barker Fairley on the title page); - “The Art of Mary Pratt: The Substance of Light” (Tom Smart, Goose Lane Editions, Toronto, 1995); - “Colville” (David Burnett, Art Gallery of Ontario, McClelland and Stewart Ltd., Toronto, 1983); - “Celebrating Life: The Art of Doris McCarthy” (William Moore and Stuart Reid, McMichael Canadian Art Collection, Ontario, 1999, signed by Doris McCarthy on the cover page)

23 books and publications

- ”Jean Paul Riopelle” (Robert Miller Gallery, New York, 2005); - ”Pellan” (Donald W. Buchanan, The Gallery of Canadian Art: 4, McLelland and Stewart Ltd., 1962); - ”Harold Town: Works on Paper 1952-1987” (David Burnett, Canada House Cultural Centre, London, 1987); - ”Mary and Christopher Pratt” (Jane Lind, Canadian Artist Series, Douglas & McIntrye, Vancouver/Toronto, 1989); - ”Christopher Pratt” (Memorial University of Newfoundland, St. John’s, 1970); - ”D.P. Brown” (Kaspar Gallery, Toronto, 1982); - ”Joseph Drapell: Ten Years 1973-1983” (Art Gallery of WIndsor, Windsor, 1984); - ”Uprooted: The Life and Art of Ernest Lindner” (Terrence Heath, Fifth House, Saskatoon, 1983); - “Bruno Côté: A Man in his World” (Galerie D’Art Vincent, Ottawa, 2005); - ”Jack Chambers” (The Vancouver Art Gallery, Vancouver and Art Gallery of Ontario, Toronto, 1970); - ”Dennis Burton: Retrospective” (The Robert McLaughlin Gallery, Oshawa, 1977-78); - ”Fred S. Haines 1879-1960” (John A. Libby Fine Art, Toronto); - ”The Isabel McLaughlin Gift” (Joan Murray, Robert McLaughlin Gallery, Oshawa, 1987); - ”Antoine Bittar” (Galerie D’Art Vincent, Ottawa, 2005); - ”W.P. Weston” (The Art Gallery of Greater Victoria, Victoria, 1980); - ”Barry McCarthy” (MacDonald Stewart Art Centre, Guelph, Ontario, 1986); - ”Jack Humphrey” (Beaverbrook Art Gallery); - ”Maxwell Bates in Retrospect 1921-1971” (travelling exhibition, Vancouver Art Gallery, Vancouver, 1973); - ”John Meredith: A Retrospective” (Kaspar Gallery, Toronto, 1991); - ”Jack Shadbolt: Early Watercolours” (Art Gallery of Greater Victoria, Victoria, 1980); - ”Bachinski: A Decade” (Kitchener-Waterloo Art Gallery, Kitchener-Waterloo, 1976); - “Hortense M. Gordon: A Dedicated Life” (Thames Art Gallery, Chatham Cultural Centre, Chatham, 1993-94); - ”Grenfell Mats” (Hudson River Press, New York, 1994);

stonecut

signed, titled, dated 1987 and numbered 1/50 in the lower margin

17 × 23.25 in (43.2 × 59.1 cm)

mixed media on paper

signed lower right; artist’s seal lower left; unframed

15 × 12 in (38.1 × 30.5 cm)

mixed media on paper

signed lower right; artist’s seal lower left; unframed

15 × 11.75 in (38.1 × 29.8 cm)

watercolour and ink

signed lower right

18.5 × 22.25 in (47.0 × 56.5 cm)

stonecut and stencil

signed, titled, dated 1986 and numbered 7/50 in the lower margin

25.25 × 31 in (64.1 × 78.7 cm) (sight )

stonecut

signed, dated 1963 and numbered 22/30 in the lower margin

15 × 14 in (38.1 × 35.6 cm)

stonecut

signed, titled, dated 1976 and numbered 44/50 in the lower margin

19 × 14 in (48.3 × 35.6 cm) (sight )

watercolour

signed lower right

9.5 × 13.25 in (24.1 × 33.7 cm) (sight)

drypoint

signed lower right and signed in the margin

8.25 × 10 in (21.0 × 25.4 cm) (sight )

double-sided oil on board

signed lower right; “Portrait of a Girl” on the reverse; unframed

5.25 × 8.5 in (13.3 × 21.6 cm) (card)

oil on canvas

signed and dated 1923 lower right; signed with initials, dated 1928 and inscribed “France” on the stretcher

18 × 19.5 in (45.7 × 49.5 cm)

oil on canvas (relined)

signed lower right

25.25 × 16.25 in (64.1 × 41.3 cm)

oil on board

unsigned, unfinished opera sketch on reverse; unframed

4.75 × 8.5 in (12.1 × 21.6 cm) (board)

oil on canvas

signed lower right

24 × 28.5 in (61.0 × 72.4 cm)

watercolour

signed and titled lower left

13.5 × 10 in (34.3 × 25.4 cm) (sheet)

oil on board

signed, titled, dated 1940, and inscribed “Miss Bews” on the reverse; titled to a gallery label on the reverse

8 × 5.25 in (20.3 × 13.3 cm)

watercolour on paperboard

signed and dated 1910 lower left

13 × 5.75 in (33.0 × 14.6 cm) (sheet)

four etchings

- “Museé du Vieux Honfleur” (titled within the plate; signed and numbered epreuve d'essai 3/5 in the lower margin - 13.5 x 7.5 ins. [plate]); - “Le Grand Canal Venise” (signed, titled and dated 1931 within the plate; signed and numbered 48/100 in the lower margin - 8.75 x 12.25 ins. [plate]); - “La Cathédrale de Chartres” (titled within the plate; signed and numbered 48/100 in the lower margin - 13.25 x 10.5 ins. [plate]); - “La Cathedrale de Tours” (titled within the plate; signed and numbered 86/100 in the lower margin - 13.25 x 10.5 ins. [plate]); each unframed

13.25 × 10.5 in (33.7 × 26.7 cm) (plate size (largest))

two oils on paper board

“Riverside Cabin”- signed lower right (under frame) (7.25 x 11 ins) “Launching the Boat”- signed lower left (under frame) (7 x 10.75 ins)

7.25 × 11 in (18.4 × 27.9 cm) (largest )

acrylic on board

signed and dated 2012 lower right; signed, titled and dated 2012 on the reverse

36 × 24 in (91.4 × 61.0 cm)

oil on board

signed and dated 1982 lower left; signed and titled on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed lower right

16 × 20 in (40.6 × 50.8 cm)

oil on canvas

signed lower right

12 × 16 in (30.5 × 40.6 cm)

colour serigraph

signed lower right

16 × 20.75 in (40.6 × 52.7 cm) (sight )

oil on canvas

signed lower left; signed, titled and dated 1999 on the reverse; unframed

16 × 20 in (40.6 × 50.8 cm)

oil on canvas on board

signed lower left; signed, titled, dated “July 19, 1981” and inscribed “#5” on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed lower left; signed, titled and dated 2001 on the reverse; unframed

18 × 24 in (45.7 × 61.0 cm)

pair of works on paper

“Grain Elevator” (watercolour on paper, signed lower right, 4.75 x 6.75 inches (sight)); “Landscape with Telephone Poles” (coloured pencil on paper, signed lower left, 5.5 x 4.25 inches); sold together with “Sky Painter” (Jean Swanson, Western Producer Book Service, Saskatoon, 1973; signed by R. N. Hurley and dated 1974 on the title page) and illustrated letters by the artist

4.75 × 6.75 in (12.1 × 17.1 cm) (largest )

watercolour on paper

signed and dated 1943 lower right; unframed

10 × 13.75 in (25.4 × 34.9 cm) (sheet)

mixed media on canvas

signed and dated 1989 lower right; titled on a gallery label on the reverse

24 × 24.5 in (61.0 × 62.2 cm) (sight )

oil on board

signed lower left; signed, titled and dated 19th August 1988 on the reverse

13.25 × 15.75 in (33.7 × 40.0 cm)

Sampson Matthews screenprint

artist name, title and “Issued by the National Gallery of Canada” printed at lower edge; a Sampson Matthews label on the reverse; unframed

30 × 40 in (76.2 × 101.6 cm) (sheet)

Sampson Matthews screenprint

artist name, title and “Issued by the National Gallery of Canada” printed in the margin, initialled within the plate; a Sampson Matthews label on the reverse; unframed

20 × 27 in (50.8 × 68.6 cm) (sheet)

Sampson Matthews screenprint

artist name, title and “Issued by the National Gallery of Canada” printed at lower edge; a Sampson Matthews label on the reverse; unframed

30 × 40 in (76.2 × 101.6 cm) (sheet)

Sampson Matthews silkscreen

signed within the plate; unframed

19.5 × 28.5 in (49.5 × 72.4 cm) (sheet)

Sampson Matthews screenprint

artist name, title and “Issued by the National Gallery of Canada” printed in the margin; a Sampson Matthews label on the reverse; unframed

20 × 30 in (50.8 × 76.2 cm) (sheet)

colour serigraph

signed with initials, titled and numbered AP 56/75 in the lower margin; unframed

20 × 24 in (50.8 × 61.0 cm) (sheet)

colour serigraph

signed with initials, titled and numbered 79/300 in the lower margin

18.75 × 22.25 in (47.6 × 56.5 cm) (sight)

woodcut print

signed with initials within the image plate lower left, signed, titled and numbered 27/275 in the lower margin; unframed (affixed to support)

9 × 11.5 in (22.9 × 29.2 cm) (sheet )

Sampson Matthews screenprint

signed within the plate; unframed (Condition noted: this artwork has been trimmed with a 1 inch loss around the perimeter edge. Artwork is sold “as is” and is not subject to return)

29 × 39 in (73.7 × 99.1 cm) (sheet)

four woodblock prints

each signed with initials within the plate, each signed and titled within the margin of the plate; - “La Vierge-Mère” (8.5 x 10.25 inches (sight)); - “Le Brassin de Savon” (7.75 x 8.5 inches (sight)); - “Ferme Québecoise” (8.25 x 9.5 inches (sight)); - “La Croix de Chemin” (6 x 6.25 inches (sight))

8.5 × 10.25 in (21.6 × 26.0 cm) (sight)

oil on canvas board

signed lower left; signed and titled on the reverse

18 × 24 in (45.7 × 61.0 cm)

mixed media on paper

signed and dated 1982 lower right

21 × 25 in (53.3 × 63.5 cm)

pen and collage

signed and dated 1965 lower left, titled lower right

15.25 × 12.25 in (38.7 × 31.1 cm) (sight)

watercolour

signed lower right; titled and dated 1994 to an artist’s label on the reverse

10.5 × 29.25 in (26.7 × 74.3 cm) (sheet)

acrylic on paper

signed and titled at the lower edge

11.5 × 11.25 in (29.2 × 28.6 cm) (sight)

mixed media on paper

signed and dated 1988 lower right; titled on a label on the reverse

23.25 × 29.25 in (59.1 × 74.3 cm) (sight )

conte on paper

titled and dated 1949 lower left

12.25 × 9 in (31.1 × 22.9 cm) (sight)

oil on canvas board

signed lower left; titled, dated “Sept. 29” and inscribed “from my garden” on the reverse

10 × 12 in (25.4 × 30.5 cm)

watercolour

signed lower right

17.75 × 11.75 in (45.1 × 29.8 cm)

four colour lithographs

- “Mondego” (signed, titled and numbered 39/50 in the lower margin - 16 x 14 ins. [image]); - “Small Square in Venice” (signed, titled and numbered 24/50 in the lower margin - 14 x 15.75 ins. [image]); - “March Landscape” (signed, titled and numbered 42/50 in the lower margin - 12 x 18 ins. [image]; - “Evora” (signed, titled and numbered 23/50 in the lower margin - 14 x 18 ins. [image]); each unframed

14 × 18 in (35.6 × 45.7 cm) (image (largest))

oil on canvas

titled and dated 1974 on the reverse; unframed

24 × 18 in (61.0 × 45.7 cm)

woodcut

signed with initials and dated “’39” within the plate; signed and titled in the lower margin

7.25 × 6 in (18.4 × 15.2 cm) (plate size)

pastel

signed lower right, titled lower left; unfinished sketch on reverse, signed, titled “Bouley Bay, Jersey-C-l” and dated 1925 lower left

10.5 × 15 in (26.7 × 38.1 cm) (sheet)

watercolour

12.5 × 9.25 in (31.8 × 23.5 cm) (sight )

watercolour

6.5 × 9.25 in (16.5 × 23.5 cm)

oil on board

unsigned; unframed

8.5 × 5.25 in (21.6 × 13.3 cm) (board)

three serigraphs

- “Nebulae as seen by Lord Rosse’s Telescope” (signed and dated 1969 in the lower margin, inscribed A/P in the lower margin - 21.5 x 13.5 ins. [sight]); - “Building and Constellations” (signed and dated 1969 in the lower margin, inscribed “Artist’s Proof” in the lower margin - 15 x 20 ins. [sight]); - “Observatory” (signed and dated 1969 in the lower margin, inscribed A/P in the lower margin - 17 x 14.5 ins. [sight])

21.5 × 13.5 in (54.6 × 34.3 cm) (sight (largest))

ink on paper

signed and dated 2008 upper right

14.75 × 21.5 in (37.5 × 54.6 cm) (sight )

oil on board

artist’s stamped signature on the reverse

8 × 10 in (20.3 × 25.4 cm)

oil on board

artist’s stamped signature on the reverse

8 × 10 in (20.3 × 25.4 cm)

pastel on paper

signed and dated 1976 lower right; sold together with “The first time I saw Harris”, exhibition catalogue (Grimsby Public Art Gallery, Grimsby, 1979)

24 × 22 in (61.0 × 55.9 cm)

oil on canvas

signed lower right

10 × 12 in (25.4 × 30.5 cm)

lithograph

signed and dated “14 Janvier 1977” lower right

13.75 × 8 in (34.9 × 20.3 cm) (sight)

acrylic on canvas

signed lower right

29.75 × 24 in (75.6 × 61.0 cm)

pair of acrylics on canvasboard

“Sea Life”- signed lower left; titled on the reverse (14 x 11 ins) “Raven Spirit”- signed lower left; titled on the reverse (11 x 14 ins)

14 × 11 in (35.6 × 27.9 cm) (each )

colour serigraph

signed, titled and numbered 14/40 in the lower margin; unframed

20.75 × 23 in (52.7 × 58.4 cm) (sheet)

stencil

signed, titled, dated 1990 and numbered 19/50 in the lower margin

18.25 × 24.75 in (46.4 × 62.9 cm) (sight)

serigraph

signed, titled, dated 1979 and numbered 76/150 in the lower margin

28.75 × 20.5 in (73.0 × 52.1 cm) (sight)