Standing Withstanding (Infrared-Still); Standing Withstanding (Infrared-Capital), 2017 by Wanda Koop






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Cowley Abbott
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Toronto ON M5T 1G5
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Wanda Koop
Standing Withstanding (Infrared-Still); Standing Withstanding (Infrared-Capital), 2017
two acrylics on canvas (diptych)
each signed, titled and dated 2017 on the reverse
40 x 30 in ( 101.6 x 76.2 cm ) ( each )
Auction Estimate: $30,000.00 - $40,000.00
Arsenal Contemporary, New York
Private Collection, Montreal
"Standing Withstanding", Arsenal Contemporary, New York, 1 May-1 July 2018
"Standing Withstanding" [online publication], Arsenal Contemporary, 1 May 2018, accessed 10 April 2025
These striking canvases were featured in Arsenal Contemporary’s exhibition "Standing Withstanding" in 2018—the artist’s first major solo show in New York City. The press release describes the show as “a continuation of Koop’s investigation into the contemporary understanding of landscape, in particular this genre as a vehicle for addressing cultural encroachment upon and destruction of the so-called natural world. With a concentration on the interrelationship between nature and human perception, canvases capture the minimal silhouette of various skylines, abstracted through positive and negative space, as a softly optical re-visitation of these sites through the estrangement of memory.”
Here, Koop has employed her signature vibrant colour fields and minimalistic subject matter. The diptych features a bold and intense red colour palette, creating a dreamlike and almost surreal atmosphere. The left panel is nearly monochromatic, with subtle tonal shifts that evoke a glowing, atmospheric expanse. The right panel introduces a recognizable structure: a domed building, inspired by government and institutional architecture, as suggested by the title. One of Koop’s signature techniques is evident in the vertical drips of paint extending from the top edge and flanking the building, giving the impression of melting or bleeding colour. This effect adds a sense of instability, as if the landscape itself is dissolving before the viewer’s eyes.
Despite its minimalist composition, this diptych by Wanda Koop is deeply evocative, leaving the viewer with more questions than answers. The balance between simplicity and mystery is what makes Koop’s work so compelling—she strips down the subject matter while opening up endless possibilities for interpretation.
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Wanda Koop
(1951) RCA
Based in Winnipeg, Wanda Koop is one of Canada’s most important and inventive contemporary artists. With a career spanning over four decades, Koop is known for charting new directions in painting, and pushing the boundaries of presentation and display with her monumental painting installations incorporating video and performance. Recognized for her community work and social activism as well as her visual practice, Koop has been the subject of more than 50 major solo exhibitions in Canada and abroad. Most notably, the National Gallery of Canada and the Winnipeg Art Gallery exhibited a comprehensive survey of her work in 2010-2011. Over the course of her career, Koop has been the recipient of numerous national and international honours. Most recently, she was awarded a Governor General’s Award in the Visual and Media Arts for 2016. In 2006, she was appointed a Member of the Order of Canada, in recognition of her outstanding lifetime achievement. Koop has also been honoured with the Queen’s Diamond and Golden Jubilee Medals, and is the recipient of honorary doctorates from the University of Winnipeg, the Emily Carr University of Art and Design in Vancouver, and the University of Manitoba. The National Gallery of Canada holds a major collection of her work, which is also represented in private and museum collections including the Musée d’Art Contemporain de Montréal; the Reykjavik Art Museum; the Shanghai Museum of Modern Art; the Caldic Collection, Wassenaar, Netherlands; as well as the Bank of Montreal and the Royal Bank of Canada.