Artwork by Jean Albert McEwen,  Le printemps

Jean McEwen
Le printemps

colour lithograph
signed and dated 1973 lower right; numbered 52/75 lower left
30 x 22.25 ins ( 76.2 x 56.5 cms ) ( sheet )

Sold for $540.00
Sale date: April 27th 2021

Provenance:
Mira Godard Gallery, Toronto
Private Collection, Toronto
Literature:
Mira Godard Gallery, Jean McEwen, November 14 - December 19, 2020, page 5
Within the fall 2020 Mira Godard Gallery exhibition catalogue, “Jean McEwen”, Indra Labrie recalls the creation of “The Four Seasons” series by the artist:

“[McEwen] had a retrospective of his work at the Montreal Museum of Contemporary Art that year, and also made an album of lithographs, ‘The Four Seasons’, with a printmaking studio in New York...At the end of the year, just before the gallery closed for Christmas, Jean asked me which of his ‘Four Seasons’ I liked best. I chose ‘Spring’, which he then presented to me, inscribed with the dedication “Le printemps pour Indra.”

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Jean Albert McEwen
(1923 - 1999) RCA

Montreal-born painter Jean McEwen is most well-known for his abstracted paintings that focus on light and color relationships. Born in 1923, McEwen trained as a pharmacist at the University of Montreal and wrote poetry for Québec based literary journals, such as Gants du ciel. McEwen’s initial art career was inspired by a film, The Moon and Sixpence, which is based off of the life and work of Paul Gauguin. As a self-taught artist he was most interested in the feelings that paintings gave him and the exploration of color and light. While his paintings are abstract in nature, some may find that their eyes piece together imagery, such as water damage or ice-covered windows when viewing his works. During his lifetime his paintings toured the United States, Japan, Brazil, and throughout Canada.

McEwen was mentored by Automatiste artist, Paul Émilie Borduas in the early 1950s. At Borduas’ suggestion, McEwen traveled to Paris for a year where he was mentored by Jean Paul Piopelle. Together they traveled to Spain, Italy, Holland, and spent the summer in Brittany, France. After spending this time in Europe, he began working in a style that incorporated ideas from the French Impressionists as well as Abstract Expressionists who were popular in the United States. McEwen worked in a style that favored symmetrical compositions, and subtly referenced bodily movement and its relationship to nature.

Throughout the early 1950s, McEwen began regularly appearing in galleries in Québec and Ontario. His first solo exhibition took place in Ottawa at Galerie Agnes Lefort, and he appeared in Montreal’s Galerie Actuelle for an exhibition on non-figurative art in the 1950s. In 1960, he published his first book, Midi Temps J’aime-Poème en Couleur. Based off of his time spent on the east coast, McEwen shared poetry and his drawings in color in his publication. Until 1961, McEwen was working full-time for a Montreal based pharmaceutical company. After receiving a grant from the Canada Council for the Arts, he reduced his hours spent at the pharmacy to focus on painting. He continued working at the pharmacy part-time until the 1970s.

After leaving the pharmaceutical industry, McEwen accepted lecturer positions at the Université du Québec à Trois Rivières and at Concordia University’s Department of Visual Arts. The Montreal Museum of Fine Arts dedicated the first retrospective to McEwen’s art in 1987. In 2019, the Montreal Museum of Fine Arts put on an exhibition, Untamed Colour: Celebrating Jean McEwen, to honour the artist and showcase the selection of the artist’s works that the museum has collected over the past two decades.

Literature Sources: The Canadian Encyclopedia, “Jean McEwen” Historica Canada, Accessed June 18, 2020
Ian McGillis, “Discovered Again: MMFA Honours Jean McEwen 20 Years After His Death, “Montreal Gazette, September 27, 2019

We extend our thanks to Danie Klein, York University graduate student in art history, for writing and contributing this artist biography.