fourteen books
“Paul-Émile Borduas” (François-Marc Gagnon, 1988);
“Great Canadian Painting: A Century of Art” (Elizabeth Kilbourn, 1966);
“Visions of Light and Air: Canadian Impressionism, 1885-1920” (Musée du Québec, Québec, 1995);
“Home Truths: A Celebration of Family Life by Canada’s Best-Loved Painters” (Joan Murray, 1997);
“Impressionism in Canada: 1895-1935” (Art Gallery of Ontario, 1974);
“The McMichael Conservation Collection” (Paul Duval, 1970; possible working copy with notations by author within text);
“The Tangled Garden” (Paul Duval, 1978, signed and inscribed by Paul Duval to Alfred and Margaret Casson on inside cover with accompanying note on editorial corrections);
“Three Hundred Years of Canadian Art - An Exhibition Arranged in Celebration of the Centenery” (National Gallery of Canada, 1967);
“Georgian Canada: Conflict and Culture 1745-1820” (Donald Blake Webster, 1984);
“Lasting Impressions: Celebrated Works from the Art Gallery of Hamilton” (Art Gallery of Hamilton, 2005);
“The Arts of French Canada 1613-1870” (The Detroit Institute of Arts, 1946);
“A People’s Art: Primitive, Naïve, Provincial, and Folk Painting in Canada” (J. Russell Harper, 1974);
“Fortin” (Guy Robert, 1982, inscribed and signed by the author on the inside cover page)
