December Auction of Canadian and International Artwork (Online Auction)

oil on board

signed lower left; titled and dated 1949 on the frame

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed lower right; titled on a gallery label on the reverse

18 × 15 in (45.7 × 38.1 cm)

oil on board

signed lower left; signed and titled on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on canvas

signed lower right; an unfinished sketch on the reverse with the artist’s stamp and inscribed with the artist’s name

10.5 × 13.75 in (26.7 × 34.9 cm)

oil on panel

signed upper left; signed and dated “Montreal - juin 1897” on the reverse; titled on a gallery label on the reverse

9.5 × 13 in (24.1 × 33.0 cm)

watercolour

signed lower left; titled on framing paper on the reverse

20.5 × 13.75 in (52.1 × 34.9 cm) (sight)

oil on board

signed lower right; titled and dated ‘99 on the reverse

8 × 13.5 in (20.3 × 34.3 cm)

watercolour

signed lower right

12 × 19 in (30.5 × 48.3 cm) (sight)

oil on board

8 × 9.75 in (20.3 × 24.8 cm)

watercolour

signed lower left

7.5 × 9.5 in (19.1 × 24.1 cm) (sight)

linocut

6.5 × 3.5 in (16.5 × 8.9 cm) (plate size)

linocut

3.25 × 4.25 in (8.3 × 10.8 cm)

watercolour

signed and dated 1916 lower right

13.75 × 9.75 in (34.9 × 24.8 cm) (sight)

twelve colour engravings

“Colutea Vesicaria, Æthiopica” (plate size 12.25 ins x 8.5 ins; numbered 175 in the upper right plate); “Myrtus Buxifolia” (plate size 12.25 ins x 8.25 ins; numbered 140 in the upper right plate); “Sideritis, Spicata Fœtida” (plate size 12.25 ins x 8.25 ins; numbered 884 in the upper right plate); “Chamæ Mespilus Alpina” (plate size 12.25 ins x 8 ins; numbered 217 in the upper right plate); “Melissa Lævis Molucana” (plate size 12.5 ins 8.5 ins; numbered 761 in the upper right plate); “Britannica Antiquorum Vera” (plate size 12.5 ins x 8.25 ins; typed Fol 697 in the upper right plate) “Linaria Valentina Trifolia” (plate size 12.5 ins x 8.5 ins; numbered 720 in the upper right plate); “Guajacum Patvinum Majus” (plate size 12.5 ins x 8.5 ins; numbered 95 in the upper right plate); “Myrtus Bœtica Pumila Latifolia” (plate size 12.25 ins x 8.25 ins; numbered 139 in the upper right plate); “Gramen Plumeum” (plate size 12.5 ins x 8.5 ins; typed Fol 617 in the upper right plate); “Lasminvm Coervlevm Persicvm Tenvifolivm” (plate size 12.5 ins x 8.25 ins; typed Fol 226 in the upper right plate); “Laserpitivm Lvcidvm” (plate size 12.5 ins x 8.25 ins; typed Fol 332 in the upper right plate)

12.25 × 8.5 in (31.1 × 21.6 cm) (plate size)

watercolour

signed lower left

14.5 × 21 in (36.8 × 53.3 cm)

ink and watercolour

signed and dated 1954 lower left

18.5 × 22 in (47.0 × 55.9 cm)

oil on wood panel

24 × 24 in (61.0 × 61.0 cm)

mixed media on paper

signed and dated 1968 lower right

29 × 39 in (73.7 × 99.1 cm) (sight)

ink and watercolour

29.5 × 22.5 in (74.9 × 57.1 cm)

oil on canvas

signed and indistinctly dated lower left; titled and inscribed “To Anna with love” on the reverse; unframed

8 × 10 in (20.3 × 25.4 cm)

colour silkscreen

signed, titled, numbered 26/100 and dated 1971 in pencil in the lower margin

23 × 17 in (58.4 × 43.2 cm) (sight)

colour silkscreen

signed, titled, numbered 26/100 and dated 1971 in pencil in the lower margin

23 × 17 in (58.4 × 43.2 cm) (sight)

colour lithograph

signed, titled, and numbered 45/75 in the lower margin; unframed

26.75 × 36.25 in (67.9 × 92.1 cm) (sheet)

colour silkscreen

signed, titled, dated 1978 and numbered 52/75 lower right

40 × 28 in (101.6 × 71.1 cm) (sheet)

colour silkscreen

signed and inscribed “Artist’s Proof” in the lower margin

18.5 × 18.5 in (47.0 × 47.0 cm)

colour silkscreen

signed in the lower margin

17 × 17 in (43.2 × 43.2 cm) (subject)

oil on canvas

signed lower right

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed lower right

11 × 14 in (27.9 × 35.6 cm)

stonecut

inscribed “Davidialuk/Louise Quatsalik”, titled, dated 1977, numbered 32/40, inscribed “Povungnituk” and inscribed in syllabics in the lower margin

7.5 × 9.5 in (19.1 × 24.1 cm) (sight)

acrylic on canvas

signed at lower centre in syllabics

30 × 40 in (76.2 × 101.6 cm)

stencil

signed and dated 1996 lower right; unframed

22.25 × 30 in (56.5 × 76.2 cm) (sheet)

stencil

signed and dated 1996 lower right; unframed

22.25 × 30 in (56.5 × 76.2 cm) (sheet)

mixed media print

signed lower right; unframed

15.25 × 11.75 in (38.7 × 29.8 cm) (sheet)

mixed media print

signed lower right; unframed

15.25 × 11.75 in (38.7 × 29.8 cm)

mixed media on canvas

signed and titled on the reverse; dated 1998 on a gallery label on the reverse

24 × 18 in (61.0 × 45.7 cm)

colour serigraph

signed, titled, dated 1990 and numbered 46/55 in the lower margin; unframed

25.5 × 19.75 in (64.8 × 50.2 cm) (sheet)

colour serigraph

signed, titled, dated 1985, and numbered 10/100 in the lower margin; unframed

22.5 × 29.5 in (57.1 × 74.9 cm) (sheet)

mixed media on paper

signed and dated 1993 lower right; titled on a gallery label on the reverse

29.5 × 22.5 in (74.9 × 57.1 cm) (sheet)

gouache

signed lower right

20 × 12 in (50.8 × 30.5 cm) (sight)

colour serigraph

signed, titled, dated 1971 and numbered 61/100 in the lower margin; unframed

25.75 × 20 in (65.4 × 50.8 cm)

colour serigraph

signed, titled, dated 1971 and numbered 50/100 in the lower margin; unframed

25.75 × 20 in (65.4 × 50.8 cm)

oil on board

signed lower right

20 × 24 in (50.8 × 61.0 cm)

ink drawing

signed, titled and dated “1.6.63” lower right

10.75 × 14.75 in (27.3 × 37.5 cm) (sight)

woodblock

signed, titled and numbered 16/50 in pencil in the lower margin

10 × 11.5 in (25.4 × 29.2 cm)

charcoal drawing

signed lower right

10 × 13.25 in (25.4 × 33.7 cm) (sight)

watercolour

signed lower right; titled on the reverse

10 × 14 in (25.4 × 35.6 cm) (sight)

oil on canvas

signed lower left; signed and titled on the reverse

7.75 × 10 in (19.7 × 25.4 cm)

oil on canvas

monogrammed and dated 1895 lower right

10.5 × 13.75 in (26.7 × 34.9 cm)

oil on canvas

signed lower left

20 × 30 in (50.8 × 76.2 cm)

2 colour serigraphs

“Winter Sleigh” (signed lower right margin; 8.5 x 11.25); “River Rapids” (signed lower right margin; 10.5 x 13.5; condition noted)

coloured chalks

signed lower left

10.5 × 15.5 in (26.7 × 39.4 cm) (sight)

oil on canvas

signed lower right; titled and inscribed “early 1930s” on the reverse

12 × 16 in (30.5 × 40.6 cm)

ink and watercolour

signed “Bobs” lower right; titled on the reverse of the framing

11 × 15 in (27.9 × 38.1 cm) (sight)

watercolour

12.5 × 9.25 in (31.8 × 23.5 cm) (sight)

two watercolours

“The Main Entrance Gate to the Seigniory Club at Montebello, P.Q. - Canada” (signed lower right; dated 1943 and inscribed “Situated in the famous Laurentian Mountains, this gate is built mostly of large, peeled logs” & “This is a genuine watercolour and a hand carved frame by W.M. Mitchell” on the reverse of the framing); “One of the Fronts to the Log Cateau of the Seigniory Club at Montebello, P.Q. Canada” (typed inscriptions “overlooking several miles of the beautiful Ottawa Valley and river. The Chateau is situated in the famous Laurentian Mountains, not far from Montreal. This building is built mostly of large, peeled Cedar logs brought from the cedar forests of British Columbia. Roads of romance, in this colourful province of Quebec, lead the motorist to the Log Chateau and its 80,000-acre vacationland.” & “This is a genuine water color and a hand carved frame by Willard M. Mitchell” on the reverse of the framing)

3.75 × 4.5 in (9.5 × 11.4 cm) (each sight)

oil on board

signed lower right

9.25 × 10.5 in (23.5 × 26.7 cm)

oil on board

signed lower right; signed and titled on the reverse

8 × 10 in (20.3 × 25.4 cm)

oil on board

signed lower left; titled on a gallery label on the reverse

12 × 16 in (30.5 × 40.6 cm)

watercolour

signed lower right

5.5 × 3.5 in (14.0 × 8.9 cm) (subject)

watercolour

signed, titled and dated 1916 lower right

12.25 × 8.5 in (31.1 × 21.6 cm) (sight)

watercolour

signed and dated 1923 lower right

7.25 × 14 in (18.4 × 35.6 cm) (sight)

oil on board

“River Landscape” (oil on canvas, reduced from its original size and wrapped partially around card; 9.5 ins x 7.5 ins); “Landscape with Trees” (oil on board, 10 ins x 8.5 ins; paint loss present within composition); this lot is sold “as is” and not subject to return

10 × 8.5 in (25.4 × 21.6 cm)

book with etching

“Québec et ses ponts couverts” (Gilles Gingras, with poems by Ernest Pallascio-Morin, Edition Monticule Inc., 1976) signed, numbered 46/200 and dated 1980 by Gilles Gingras on title page, includes 30 accompanying unframed illustrations (14.5 ins x 11 ins (sheet)); in original case; sold with “Petit Village”- etching, signed, titled, numbered 20/40 and dated 1982 in the lower margin (6.75 ins x 4.75 ins [subject])

15.5 × 11 × 1.75 in (39.4 × 27.9 × 4.4 cm)

two books

“Memoirs of an Art Dealer” (G. Blair Laing, Toronto, 1979); “Memoirs of an Art Dealer 2 (G. Blair Laing, Toronto, 1982); both in the original slipcases (Volume 2 sealed in cellophane)

four books

“September Gale: A Study of Arthur Lismer” (John A.B. McLeish, J.M. Dent and Sons, Canada, 1955, signed by Arthur Lismer and presented in the original dust jacket); “The Growth of Canadian Painting (Donald W. Buchanan, Collins, London and Toronto, 1950); “Hundreds and Thousands: The Journals of Emily Carr” (Clarke, Irwin & Company Ltd, Toronto/Vancouver, 1966, presented in the original dust jacket); “Group of Seven Drawings” (Paul Duval, Burns and MacEachern Limited, Toronto, 1965, presented in the original dust jacket)

four books

“A Painter’s Country: the autobiography of A.Y. Jackson” (A.Y. Jackson, Clarke, Irwin & Company Ltd, Canada, 1963, presented in the original dust jacket); “West by East & Other Poems by J.E.H. MacDonald” (J.E.H. MacDonald, with drawings by Thoreau MacDonald, The Ryerson Press, Toronto, 1933, presented in the original dust jacket); “Country Hours” (Clarke Locke, illustrations by Thoreau MacDonald, The Ryerson Press, Toronto, 1959, presented in the original dust jacket and book signed by the author); “A Canadian Art Movement: The Story of the Group of Seven” (F.B. Housser, The MacMillan Company of Canada, Toronto, 1974, presented in the original dust jacket)

three books

“Jean Paul Lemieux” (Marie Carani, Musée du Québec, Quebec, 1992; in the original slipcase); “Jean-Paul Riopelle” (Musée des Beaux-Arts de Montréal, 1991); “Alberta Rhythm: The Later Works of A.Y. Jackson” (Dennis Reid, The Art Gallery of Ontario, 1982)

eight catalogues

Catalogue of an Exhibition of Paintings Lent by the Phillips Memorial Gallery, Washington (November, 1928); Catalogue of Six Exhibitions (Canadian Society of Graphic Art; Toronto Camera Club; Paul Manship; R. Tait McKenzie; Robert Holmes; Albrecht Dürer; April 13th to May 6th, 1928); Catalogue of a Loan Exhibition of Ninteenth Century Pictures by Foreign Artists (October, 1929); Catalogue of an Exhibition of Paintings by Hayley Lever, Joseph Stella, Pieter Van Veen, Annual Exhibition of Canadian Society of Painter in Water Colour, Annual Exhibition of Society of Painter-Etchers, Photographs by Royal Photography Society (April, 1929); Catalogue of Paintings and Prints by Dame Laura Knight, Sigurd Skou, Annual Exhibitions of Canadian Society of Graphic Art, Society of Painter-Etchers, and Toronto Camera Club (April, 1931); Trends in European Painting from the XIIIth to the XXth Century (October 15th to November 15th, 1937); Catalogue of the Twentieth Annual Exhibition of the Society of Canadian Painter-Etchers and Engravers, A Memorial Exhibition of Paintings by the Late T. Mower Martin, Second Canadian International Salon of Photographic Art (May, 1936); Catalogue of Works by Senior Painters in Canada and Contemporary European Water Colours (January, 1937)

six exhibition catalogues

Catalogue of the 41st Exhibition of the Royal Canadian Academy (Toronto, November 20th to December 20th, 1919); Royal Canadian Academy 78th Annual Exhibition Catalogue (Toronto, November 15th to December 15th, 1957); Royal Canadian Academy of the Arts 74th Annual Exhibition (Toronto, November 27, 1953 to January 10, 1954); Royal Canadian Academy of the Arts 81st Annual Exhibition Catalogue (Toronto/Ottawa, November 26, 1960 through March 5, 1961); Royal Canadian Academy of Arts 83rd Annual Exhibition Catalogue (Toronto/St. John’s/Kingston, January 11th through April 28th, 1963); R.C.A. 87th Annual Exhibition (Toronto/Ottawa/Sarnia, October 28, 1966 through February 4, 1967)

thirteen exhibition catalogues

O.S.A. Catalogue of the Fiftieth Exhibition (Toronto, 1922); O.S.A Catalogue of the 51st Annual Exhibition (Toronto, 1923); O.S.A. 44th Annual Exhibition (Toronto, 1926); O.S.A. 65th Annual Exhibition (Toronto, 1937); O.S.A. 73rd Annual Spring Exhibition (Toronto, 1945); O.S.A. 74th Annual Spring Exhibition (Toronto, 1946); O.S.A. 75th Annual Spring Exhibition (Toronto, 1947); O.S.A. 79th Annual Exhibition (Toronto, 1951); O.S.A. 83rd Annual Exhibition (Toronto, 1955); O.S.A. 85th Annual Exhibition (Toronto, 1957); O.S.A. 89th Annual Exhibition (Toronto, 1961); O.S.A. 90th Annual Exhibition (Toronto, 1962); O.S.A. 95th Annual Exhibition (Toronto, 1967)

four books

“Beauty in a Common Thing: The Drawings and Prints of L.L. Fitzgerald (Christine Lalonde, National Gallery of Canada, Ottawa, 2004); “Jack Shadbolt: Act of Art” (Jack Shadbolt, Toronto, 1981); “Painting Place: The Life and Work of David B. Milne (David P. Silcox, University of Toronto Press, Toronto, 1996); “Independent Spirit: Early Canadian Women Artists” (A.K. Prakash, Richmond Hill, 2008)

six books

“Canadian Art in the Twentieth Century” (Joan Murray, Toronto, 1999); “The Ontario Community Collects” (William C. Forsey, Art Gallery of Ontario, 1975); “Agnes Etherington Art Centre: Permanent Collection 1968” (Queen’s University, 1968); “A Concise History of Canadian Painting” (Dennis Reid, Don Mills, 2012, Third Edition); “Art Gallery of Ontario: The Canadian Collection” (Art Gallery of Ontario, Toronto, 1970); “Confessions of a Curator: Adventures in Canadian Art” (Joan Murray, Oshawa, 1984)

six books

“Gershon Iskowitz: Painter of Light” (Adele Freedman, Toronto, 1982); “Harold Town: Drawings” (McClelland and Stewart Limited, Toronto/Montreal, 1969); “Canadian Art: From its Beginnings to 2000” (Anne Newlands, Willowdale, 2000); “Jack Bush” (McClelland and Stewart, Canada, 1984); “Jock Macdonald: Evolving Form” [Thom, Jansma, Jacques, Hudson (Contributors), Victoria/Oshawa, 2014); “The Prints of Betty Goodwin” (Rosemarie Tovell, Vancouver/Toronto, 2002)

five books

“Contemporary Canadian Art” (David Burnett & Marilyn Schiff, Edmonton, 1983); “Modern French Painting in Canada” (Guy Viau, Department of Cultural Affairs, Quebec, 1967); “Visions: Contemporary Art in Canada” [Bringhurst, James, Keziere, Shadbolt (eds.), Vancouver, 1983); “Bellefleur: The Fervour of the Quest” (Guy Robert, Montreal, 1988); “Marcel Barbeau: Fugato” (Carolle Gagnon & Ninon Gauthier, Canada, 1990)

book

“Barker Fairley” (Paul Duval, Marianne Friedland Gallery Limited, 1980) signed by Barker Fairley and author on inside page, includes 2 unframed lithographs- each signed and numbered 48/300 (11.5 ins x 11 ins (sheet)) enclosed in front pages; in original case

13 × 12.25 × 1.25 in (33.0 × 31.1 × 3.2 cm)

six books

“Defiant Spirits: The Modernist Revolution of the Group of Seven” (Ross King, Vancouver, 2010); “Jack Shadbolt” (National Gallery of Canada, 1969); “The Visual Arts in Canada: The Twentieth Century” [Whitelaw, Foss & Paikowsky (eds.), Don Mills, 2010); “Visions of British Columbia: A Landscape Manual” (Vancouver Art Gallery, 2009); “Gordon Smith: The Act of Painting” (Ian Thom & Andrew Hunter, Vancouver Art Gallery, 1997); “Emily Carr: New Perspectives on a Canadian Icon” [Hill, Lamoureux & Thom (curators), National Gallery of Canada/Vancouver Art Gallery, 2006]

seven books

“Les moins de 35” (Quebec, 1973); “Thépot” (Collection Prisme, Paris, 1972); “Marcel Barbeau: Le regard en fugue (Carolle Gagnon & Ninon Gauthier, Québec, 1990); “Rita Letendre: The Montréal Years” (Concordia Art Gallery, Montreal, 1989); “Fernand Leduc de 1943 à 1985” (Paris, 1985); “The Automatiste Revolution” (Nasgaard & Ellenwood, Vancouver/Toronto/Berkeley, 2009); “16 Quebec Painters in their Milieu” (La Vie des Arts collection, Quebec, 1978)

book

numbered “106/160” on a colour serigraph by Lorne Bouchard within the volume; within the original slipcase

nine books

“Cineplex Odeon: The First Ten Years” (David Burnett, Toronto, 1989); “Maurice Cullen: 1866-1934” (Sylvia Antoniou, Queen’s University, 1982); “Colville” (David Burnett, Art Gallery of Ontario, 1983); “Homer Watson: The Man of Doon” (Muriel Miller, Toronto, 1988); “Jack Bush: A Retrospective” (Art Gallery of Ontario, 1976); “Hidden Values: Contemporary Canadian Art in Corporate Collections” (Robert Swain, Vancouver/Toronto, 1994); Joe Fafard (Terrence Heath, National Gallery of Canada, 2007); Iskowitz (David Burnett, Art Gallery of Ontario, 1982); “The Art of Betty Goodwin” [Jessica Bradley & Matthew Teitelbaum (eds.), Art Gallery of Ontario, 1998]

book

L.-F. Rouquette (author), Clarence Gagnon (illustrator), Editions Mornay, Paris, France, 1928; numbered illustrations by Clarence Gagnon, no. 449/ 650

five exhibition catalogues

Canadian National Exhibition Catalogue of Paintings, Graphic Art and Photography (Toronto, August 29th to September 12th, 1925); Catalogue of the Arts, Canadian National Exhibition (Toronto, August 28th to September 12th, 1931); Catalogue of the Arts, Canadian National Exhibition (Toronto, August 24th to September 8th, 1934); Canadian National Exhibition, Catalogue of the Arts (Toronto, August 23rd to September 7th, 1935); Canadian National Exhibition Catalogue of the Arts (Toronto, August 25th to September 9th, 1939)

five exhibition catalogues

Catalogue of Fine, Graphic and Applied Arts of Salon of Photography, Canadian National Exhibition (Toronto, August 27th to September 10th, 1927); Canadian National Exhibition, Catalogue of the Arts (Toronto, August 23rd to September 7th, 1935); Canadian National Exhibition Catalogue of the Arts (Toronto, August 28th to September 12th, 1936); Canadian National Exhibition Arts Catalogue (Toronto, August 26th to September 10th, 1938); Canadian National Exhibition, Catalogue of the Arts (Toronto, August 25th to September 9th, 1939)

Sampson Matthews silkscreen

unframed

30 × 40 in (76.2 × 101.6 cm) (sheet)

Sampson Matthews silkscreen

19.5 × 26 in (49.5 × 66.0 cm) (sight)

Sampson Matthews silkscreen

unframed; some moisture damage present along the lower portion of the artwork - sold “as is” and not subject to return

30 × 4 in (76.2 × 10.2 cm) (sheet)

Sampson Matthews silkscreen

30 × 40 in (76.2 × 101.6 cm)

Sampson Matthews silkscreen

unframed

30 × 40 in (76.2 × 101.6 cm) (sheet)

mixed media and collage on board

signed (twice) on the reverse; titled on a piece of tape on the reverse

12 × 16 in (30.5 × 40.6 cm)

oil on canvas

signed, titled, dated 1971 and inscribed “No. 13” on the reverse

13 × 7.5 in (33.0 × 19.1 cm)

oil on paper

signed and dated 1992 to the right

26 × 12 in (66.0 × 30.5 cm) (sheet)

ceramic and glass sculpture

4.5 × 3.5 × 3.5 in (11.4 × 8.9 × 8.9 cm) (overall)

ceramic sculpture

signed and dated 1975 on the underside

4 × 4 in (10.2 × 10.2 cm) (diameter)

ink drawing

signed lower right

15.5 × 7.25 in (39.4 × 18.4 cm)

lithograph

signed, dated 1971 and numbered 6/64 in pencil in the lower margin; titled on a gallery label on the reverse. This lot includes a book, signed by the artist: Harold Town, Silent Stars, Sound Stars, Film Stars, Toronto/Montreal: McClelland and Stewart Limited, 1971.

19.5 × 14 in (49.5 × 35.6 cm) (sheet)

oil on canvas

signed and dated 1969 lower left

27 × 21 in (68.6 × 53.3 cm)

oil on canvas

signed and dated 1988 lower right; signed and dated on the reverse

16 × 12 in (40.6 × 30.5 cm)

etching

signed and inscribed “AP xxv/xxx”

13.25 × 9.5 in (33.7 × 24.1 cm) (image)

colour serigraph

signed and dated 1954 lower right

10.25 × 8 in (26.0 × 20.3 cm) (subject)

colour etching

signed, titled, dated 1973 and numbered 6/50 in the lower margin

17 × 23 in (43.2 × 58.4 cm) (subject)

serigraph

signed, titled, dated 1971 and numbered “E/A” in pencil in the lower margin; unframed

31 × 26 in (78.7 × 66.0 cm) (sheet)

charcoal drawing

signed and dated 1965 lower left; unframed

23 × 35 in (58.4 × 88.9 cm) (sheet)

acrylic on canvas

signed, titled and dated 1972 on the reverse

32 × 32 in (81.3 × 81.3 cm)

oil on canvas

signed, titled and dated 2005 on the reverse

12 × 12 in (30.5 × 30.5 cm)

oil on canvas

signed, titled and dated 2005 on the reverse

12 × 12 in (30.5 × 30.5 cm)

acrylic on canvas

signed and dated 19674 upper right; signed, titled and dated 1974 on the reverse

28.5 × 40 in (72.4 × 101.6 cm)

watercolour

signed lower right

21 × 21 in (53.3 × 53.3 cm) (diameter)

acrylic

signed and dated 1977 lower right

10 × 22 in (25.4 × 55.9 cm) (sight)

colour photolithograph

signed, titled and numbered 118/950 in the lower margin

13.5 × 21.5 in (34.3 × 54.6 cm) (subject)

watercolour

signed along the right edge

18.5 × 24 in (47.0 × 61.0 cm)

colour aquatint

signed and titled in the lower margin

5.5 × 7 in (14.0 × 17.8 cm) (subject)

watercolour

signed lower right

6 × 7.5 in (15.2 × 19.1 cm)

oil on card

signed and dated 1946 lower right; inscribed “Col. W.J. Franklin(?), Ottawa” on the reverse

9.5 × 11.75 in (24.1 × 29.8 cm)

watercolour

signed lower right; signed and inscribed by the artist on the reverse

9 × 11.75 in (22.9 × 29.8 cm) (sight)

signed lower left

18 × 14.5 in (45.7 × 36.8 cm) (sight)

colour silkscreen

signed lower right

9 × 11 in (22.9 × 27.9 cm) (sight)

colour silkscreen

signed in the plate lower right; a description from Canada Malting Co. Limited included; unframed (matted)

8.5 × 10 in (21.6 × 25.4 cm)

watercolur and graphite

signed and dated 1990 lower right; signed, titled and dated on the reverse

31.75 × 45 in (80.6 × 114.3 cm) (sheet)

colour silkscreen

signed within the plate lower right

10.5 × 8.75 in (26.7 × 22.2 cm) (sight)

two colour silkscreens

each signed lower right; each initialed lower right within the plate

8 × 3 in (20.3 × 7.6 cm) (sight)

oil on canvas board

signed lower right; signed and titled on the reverse

12 × 16 in (30.5 × 40.6 cm)

linocut

signed lower right; titled and inscribed on the reverse

5.75 × 7.25 in (14.6 × 18.4 cm)

colour woodcut

signed, titled, dated 1957 and numbered 5/10 in the lower margin; unframed

30.25 × 22 in (76.8 × 55.9 cm) (sheet)

mixed media

signed lower left

8 × 9 in (20.3 × 22.9 cm)

oil on canvas

signed lower right

24 × 30 in (61.0 × 76.2 cm)

oil on board

signed lower left; dated “December 1970” on a label on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed lower right; signed, titled and dated 1970 on the reverse

10 × 12 in (25.4 × 30.5 cm)

pastel

signed and dated 1961 lower right

18.5 × 24 in (47.0 × 61.0 cm) (sight)

oil on board

signed and dated 1995 lower left; titled on an artist label on the reverse

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed lower left; titled on the reverse

24 × 30 in (61.0 × 76.2 cm)

oil on canvas

signed lower right; signed on the reverse on the stretcher

44 × 24 in (111.8 × 61.0 cm)

acrylic on card

signed, titled and dated 1982 lower right

12.75 × 18.75 in (32.4 × 47.6 cm)

oil on panel

signed lower left; titled on a gallery label on the reverse

10 × 12 in (25.4 × 30.5 cm)

oil on board

signed lower right; signed, titled and dated 2017 on the reverse

9 × 12 in (22.9 × 30.5 cm)

oil on masonite

signed lower left; signed and titled on the reverse

12 × 14 in (30.5 × 35.6 cm)

oil on board

signed lower right

25 × 20.25 in (63.5 × 51.4 cm)

oil on board

titled and dated on an artist’s label with artist’s stamp on reverse

23.75 × 35.75 in (60.3 × 90.8 cm)

watercolour

signed lower left; signed, titled and dated “Aug. 1956” on the reverse

9.25 × 14.75 in (23.5 × 37.5 cm)

watercolour

signed lower left subject; signed and titled in the lower margin

9.25 × 7.75 in (23.5 × 19.7 cm) (subject)

oil on board

signed lower right; signed (twice), titled and dated 1979 (twice) on the reverse

8 × 10 in (20.3 × 25.4 cm)

watercolour

signed and dated 1932 lower left

8.75 × 9.75 in (22.2 × 24.8 cm)

oil on canvas board

signed lower right; titled on the reverse

8 × 10 in (20.3 × 25.4 cm)

watercolour

signed lower left; unframed (matted)

13 × 10 in (33.0 × 25.4 cm) (card)

oil on canvas

signed lower left

16.5 × 45.25 in (41.9 × 114.9 cm)

oil on board

5.25 × 8 in (13.3 × 20.3 cm)

oil on board

signed lower centre

27 × 38.5 in (68.6 × 97.8 cm)

pastel

signed and dated 1959 lower right

24 × 9 in (61.0 × 22.9 cm)

oil on masonite

signed lower right

16 × 12 in (40.6 × 30.5 cm)

oil on canvas

signed lower right and titled upper right

24 × 21 in (61.0 × 53.3 cm)

mixed media

“Woman with Red Wine”- etching; signed within the plate (25.25 ins x 18 ins); “Lowther St. Toronto”- ink drawing; signed, titled and dated “30 September 1973” lower right (24 ins x 17 ins); Model with Hoop Earrings”- ink and watercolour; signed lower left, dated “6.7.93” lower right (24 ins x 19 ins); “Tow Women”- oil on paper; signed and dated 2009 lower right, inscribed “2-11-2009” in the lower margin (14.75 ins x 15.5 ins); “Lido Series”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “9” and “6-12-84” at the lower edge (17 ins x 14 ins); “Red Wine”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “29-11-84” at the lower edge (17 ins x 14 ins); “Calgary 1979, View From My Balcony”- charcola; signed lower right, titled lower left, inscribed “No 2 30 April 79 1st Charcoal” at the lower edge (18.75 ins x 25 ins); “Woman in White Coat”- pastel; signed and dat “5 March 1978” lower left (24.75 x 19 ins); all unframed

mixed media

“Reclining Model with Red Wine”- etching; signed, titled, dated “17 March 1982”and inscribed “Second Test Print” in the lower margin (20 ins x 26 ins); “Girl with Red Wine”- etching; signed within the plate; signed, titled, dated 1982 and inscribed “A/P” in the lower margin (25.5 ins x 18 ins); “Woman with Black Scarf”- ink and watercolour; signed and dated “17.2.92” lower left, inscribed “w/c 1-17-2-92” lower right (19.5 ins x 15.5 ins); “Train to Stanley Mountain”- oil on paper; signed and dated “09” lower left, titled and dated “7.8.09” in the lower margin (14.75 ins x 16.75 ins); “Striped Bra”- monotype; signed titled and dated 1984 in the lower margin, inscribed “28-11-84” lower right (17 ins x 14 ins); “Lido Series”- monotype; signed, titled and dated 1984 in the lower margin, inscribed “1-12-84” lower right (17 ins x 14 ins); “Seated Woman at Table”- pastel; signed and dated 1979 lower left (18.75 ins x 25 ins); “Model with Folded Arms”- pastel; signed and dated 1979 at the lower edge (26 ins x 19.75 ins); “Woman in Striped Scarf”- conte; signed and dated “16 May 1978” lower left (24.75 ins x 18.75 ins); all unframed

pastel

signed lower right

18.5 × 24.25 in (47.0 × 61.6 cm) (sight)

oil on canvas

signed lower left; titled on the stretcher; unframed

24 × 18 in (61.0 × 45.7 cm)

assorted media on paper (5)

“Self Portrait” (coloured pencil, titled, and dated “1/4/76” in the lower margin - 13.75 x 10.25 ins); “Sylvie” (pencil on paper, signed, titled and dated 1981 in the lower margin - 11 x 12.75 ins); “Karate” (pastel on paper, signed, titled and dated 1982 in the lower margin - 13.5 x 10 ins); “Motion” (pastel on paper, signed, titled and dated 1981 in the lower margin - 13.5 x 10 ins); “Getting Dressed” (marker on paper, signed, titled and dated 1981 in the lower margin - 13.5 x 10 ins); unframed

oil on board

signed lower left; signed, titled and dated “22 Jan. ‘75” on the reverse

10 × 8 in (25.4 × 20.3 cm)

graphite and coloured pencil

signed lower right

10.5 × 8 in (26.7 × 20.3 cm)

etching

7.5 × 6 in (19.1 × 15.2 cm)

ink sketch

signed with initial lower centre

3.75 × 5.25 in (9.5 × 13.3 cm) (sight)

assorted media (2)

“Beach Scene” (ink and acrylic on paper, signed and dated 1979 lower right - 25.75 x 40 ins); “Seated Study” -(acrylic on paper, signed lower right; titled “Study” and dated 1975 on accompanying paper - 25.75 x 40 ins); unframed

graphite drawing

9.25 × 8.75 in (23.5 × 22.2 cm) (sight)

graphite drawing

8.5 × 8 in (21.6 × 20.3 cm) (Overall sheet)

pastel

signed lower right

9.75 × 11.75 in (24.8 × 29.8 cm) (sight)

oil on canvas

signed lower right; signed, titled and dated 2002 on the reverse; unframed

40 × 60 in (101.6 × 152.4 cm)

oil on canvas

signed lower left; signed, titled and dated 1999 on the reverse; unframed

36 × 48 in (91.4 × 121.9 cm)

oil on canvas board

signed lower right; signed and titled on the reverse

12 × 10 in (30.5 × 25.4 cm)

oil on board

signed lower right

16 × 20 in (40.6 × 50.8 cm)

oil on board

signed indistinctly lower left; a sketch of a harbour village on the reverse

10 × 12 in (25.4 × 30.5 cm)

pair of watercolours

“Street Scene”- signed lower left (10.5 ins x 14 ins); “Rasco’s Hotel, rue St Paul, Montreal”- signed lower left; titled on the reverse (12 ins x 16 ins)

12 × 16 in (30.5 × 40.6 cm) (largest)

oil on board

signed lower right; signed, titled and dated “Oct. 1979” on the reverse

12 × 19.75 in (30.5 × 50.2 cm)

watercolour

signed lower right

12.5 × 20 in (31.8 × 50.8 cm) (sight)

oil on canvas

Condition Noted: craquelure present throughout and repairs to the canvas present; sold “as is” and not subject to return

20.25 × 30 in (51.4 × 76.2 cm)

oil on canvas

signed and dated lower left

18 × 24 in (45.7 × 61.0 cm)

oil on canvas

signed lower left; signed and titled on the reverse

18 × 21 in (45.7 × 53.3 cm)

watercolour

signed lower right

10.5 × 14.25 in (26.7 × 36.2 cm)

three etchings

each signed and titled in the lower margin; “Dominion Square, Montreal” (plate size 4.75 ins x 6.25 ins); “Bonsecours Market, Montreal” (plate size 6.25 ins x 4.75 ins); “Nelson Monument, Montreal” (plate size 6.5 ins x 4.5 ins)

etching

signed and titled in pencil in the lower margin

7.5 × 6 in (19.1 × 15.2 cm) (plate size)

oil on canvas

signed lower left

7 × 5 in (17.8 × 12.7 cm)

mixed media on board

signed lower left

18 × 14 in (45.7 × 35.6 cm)

pastel

signed and dated 1991 lower right; unframed

29.5 × 41.5 in (74.9 × 105.4 cm) (sheet)

lithograph

signed, titled, dated 1971 and inscribed “Artist Proof A”

27 × 17.75 in (68.6 × 45.1 cm) (subject)