sixteen books
“Practical Notes on Etching” (R.S. Chattock, 1883);
“Monoprints for the artist” (Roger Marsh, 1969);
“Printmakers at Riverside” (The Kitchener-Waterloo Art Gallery and Anne McPherson, 1995);
“Walter J. Phillips” (Associated American Artists, 1988);
“Etching Methods and Materials: A Description of a New and Simplified Technique” (Wilson Silsby, 1943);
“Silkscreen Techniques” (J.I. Biegeleisen and Max Arthur Cohn, 1958);
“Curatorial Care of Works of Art on Paper” (Anne F. Clapp, 1987);
“A Complete Course of Lithography” (Alois Senefelder, 1977);
“New Ways of Gravure” (Stanley William Hayter, 1981);
“The Prints of Carl Schaefer” (Andrew J. Oko, n.d.);
“Leonard Hutchinson, People’s Artist: Ten Years of Struggle, 1930-1940” (Lynn Hutchinson Brown, 1975);
“The Society of Canadian Painter-Etchers and Engravers in Retrospect” (Art Gallery of Hamilton, 1981);
“Images of the Land Canadian Block Prints 1919-1945” (Patricia Ainslie, 1984);
“Reflections in a Quiet Pool: The Prints of David Milne” (National Gallery of Canada, 1980);
“Canadian Drawings and Prints” (Paul Duval, 1952);
“The Tranquility and the Turbulence” (Roger H. Boulet, 1981);
sold with “A Folio of Original Reproductions” (including Aba Bayefsky, W.J.B. Newcombe, J.A. Hall C. F. Schaefer, W.A. Ogilvie) and J.E.H. MacDonald “Beaver Pond, Algoma” reproduction
