Artwork by Alfred Joseph Casson,  Lake of Two Rivers - Algonquin Park

A.J. Casson
Lake of Two Rivers - Algonquin Park

oil on board
signed lower right; signed, titled and dated 1942 on the reverse
9.5 x 11.25 ins ( 24.1 x 28.6 cms )

Auction Estimate: $40,000.00$30,000.00 - $40,000.00

Price Realized $43,200.00
Sale date: June 15th 2022

Provenance:
Private Collection, Toronto
Literature:
Ian Thom, “Casson’s Cassons”, The McMichael Canadian Art Collection, Kleinburg, 1988, pages 5 and 18
Paul Duval, “A.J. Casson, A Tribute”, Toronto, 1980, pages 204-205 for the related canvas “Fishing Trip” (1945)
In the early 1940s A.J. Casson remained steadily busy with commercial projects, which grew out of the necessity for print and design work for World War II propaganda and initiatives. As a result, Casson was limited in his capability to travel too far afield on sketching trips. Algonquin park became a frequent destination from 1942 to 1945, due to the park’s proximity to Toronto. In the summer of 1942 Casson and his family visited the picturesque Lake of Two Rivers in Algonquin Park. As suggested by the name, this lake is surrounded by two rivers, with the Madawaska River entering from the west and exiting from the east. Often thought of as the heart of Algonquin Park, Lake of Two Rivers boasts a scenic landscape with lush forests surrounding the shoreline. The popular historic retreat of Killarney Lodge resides on the lake, enticing adventure enthusiasts and nature lovers alike.

During their holiday at Lake of Two Rivers, the Casson family would row across the lake to a perfectly situated island. It is the viewpoint from this island that Casson has chosen to depict. The rich foliage of trees and hilly formations across from the island hide the remnants of the Lake of Two Rivers Mill. This mill was operated year-round from 1933-1942 by the McRae Family, with workers living at the camp throughout the harsh winter. The McRae Lumber Company has been part of the lucrative timber trade for generations, with a modern mill now operating outside of Algonquin Park in Whitney, Ontario.

Casson has presented the Canadian landscape for pure aesthetic value in “Lake of Two Rivers - Algonquin Park”, with the sun shimmering across the lake and radiating through the tree-covered hills. The artist encapsulates the raw beauty of the landscape, exploring light and shadow while maintaining drama and luminosity. The shoreline of barren tree trunks set amongst the rocks and foliage is a stark reminder of the history of the region and the endurance of nature over man. This sketch, as well as another work of the same year entitled “Summer Haze, Lake of Two Rivers”, informed Casson’s monumental canvas “Fishing Trip” of 1945. “The nineteen-forties were a fertile period for Casson,” explains Ian Thom. “Many of these works are splendid explorations of light and form.” In firm command of his medium and creative brilliance, Casson has created an atmospheric composition emblematic of Ontario’s north, and reflective of humanity’s connection with nature.

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Alfred Joseph Casson
(1898 - 1992) Group of Seven, Canadian Group of Painters, PRCA, OSA, CSPWC

Born in Toronto, Ontario, he started art studies at Ryerson School and later under John S. Gordon at the Hamilton Technical School when his family moved to Hamilton. His family moved back to Toronto in 1916 and he worked free lance and studied evenings at the Ontario College of Art, the Toronto Central Technical School under Alfred Howell, and classes under Harry Britton who first taught him watercolour techniques and introduced him to oil painting.

When the young A.J. Casson first took a position as design assistant to Franklin Carmichael at the firm of Rous and Mann, he could not have known the remarkable direction his career would take. The demanding but affable Carmichael became a friend, mentor and sketching companion. In fact, it was Carmichael who introduced Alfred Casson to members of the Group of Seven at Toronto’s Arts and Letters Club. The dedicated artist began to exhibit with the Group and became a natural successor to Frank Johnston when he left to pursue other interests.

He exhibited for the first time with the Ontario Society of Artists in 1921, and in 1923 his canvas “Clearing” was purchased by the National Gallery of Canada. Casson , Carmichael and F. H. Brigden formed the Canadian Society of Painters in Water Colour in 1925 “to encourage and foster the art of watercolour in Canada.” F. B. Housser wrote in the Year Book of Arts in Canada “Carmichael and Casson are painting in watercolours … giving to Canadian landscape a statement in watercolour as bold and untraditional as that which some of their associates have given it in oils.”

Most of Casson’s large canvases were done between 1926 and 1930 when he found his subject matter in the Haliburton Region and Lake Superior areas. It was about 1924 that Casson became interested in the Ontario village. He made many pencilled sketches of structural details which became a valuable reference for his larger studies in oils like “Anglican Church at Magnetawan” completed in 1933 and purchased by the National Gallery of Canada in 1936. In his depiction of the more settled areas of southern Ontario, A.J. Casson was deliberately seeking out subject matter that set his work apart from the preferred material of other Group of Seven members. Alfred Casson’s strong design background shaped a unique painting style, characterized by graceful lines and carefully considered compositions. With the passing of time his style underwent a subtle change in which pattern became an essential element in his work.

In addition to his dedication to excellence in his own work, A.J. Casson was instrumental in the formation of important Canadian art organizations such as the Canadian Society of Painters in Watercolour, the Canadian Group of Painters and the WWII War Artists Program. Vice President and Art Director for Sampson-Matthews Ltd. for almost 20 years, he was responsible for the technical development of programs in connection with reproduction of artists’ works carried out by the National Gallery of Canada, Canadian Pulp and Paper Association and Sampson-Matthews Limited. He did heraldic work which was reproduced by Sampson-Matthews Ltd. including armorial bearings of Canada and a series of landscapes.

There can be no doubt that over a long career, which spanned much of the twentieth century, Alfred Joseph Casson left an indelible mark on the Canadian art landscape.

Source: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977

  • 1898   Alfred Joseph Casson born in Toronto
  • 1912   Studies at Hamilton Technical School under John S. Gordon
  • 1913   Apprenticeship at the Laidlaw Lithography Company in Hamilton, Ont.
  • 1914   Apprenticeship at Commercial Engravers Company
  • 1915   Freelance designer
  • 1915-1917   Studies at Toronto Central Technical College under Alfred Howell
  • 1918-1921   Studies at the Ontario College of Art under J.W. Beatty
  • 1919-1926   Assistant Designer to Franklin Carmichael at the design firm of Rous and Mann Ltd. 
  • 1920   Carmichael introduces Casson to Group of Seven members at Toronto’s Arts and Letters Club
  • 1921   Exhibits for the first time with the Ontario Society of Artists;  accompanies Carmichael on an extended painting trip to Rosseau Lake in the Muskoka district
  • 1922   Exhibits for the first time with the Group of Seven
  • 1923   “Clearing”, is purchased by the National Gallery of Canada; becomes a member of the Ontario Society of Artists
  • 1925   Founding member of the Canadian Society of Painters in Watercolour together with Franklin Carmichael and F.H. Brigden
  • 1926   Becomes a member of the Group of Seven upon the departure of Frank Johnston;  accompanies Franklin Carmichael to the design firm of Sampson-Matthews;  becomes an associate member of the Royal Canadian Academy of Arts;  buys a car and begins to explore the small villages and hamlets of Southern Ontario
  • 1926-1930   Sketches in the regions of Haliburton and Lake Superior
  • 1928   Sketching trip to Lake Superior with A.Y. Jackson, Lawren Harris and Franklin Carmichael
  • 1933   Co-founds the Canadian Group of Painters after the dissolution of the Group of Seven, following the death of J.E.H. MacDonald
  • 1936   Anglican Church at Magnetawan is purchased by the National Gallery of Canada
  • 1939   Becomes a full member of the RCA
  • 1939-1945  Appointed as a member of Canada’s War Records Committee;  helps to establish the WWII War Artists Program
  • 1940   Elected President of the Ontario Society of Artists
  • 1942   Appointed Art Director of Sampson-Matthews
  • 1946   Appointed Vice-President of Sampson-Matthews
  • 1949   Publishes “The Possibilities of Silk Screen Reproduction” in Canadian Art magazine
  • 1948   Elected President of the Royal Canadian Academy of Arts;  receives the Province of Ontario Award
  • 1954   Awarded the Gold Medal for Excellence in Canadian Advertising
  • 1955-1959   Appointed Vice-President of the Art Gallery of Ontario
  • 1957   Retires from Sampson-Matthews in order to pursue painting on a full-time basis;  awarded Gold Medal from the University of Alberta
  • 1967   Awarded Canada’s Silver Centennial Medal
  • 1970   Awarded the Royal Canadian Academy Medal; conferred with an Honourary LL.D. from the University of Western Ontario
  • 1971   Conferred with an Honourary Degree from the University of Saskatchewan
  • 1973   Becomes a Fellow of the Ontario College of Art; awarded the City of Toronto Award of Merit for distinguished public service
  • 1975   Conferred with an Honourary LL.D. from the University of Toronto
  • 1977   Awarded the Queen Elizabeth II Silver Jubilee Medal
  • 1979   Awarded the Order of Canada
  • 1980   Conferred with an D.F.A. from Mount Allison University
  • 1982   Conferred with an Honourary LL.D. from McMaster University
  • 1991   Awarded the Order of Ontario
  • 1992   Dies in Toronto at the age of 93