December Auction of Artwork

oil on canvas board

signed lower right; title and estate stamp on the reverse

10.5 × 13.5 in (26.7 × 34.3 cm)

ink and watercolour

signed and titled lower right

10.75 × 12.5 in (27.3 × 31.8 cm) (sight)

oil on panel

signed lower right; titled on the reverse

11 × 14 in (27.9 × 35.6 cm)

oil on board

signed lower right

10 × 13 in (25.4 × 33.0 cm)

oil on paper

signed “Bill Perehudoff” and inscribed “To Delores and Rene” lower right

14.75 × 21.5 in (37.5 × 54.6 cm) (sight)

mixed media on paper

signed with monogram lower right

13.25 × 16.5 in (33.7 × 41.9 cm)

ink drawing

signed and dated 1964 lower left; signed, titled, dated 1964 and inscribed “pen and ink” and “22 1/2 x 17 1/2” on the reverse

22 × 28 in (55.9 × 71.1 cm)

oil on board

titled with a certification from the artist’s grandson on the reverse

20 × 24 in (50.8 × 61.0 cm)

oil on board

titled with a certification from the artist’s grandson on the reverse

20 × 24 in (50.8 × 61.0 cm)

watercolour

signed lower right; unframed

18 × 24 in (45.7 × 61.0 cm)

silkscreen

signed, titled, numbered 40/45 and inscribed “A.P” in lower margin

12 × 18 in (30.5 × 45.7 cm)

oil on board

signed lower right; title and estate stamp on the reverse

13 × 16 in (33.0 × 40.6 cm)

oil on canvas

signed lower left

36 × 27 in (91.4 × 68.6 cm)

oil on canvas

signed and dated 1909 lower right

16 × 24 in (40.6 × 61.0 cm)

watercolour

signed and dated 1884 lower right

10.5 × 14.5 in (26.7 × 36.8 cm)

etchings

Six Etchings: “The Axeman, Algonquin Park”, 6 ins x 7.75 ins (signed, titled and numbered 11/20); “Birchs, Kearney”, 3.75 ins x 5.75 ins (signed, titled and numbered “2/20”); “After the Storm, N. Ontario”, 5 ins x 7.25 ins (signed, titled and numbered 4/20); “Water Sleigh, Kearney, Ontario”, 3.75 ins x 7 ins (signed, titled and dated 9/20); “The Portage”, 4.75 ins x 7.25 ins (signed, titled and numbered 7/20); “Kearney Homestead”, 5.75 ins x 8 ins (signed, titled, dated 1930 and numbered 9/20); each unframed (matted) and contained in a booklet crafted by the artist, an inscription from the artist is included on the back inside cover of the booklet, discussing the Kearney region and the artist’s experience in creating these images

watercolour

signed and dated 1898 lower right

9.75 × 12.75 in (24.8 × 32.4 cm)

oil on board

signed lower left; titled on a label on the reverse of the framing

6 × 6 in (15.2 × 15.2 cm)

acrylic on canvas

signed lower right; signed, titled and dated 1996 on the stretcher

48 × 24 in (121.9 × 61.0 cm)

watercolour

signed lower left

15 × 19 in (38.1 × 48.3 cm)

colour silkscreen

signed, titled and numbered 2/56 in the lower margin

17.25 × 24 in (43.8 × 61.0 cm) (image)

colour silkscreen

signed, titled and numbered 8/50 in the lower margin

18.25 × 25 in (46.4 × 63.5 cm) (image)

etching

signed and inscribed “Proof” in lower margin; unframed

22.75 × 17.5 in (57.8 × 44.5 cm) (image)

sepia ink and watercolour

signed and dated 1989 lower left

16 × 13.5 in (40.6 × 34.3 cm)

colour etching

signed, titled, dated 1980 and numbered 15/45 in the lower margin; unframed

39.5 × 29.75 in (100.3 × 75.6 cm) (sheet)

colour etching

signed and titled in the lower margin; inscribed “Bon à tirer”; unframed

11.75 × 19.75 in (29.8 × 50.2 cm)

lithograph

signed and numbered 38/50 lower right

16.75 × 12.75 in (42.5 × 32.4 cm)

colour silkscreen

signed, titled, dated 1979 and numbered 47/67; unframed

12.5 × 16.5 in (31.8 × 41.9 cm) (sheet)

colour silkscreen

signed, titled, dated 1979 and numbered 41/68 in the lower margin; unframed

15 × 22.25 in (38.1 × 56.5 cm) (sheet)

acrylic on canvas

signed and dated 1979 lower right; titled on the stretcher; a patched repair on the reverse; unframed

24 × 30 in (61.0 × 76.2 cm)

colour serigraph

signed in the lower margin

21.5 × 29.5 in (54.6 × 74.9 cm)

colour etching

signed, titled and numbered 10/50 in the lower margin

24 × 17.75 in (61.0 × 45.1 cm)

acrylic on canvas

signed and dated 1973 lower right

24 × 30 in (61.0 × 76.2 cm)

etching and aquatint

signed, titled, numbered 43/50 and inscribed “Dorset 2002” in the lower margin; unframed

28.5 × 34.25 in (72.4 × 87.0 cm) (sheet)

lithograph and stencil

signed, titled, dated 1983 and numbered 28/50; unframed

22 × 31 in (55.9 × 78.7 cm)

engraving

signed and inscribed in syllabics, dated 1963 and numbered 20/50 in the lower margin; the bottom left corner of the paper torn

9.75 × 11.75 in (24.8 × 29.8 cm)

oil on board

signed and dated “65-66” lower left

30 × 22 in (76.2 × 55.9 cm)

Acrylic on panel

signed lower right; an unfinished still life composition on the reverse

29 × 21 in (73.7 × 53.3 cm)

oil on canvas

signed lower left

20 × 28 in (50.8 × 71.1 cm)

coloured pencil on paper

signed and titled in the lower margin

32 × 19.5 in (81.3 × 49.5 cm)

coloured pencil on paper

signed and titled in the lower margin

32 × 21 in (81.3 × 53.3 cm)

pair of posters

“Ontario Place (Recent Paintings, Mazelow Gallery, Dec. 1-Dec. 30, 1970)” - 37 ins x 26 ins; “Harold Town: Popsters & Celebrities” - 38 ins x 25 ins, signed and dated 1971 lower right, numbered 14-39 lower left; both unframed

37 × 26 in (94.0 × 66.0 cm)

lithograph

signed, dated 1971 and numbered 97-114 in the lower margin; unframed

14 × 20 in (35.6 × 50.8 cm) (sheet)

screenprint

signed, dated 1967 and inscribed “A/P” in the margin

35 × 24 in (88.9 × 61.0 cm)

four posters

each designed by Burton Kramer Associates Ltd. and printed by Herzig Somerville Ltd. in Canada; each unframed

35 × 24.25 in (88.9 × 61.6 cm) (each sheet)

three posters

each designed by Burton Kramer Associates Ltd. and printed by Herzig Somerville Ltd. in Canada; each unframed

35 × 24.25 in (88.9 × 61.6 cm) (each sheet)

lithograph

signed and dated 1970 lower left; numbered 8-60 lower right

20 × 14 in (50.8 × 35.6 cm)

lithograph

signed with initials in lower right margin

12.75 × 15 in (32.4 × 38.1 cm)

oil on board

signed lower right

11 × 14 in (27.9 × 35.6 cm)

colour aquatint

signed and titled in the lower margin

5.25 × 4 in (13.3 × 10.2 cm)

colour aquatint

signed and titled in the lower margin

4.25 × 5.75 in (10.8 × 14.6 cm)

colour aquatint

signed and dated in the lower margin

4.5 × 6 in (11.4 × 15.2 cm)

hand-coloured photographs

a pair of photographs by William Notman, hand-coloured by Henry Sandham; the Portrait of a Gentleman signed by Henry Sandham, dated 1869 and inscribed “Notman photo”; the Portrait of a Lady initialed by Henry Sandham, dated 1869 and inscribed “Notman photo”

5.5 × 5 in (14.0 × 12.7 cm)

colour woodcut

signed, titled, dated 1976 and inscribed “Proof” in the lower margin

12 × 18 in (30.5 × 45.7 cm)

ink drawing

signed upper left; titled and dated “August 1964” lower right

5 × 7 in (12.7 × 17.8 cm)

oil on board

signed lower left

24 × 20 in (61.0 × 50.8 cm)

book

numbered “136/160” on a colour serigraph by Lorne Bouchard within the volume

11.75 × 10.5 in (29.8 × 26.7 cm)

books

Morrice (Kathleen Daly Pepper, 1966); Ken Danby (Paul Duval, 1976, sealed in cellophane); Krieghoff - Images of Canada (Dennis Reid, 1999, sealed in cellophane); Tom Forrestall - Paintings, Drawings, Writings (Tom Smart, 2008); The Tranquility & The Turbulence - The Life and Work of Walter J. Phillips (Roger Boulet, 1981)

books

Morrice (Kathleen Daly Pepper, 1966); Laura Muntz Lyall - Impressions of Women and Childhood (Joan Murray, 2012); Sunday Morning with Cass (Ted Herriott, 1993, sealed in cellophane); Canadian Art in the Twentieth Century (Joan Murray, 1999, signed by the author); Early Days on the Great Lakes - The Art of William Armstrong (Henry C. Campbell, 1971)

wooden mask

signed, dated 1984 and inscribed “Squamish Tribe” on the reverse

11 × 5.25 × 2 in (27.9 × 13.3 × 5.1 cm) (overall)

oil on canvas

signed lower left; signed on the reverse; unframed

18 × 14 in (45.7 × 35.6 cm)

oil on board

signed and dated 1990 lower right

18 × 24 in (45.7 × 61.0 cm)

acrylic on board

signed and dated 1989 lower right; unframed

18 × 30 in (45.7 × 76.2 cm)

three watercolours

each signed, dated 1987 and numbered “47” lower right; each titled on the reverse; all unframed

11 × 13.5 in (27.9 × 34.3 cm) (each sheet)

etching

signed and numbered 1/100

7 × 5.5 in (17.8 × 14.0 cm)

lithograph

signed and dated 1977 in the plate; signed and numbered 5/50 in the lower margin

13.5 × 11.5 in (34.3 × 29.2 cm) (image)

charcoal drawing

signed lower right

12 × 8.5 in (30.5 × 21.6 cm)

oil on canvas

signed and dated 1985 lower right; titled on the stretcher

20 × 24 in (50.8 × 61.0 cm)

oil on canvas

signed lower right; signed and titled on the reverse

16 × 12 in (40.6 × 30.5 cm)

two works on paper

“Old Man Coppermine” - mixed media on paper, signed lower right; titled and dated 1977 on the reverse (10.5 ins x 8.5 ins); “Mother and Baby” - watercolour and ink on paper, signed lower right (9.5 ins x 7.5 ins)

10.5 × 8.5 in (26.7 × 21.6 cm)

mixed media on styrene sheet

signed lower right

18.5 × 12 in (47.0 × 30.5 cm)

mixed media on styrene sheet

signed twice lower right

12 × 9 in (30.5 × 22.9 cm)

oil on canvas

signed lower left

9 × 8.25 in (22.9 × 21.0 cm)

oil on canvas

signed lower right

16 × 20 in (40.6 × 50.8 cm)

etching

signed in the lower right margin; unframed

8 × 9.75 in (20.3 × 24.8 cm)

etching

signed lower right corner of sheet; titled lower centre edge of plate; unframed

5.5 × 7.5 in (14.0 × 19.1 cm)

stonecut and stencil

signed, titled, dated 1983, numbered 1/50 and inscribed “Dorset” and “stonecut and stencil” in the lower margin; inscribed and stamped in syllabics in left margin; unframed (matted)

8 × 13 in (20.3 × 33.0 cm)

stonecut and stencil

signed, titled, dated “1971”, numbered 27/48 and inscribed in syllabics in the lower margin

18 × 16.5 in (45.7 × 41.9 cm)

oil on board

signed lower left; titled on the reverse

8.5 × 10.5 in (21.6 × 26.7 cm)