Auction of Canadian & International Prints

serigraph

signed, titled, dated 1972 and numbered 34/100

21 × 19 in (53.3 × 48.3 cm)

lithograph

signed, titled, dated 1979 and numbered 27/30 in the margin

31.25 × 25.25 in (79.4 × 64.1 cm) (sheet)

eight colour serigraph

signed lower right; numbered 65/80 lower left

41 × 51 in (104.1 × 129.5 cm)

lithograph

signed, dated 1983 and numbered 28/60 in the margin; water damage located in the upper left corner

22 × 33.75 in (55.9 × 85.7 cm)

colour lithograph

signed, dated 1970 and numbered 53/100; a small tear in the upper right corner

26 × 40 in (66.0 × 101.6 cm)

colour lithograph

signed and numbered 38/100 in the lower margin

22 × 29.5 in (55.9 × 74.9 cm)

coloured woodcut

signed, titled, dated 1949 and numbered No. 8/30; unframed

26 × 19.75 in (66.0 × 50.2 cm) (sheet)

colour woodblock

signed, titled, dated 1965 and numbered 63/100 in the margin; unframed

14.75 × 10 in (37.5 × 25.4 cm) (image)

woodblock

signed, dated 1968 and numbered 4/15

14 × 10 in (35.6 × 25.4 cm) (image)

colour lithograph

signed and numbered 10/90 in the lower margin; unframed

17 × 25.5 in (43.2 × 64.8 cm)

silkscreen

signed, dated 1982 and numbered 11/15 in the lower margin

21.75 × 18 in (55.2 × 45.7 cm)

colour screenprint

signed, titled, dated 1976 and inscribed “Artist’s Proof”; unframed

21.75 × 28 in (55.2 × 71.1 cm) (sheet)

colour etching

signed, dated 1967 and inscribed “Artist’s Proof” in lower margin

14 × 10.75 in (35.6 × 27.3 cm)

sampson-matthews silkscreen

signed lower right within the plate

19.75 × 28.5 in (50.2 × 72.4 cm)

colour photolithograph

signed in the plate; signed by the artist on the matting

4.5 × 6 in (11.4 × 15.2 cm)

colour serigraph

signed, dated 1980 and numbered 77/100

15 × 21.5 in (38.1 × 54.6 cm)

colour serigraph

signed, dated 1979 and numbered 95/100

15 × 21.25 in (38.1 × 54.0 cm)

engraving

signed with initials in the lower left margin; the engraving accompanies a holiday card from the artist (attached at two points along the upper edge to its cover), the cover of the card signed and inscribed “Season’s Greetings”, the inside of the card signed and inscribed “Dear Mr. Brown, Thank you for your letter of the 14th. Am enclosing form (sic) filed out. Many good wishes for a Merry Christmas to you and Mrs. Brown”; unframed

3.5 × 5.5 in (8.9 × 14.0 cm)

etching

signed in the lower right margin; numbered 5/100 in the lower left margin; titled in the lower centre plate; unframed (matted)

8.75 × 12.25 in (22.2 × 31.1 cm)

etching

signed in the lower right margin; numbered 16/100 in the lower left margin; titled and inscribed “Les Entrées Protegees Par Les Sacs De Sable En Haut Se Trouve La Sirene” in the lower right plate; unframed

13.5 × 10.75 in (34.3 × 27.3 cm)

etching

signed in the lower right margin; unframed

6.5 × 8.25 in (16.5 × 21.0 cm)

etching

signed in the lower right margin

15 × 23 in (38.1 × 58.4 cm)

etching

signed in the lower right plate; unframed

5.75 × 9 in (14.6 × 22.9 cm)

etching

signed in the lower right margin; titled in the lower left margin

8 × 8.75 in (20.3 × 22.2 cm)

etching

signed and date 1925 in the lower right margin; numbered 3/100 in the lower left margin; titled in the plate

8.75 × 12.25 in (22.2 × 31.1 cm)

engraving

signed and dated 1946 in the margin

9.5 × 12 in (24.1 × 30.5 cm)

black and white lithograph

signed, titled, dated 1985 and numbered 4/15 in the margin

23 × 29.5 in (58.4 × 74.9 cm)

lithograph

signed, dated 1979 and numbered 66/100 in the margin

19.5 × 15.75 in (49.5 × 40.0 cm)

black and white lithograph

signed, dated 1968 and inscribed “I/V”

22.5 × 17.75 in (57.1 × 45.1 cm)

colour serigraph

signed, dated 1979 and numbered 1/100 in the lower margin; unframed

15 × 21.75 in (38.1 × 55.2 cm)

lithograph

signed and numbered 162/200 in the margin

10 × 8 in (25.4 × 20.3 cm)

colour screenprint

signed, titled, dated 1979 and numbered 63/150 in the lower margin; unframed

30 × 22.25 in (76.2 × 56.5 cm) (sheet)

coloured intaglio

signed, titled and numbered 35/50 in the lower margin

15.25 × 19.25 in (38.7 × 48.9 cm)

prints

Six prints: “We Are Gods Within Ourselves” (22 ins x 16 3/4 ins); “Fish and Loons of Lake Nipigon” (16.5 ins x 22.75 ins); “Children of Light and Sound” (22.5 ins x 16.75); “Bird Speaks to These Children” (22.5 ins x 16.75 ins); “Sermon to the Birds” (22.5 ins x 17 ins); and “Woodland Creatures” (16.5 ins x 23 ins); contained within the original portfolio

22 × 16 in (55.9 × 40.6 cm)

colour silkscreen

signed, titled and numbered 77/99 in the lower margin

18.5 × 23.5 in (47.0 × 59.7 cm) (sight)

colour serigraph

signed, titled, dated 1974 and numbered 9/60 in the lower margin

46 × 30 in (116.8 × 76.2 cm) (sight)

lithograph

signed and dated 1970 lower left; numbered 141-149 lower right; unframed

22 × 14 in (55.9 × 35.6 cm) (sheet)

lithograph

signed, dated 1970 and numbered 85-166 upper left; unframed

14 × 22 in (35.6 × 55.9 cm) (sheet)

lithograph

signed and dated 1971 upper left; numbered 110-175 lower left; unframed

22 × 14 in (55.9 × 35.6 cm) (sheet)

colour serigraph

signed, dated 1976 and numbered 25/150 in the lower margin

13 × 15.5 in (33.0 × 39.4 cm) (image)

colour lithograph

signed, titled, numbered 87/100 and inscribed “Dorset 2004” in the lower margin; unframed

22.5 × 30 in (57.1 × 76.2 cm) (sheet)

stonecut

signed & inscribed in syllabics and numbered 34/40 in the lower margin; unframed

18.5 × 25 in (47.0 × 63.5 cm) (sheet)

print

signed, titled and inscribed “A.P. 1/XX” in the margin

18 × 36 in (45.7 × 91.4 cm)

colour serigraph

signed, titled and dated “A.P. 7/8” in the lower margin

10.5 × 13.5 in (26.7 × 34.3 cm) (image)

two silkscreens

a pair of works, signed, titled and numbered 58/200 in the margin, each framed

21 × 24 in (53.3 × 61.0 cm)

silkscreen

signed, titled and numbered 168/250 in the margin; unframed

19.25 × 26 in (48.9 × 66.0 cm)

monoprint

signed, titled, dated 1966 and inscribed “mono-print”

8 × 6.5 in (20.3 × 16.5 cm)

embossed prints

each signed and numbered 15/60

16 × 25 in (40.6 × 63.5 cm)

lithograph

signed and numbered 2/50 in the margin

15.25 × 12.25 in (38.7 × 31.1 cm)

no-medium

(1) Messenger 1, mezzotint, signed, titled, dated ‘79 and numbered 2/5 in the margin, (17.5 ins x 17.5 ins); (2) Batesian Mime, messotint and aquatint, signed, titled, dated ‘80 and inscribed “A.P. III/V” in the margin, (17.5 ins x 17.5 ins); (3) Icarus V, lithograph, signed, titled, dated ‘79 and inscribe “A/P II” in the margin, (22.5 ins x 22.5 ins)

17.5 × 17.5 in (44.5 × 44.5 cm)

colour lithograph

signed and numbered 2/50 in the lower margin; unframed

12.5 × 12.5 in (31.8 × 31.8 cm)

colour lithograph

signed, dated 1967 and numbered 2/25 in the lower margin; unframed

30 × 23 in (76.2 × 58.4 cm)

colour silkscreen

signed, titled and inscribed “A/P” in the lower margin

16 × 22 in (40.6 × 55.9 cm) (image)

colour silkscreen

signed, titled, dated 1977 and numbered 59/75 lower right

28 × 40 in (71.1 × 101.6 cm) (sight)

three stonecuts

“Mother and Baby Bird” - 7 ins x 11 ins, signed, dated 1975 and numbered 35/45 and inscribed “Povungnituk” in lower margin; “Mother Duck with Babies” - 8 ins x 12 ins, signed, dated 1975, numbered 38/40 and inscribed “Povungnituk” in lower margin; “Duck” - 8 ins x 12.5 ins, dated 1974 and numbered 3/35; all unframed

stonecut and stencil

signed, titled, dated 1988 and numbered 39/50; unframed

18 × 24 in (45.7 × 61.0 cm)

stonecut and stencil

signed, titled, dated 1993 and numbered 31/50; unframed

38 × 24 in (96.5 × 61.0 cm)

stonecut

signed, titled, dated 1993, and numbered 31/50; unframed

24.5 × 30 in (62.2 × 76.2 cm)

gelatin silver print

signed, titled, dated 1971 and numbered 11/35 in the lower margin

13 × 19 in (33.0 × 48.3 cm)

colour serigraph

signed, dated 1983 and numbered 70/100 in the margin

15 × 21.5 in (38.1 × 54.6 cm)

black and white lithograph

signed, dated 1985 and numbered 65/100

19.5 × 15.5 in (49.5 × 39.4 cm)

photolithographs

a pair of portraits: Josepha Bowman MacKinnon (signed lower right in the plate) (4 ins x 2.5 ins); Eric George Adams (signed and dated 1931 lower right in the plate) (4 ins x 3 ins)

4 × 3 in (10.2 × 7.6 cm)

etching

signed and numbered 7/30 in the lower margin

5.75 × 4.75 in (14.6 × 12.1 cm)

posters

This lot includes the following: (1) Art Toronto ‘82; (2) Gershon Iskowitz, 1982 Retrospective (Art Gallery of Ontario); (3) Ken Danby, Helico Graphics, 1981; (4) Oscar Cahén, 1983/84 (Art Gallery of Ontario); (5) Masters of the XXth Century, 1981 (Gallery Moos); (6) Michael Thompson, 1981 (Gallery Moos) (water damage present); (7) Paul Jenkins (Gallery Moos), all framed, various sizes

36 × 24 in (91.4 × 61.0 cm)

posters

This lot includes the following: (1) XVth Anniversary Exhibition, International Sculpture, 1974 (Gallery Moos); (2) Barry Apple, Accumulation, 1970 (The Electric Gallery); (3) Ken Danby, 1976 (Gallery Moos); (4) Gershon Iskowitz, A Retrospective, 1982 (Art Gallery of Ontario); (5) Fred Powell, New Sculpture, 1983 (Gallery Moos); (6) Art Toronto ‘81; (7) Karel Appel Documentation Centre, 1977 (Art Gallery of Hamilton) (signed by the artist), all framed, various sizes

35 × 20 in (88.9 × 50.8 cm)

four posters

each copyright 1972 by “Edition Olympia 1972 GmbH” and printed in Germany for Kennedy Graphics Inc.; each unframed

39.75 × 25 in (101.0 × 63.5 cm) (each sheet)

pair of posters

“Harold Town: Popsters and Celebrities”, Traveling Exhibition, 1971/1972, signed, dated 1971 and numbered 28-39, sheet size 38 ins x 25 ins; “Harold Town: Silent Stars, Sound Stars, Film Stars”, London Arts Gallery, Jan. 13-Feb. 13, 1971, sheet size 39.5 ins x 24 ins; both unframed

38 × 25 in (96.5 × 63.5 cm) (Item 1)